Listening as Spiritual Practice in Early Modern Italy / Edition 1

by Andrew Dell'Antonio

Overview

The early seventeenth century, when the first operas were written and technical advances with far-reaching consequences—such as tonal music—began to develop, is also notable for another shift: the displacement of aristocratic music-makers by a new professional class of performers. In this book, Andrew Dell’Antonio looks at a related phenomenon: the rise of a cultivated audience whose skill involved listening rather than playing or singing. Drawing from contemporaneous discourses and other commentaries on music, the visual arts, and Church doctrine, Dell’Antonio links the new ideas about cultivated listening with other intellectual trends of the period: humanistic learning, contemplative listening (or watching) as an active spiritual practice, and musical mysticism as an ideal promoted by the Church as part of the Catholic Reformation.

Product Details

ISBN-13:	9780520269293
Publisher:	University of California Press
Publication date:	07/21/2011
Edition description:	First Edition
Pages:	235
Product dimensions:	6.00(w) x 9.10(h) x 0.90(d)

About the Author

Andrew Dell’Antonio is Professor in the Musicology/Ethnomusicology Division at the University of Texas at Austin, Butler School of Music. He is a former Mellon Fellow at the Harvard-Villa I Tatti Center for Italian Renaissance Studies and the editor of Beyond Structural Listening? Postmodern Modes of Hearing (UC Press).

Table of Contents

Acknowledgments

Introduction: Listening as Spiritual Practice
1. Rapt Attention
2. Aural Collecting
3. Proper Listening
4. Noble and Manly Understanding
Envoy: From Gusto to Goût

Appendix: Lelio Guidiccioni, “Della Musica”: Transcription and Translation
Notes
Bibliography
Index

Editorial Reviews

"Listening as Spiritual Practice aligns in new ways many of our understandings of early modern musical culture."

Renaissance Quarterly - Jennifer Thomas