Little House on the Prairie (Little House Series: Classic Stories #3)

Little House on the Prairie (Little House Series: Classic Stories #3)

Little House on the Prairie (Little House Series: Classic Stories #3)

Little House on the Prairie (Little House Series: Classic Stories #3)

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Overview

Based on the real-life adventures of Laura Ingalls Wilder, Little House on the Prairie is the third book in the award-winning Little House series, which has captivated generations of readers. This edition features the classic black-and-white artwork from Garth Williams. 

Laura Ingalls and her family are heading to Kansas! Leaving behind their home in the Big Woods of Wisconsin, they travel by covered wagon until they find the perfect spot to build a little house on the prairie. Laura and her sister Mary love exploring the rolling hills around their new home, but the family must soon get to work, farming and hunting and gathering food for themselves and for their livestock. Just when the Ingalls family starts to settle into their new home, they find themselves caught in the middle of a conflict. Will they have to move again?

The nine books in the timeless Little House series tell the story of Laura’s real childhood as an American pioneer, and are cherished by readers of all generations. They offer a unique glimpse into life on the American frontier, and tell the heartwarming, unforgettable story of a loving family.


Product Details

ISBN-13: 9780064400022
Publisher: HarperCollins
Publication date: 04/08/2008
Series: Little House , #3
Pages: 352
Sales rank: 22,631
Product dimensions: 5.12(w) x 7.62(h) x (d)
Age Range: 8 - 12 Years

About the Author

About The Author
Laura Ingalls Wilder (1867–1957) was born in a log cabin in the Wisconsin woods. With her family, she pioneered throughout America’s heartland during the 1870s and 1880s, finally settling in Dakota Territory. She married Almanzo Wilder in 1885; their only daughter, Rose, was born the following year. The Wilders moved to Rocky Ridge Farm at Mansfield, Missouri, in 1894, where they established a permanent home. After years of farming, Laura wrote the first of her beloved Little House books in 1932. The nine Little House books are international classics. Her writings live on into the twenty-first century as America’s quintessential pioneer story.


Garth Williams is the renowned illustrator of almost one hundred books for children, including the beloved Stuart Little by E. B. White, Bedtime for Frances by Russell Hoban, and the Little House series by Laura Ingalls Wilder.

He was born in 1912 in New York City but raised in England. He founded an art school near London and served with the British Red Cross Civilian Defense during World War II. Williams worked as a portrait sculptor, art director, and magazine artist before doing his first book Stuart Little, thus beginning a long and lustrous career illustrating some of the best known children's books.

In addition to illustrating works by White and Wilder, he also illustrated George Selden’s The Cricket in Times Square and its sequels (Farrar Straus Giroux). He created the character and pictures for the first book in the Frances series by Russell Hoban (HarperCollins) and the first books in the Miss Bianca series by Margery Sharp (Little, Brown). He collaborated with Margaret Wise Brown on her Little Golden Books titles Home for a Bunny and Little Fur Family, among others, and with Jack Prelutsky on two poetry collections published by Greenwillow: Ride a Purple Pelican and Beneath a Blue Umbrella. He also wrote and illustrated seven books on his own, including Baby Farm Animals (Little Golden Books) and The Rabbits’ Wedding (HarperCollins).

Date of Birth:

February 7, 1867

Date of Death:

February 10, 1957

Place of Birth:

Pepin, Wisconsin

Place of Death:

Mansfield, Missouri

Read an Excerpt

Chapter One

A long time ago, when all the grandfathers and grandmothers of today were little boys and little girls or very small babies, or perhaps not even born, Pa and Ma and Mary and Laura and Baby Carrie left their little house in the Big Woods of Wisconsin. They drove away and left it lonely and empty in the clearing among the big trees, and they never saw that little house again.They were going to the Indian country.

Pa said there were too many people in the Big Woods now. Quite often Laura heard the ringing thud of an ax which was not Pa's ax, or the echo of a shot that did not come from his gun. The path that went by the little house had become a road. Almost every day Laura and Mary stopped their playing and stared in surprise at a wagon slowly creaking by on that road.

Wild animals would not stay in a country where there were so many people. Pa did not like to stay, either. He liked a country where the wild animals lived without being afraid. He liked to see the little fawns and their mothers looking at him from the shadowy woods, and the fat, lazy bears eating berries in the wild-berry patches.

In the long winter evenings he talked to Ma about the Western country. In the West the land was level, and there were no trees. The grass grew thick and high. There the wild animals wandered and fed as though they were in a pasture that stretched much farther than a man could see, and there were no settlers. Only Indians lived there.

One day in the very last of the winter Pa said to Ma, "Seeing you don't object, I've decided to go see the West. I've had an offer for this place, and we can sell it now for as much as we're ever likely to get,enough to give us a start in a new country."

"Oh, Charles, must we go now?" Ma said. The weather was so cold and the snug house was so comfortable.

"If we are going this year, we must go now," said Pa. "We can't get across the Mississippi after the ice breaks."

So Pa sold the little house. He sold the cow and calf. He made hickory bows and fastened them upright to the wagon box. Ma helped him stretch white canvas over them.

In the thin dark before morning Ma gently shook Mary and Laura till they got up. In firelight and candlelight she washed and combed them and dressed them warmly. Over their long red-flannel underwear she put wool petticoats and wool dresses and long wool stockings. She put their coats on them, and their rabbit-skin hoods and their red yarn mittens.

Everything from the little house was in the wagon, except the beds and tables and chairs. They did not need to take these, because Pa could always make new ones.

There was thin snow on the ground. The air was still and cold and dark. The bare trees stood up against the frosty stars. But in the east the sky was pale and through the gray woods came lanterns with wagons and horses, bringing Grandpa and Grandma and aunts and uncles and cousins.

Mary and Laura clung tight to their rag dolls and did not say anything. The cousins stood around and looked at them. Grandma and all the aunts hugged and kissed them and hugged and kissed them again, saying good-by.

Pa hung his gun to the wagon bows inside the canvas top, where he could reach it quickly from the seat. He hung his bullet-pouch and powder-horn beneath it. He laid the fiddle-box carefully between pillows, where jolting would not hurt the fiddle.

The uncles helped him hitch the horses to the wagon. All the cousins were told to kiss Mary and Laura, so they did. Pa picked up Mary and then Laura, and set them on the bed in the back of the wagon. He helped Ma climb up to the wagon-seat, and Grandma reached up and gave her Baby Carrie. Pa swung up and sat beside Ma, and Jack, the brindle bulldog, went under the wagon.

So they all went away from the little log house. The shutters were over the windows, so the little house could not see them go. It stayed there inside the log fence, behind the two big oak trees that in the summertime had made green roofs for Mary and Laura to play under. And that was the last of the little house.

Pa promised that when they came to the West, Laura should see a papoose."What is a papoose?" she asked him, and he said, "A papoose is a little, brown, Indian baby."

They drove a long way through the snowy woods, till they came to the town of Pepin. Mary and Laura had seen it once before, but it looked different now. The door of the store and the doors of all the houses were shut, the stumps were covered with snow, and no little children were playing outdoors. Big cords of wood stood among the stumps. Only two or three men in boots and fur caps and bright plaid coats were to be seen.

Ma and Laura and Mary ate bread and molasses in the wagon, and the horses ate corn from nose-bags, while inside the store Pa traded his furs for things they would need on the journey. They could not stay long in the town, because they must cross the lake that day.

The enormous lake stretched flat and smooth and white all the way to the edge of the gray sky. Wagon tracks went away across it, so far that you could not see where they went; they ended in nothing at all.

Pa drove the wagon out onto the ice, following those wagon tracks. The horses' hoofs clop-clopped with a dull sound, the wagon wheels went crunching. The town grew smaller and smaller behind, till even the tall store was only a dot. All around the wagon there was nothing but empty and silent space. Laura didn't like it. But Pa was on the wagon-seat and Jack was under the wagon; she knew that nothing could hurt her while Pa and Jack were there.

At last the wagon was pulling up a slope of earth again, and again there were trees. There was a little log house, too, among the trees. So Laura felt better.

Nobody lived in the little house; it was a place to camp in. It was a tiny house, and strange, with a big fireplace and rough bunks against all the walls. But it was warm when Pa had built a fire in the fireplace. That night Mary and Laura and Baby Carrie slept with Ma in a bed made on the floor before the fire, while Pa slept outside in the wagon, to guard it and the horses.

In the night a strange noise wakened Laura. It sounded like a shot, but it was sharper and longer than a shot. Again and again she heard it. Mary and Carrie were asleep, but Laura couldn't sleep until Ma's voice came softly through the dark. "Go to sleep, Laura," Ma said. "It's only the ice cracking."Next morning Pa said, "It's lucky we crossed yesterday, Caroline. Wouldn't wonder if the ice broke up today. We made a late crossing, and we're lucky it didn't start breaking up while we were out in the middle of it."

"I thought about that yesterday, Charles," Ma replied, gently.

Laura hadn't thought about it before, but now she thought what would have happened if the ice had cracked under the wagon wheels and they had all gone down into the cold water in the middle of that vast lake.

"You're frightening somebody, Charles," Ma said, and Pa caught Laura up in his safe, big hug.

"We're across the Mississippi!" he said, hugging her joyously. "How do you like that, little half-pint of sweet cider half drunk up? Do you like going out west where Indians live?"

Laura said she liked it, and she asked if they were in the Indian country now. But they were not; they were in Minnesota. Little House on the Prairie. Copyright © by Laura Wilder. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

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