"The great Crusader king Richard the Lionheart comes alive in all his complex splendor in this masterpiece of a medieval tapestry by Sharon Kay Penman. She brings him and his legendary enemy, Saladin, before us, both on the battlefield for Jerusalem and in the quiet of their private chambers. It's as if you were there, in this strange, beguiling, vanished time that haunts the Middle East even today. Penman has triumphed in capturing its elusive essence and the blazing glory of the English king called Lionheart."
"The great Crusader king Richard the Lionheart comes alive in all his complex splendor in this masterpiece of a medieval tapestry by Sharon Kay Penman. She brings him and his legendary enemy, Saladin, before us, both on the battlefield for Jerusalem and in the quiet of their private chambers. It's as if you were there, in this strange, beguiling, vanished time that haunts the Middle East even today. Penman has triumphed in capturing its elusive essence and the blazing glory of the English king called Lionheart." — Margaret George, author of Elizabeth I: A Novel
The Saracens called him Malik Ric. The English called him Lionheart. In Penman's latest historical, Richard I, determined to conquer the Holy Land and capture Jerusalem, journeys first to Sicily and Cyprus to free his imprisoned sister, Joanna; battle against self-proclaimed emperor Isaac Comnenus; and marry his bride, Berengaria of Navarre. Despite the departure of the French from Outremer (the Crusader states established after the First Crusade), Richard seizes strategic cities in the Holy Land as he maintains diplomatic relations with the Saracens. His legendary feats in battle and genius as a military commander bring him closer to capturing the Holy City. When word reaches him that England is in turmoil, Richard must decide whether to make a peace treaty with the Saracens or continue to fight for Jerusalem. His surprising choice will leave readers begging for more of Lionheart; Penman will continue his story in 2012 with A King's Ransom. VERDICT As in her previous historical novels (Time and Chance) and mysteries, Penman expertly weaves well-researched historical events into her fast-paced revisionist story. Certain to appeal to historical fiction fans interested in the medieval era. [See Prepub Alert, 4/11/11.]—Cheryl Seymour, Ogdensburg, NY
A thick medieval oater in which Richard Coeur de Lion meets Al-Malik al-Nasir Salah al-Din, heads roll and the world shakes and shivers.
A little exposition in describing a book full of it: As fans ofThe Lion in Winterwill remember, Henry II, King of England and Duke of Normandy, married the phenomenally smart Eleanor of Aquitaine and had five sons, three of whom rose up against him in rebellion. One of his heirs was Richard, who was no stranger to either intrigue or war. As Penman (Time and Chance, 2002, etc.) picks up her saga of the Angevins and Plantagenets in the present volume, Richard has dispatched with a pesky sibling and is now off in the Near East, embarking on the great task of freeing the Holy Land from the Muslims. Such big jobs need lots of support staff, and Penman fills her pages with characters, some colorful and some not, who do little bits of work to move the story along—but, sometimes, to make a long and complicated tale even more diffuse than it might have been. Mostly, though, Penman centers on the usual stuff of what, in the end, is an elevated gothic romance ("I think he had a nunnery in mind. He promised, though, to look after me, to make sure that I was always safe..." "Her veil slipped, as if by chance, and his pulse quickened, for she had skin as golden as her eyes and a full, ripe mouth made for a man's kisses")—though, thankfully, there's plenty of crowd-pleasing hacking of swords and twanging of catapults, too. Indeed, if the great flaw of the book is talkiness and, yes, a surfeit of exposition ("Henri had no liking for Baldwin, who'd been one of the two knights who'd broken formation at Arsuf, forcing Richard to commit to a premature charge"), the descriptions of action are uniformly well handled.
In the hands of Robert Graves or Mary Renault, the material might have yielded a classic. As it is, a sturdy historical fiction.
