Emotionally wrenching. . . . Haunting (and haunted) in the best possible way.”Kirkus Reviews (starred review)
“Powerful and layered, this is a tour de force . . . dark, moody, and mesmerizing.”Foreword Reviews (starred review)
“He writes about difficult things in a beautiful way, reminiscent of Cormac McCarthy. . . . Powell’s love for his native turf comes through tangibly.” Barbara Bennett, North Carolina Literary Review
“Lioness is a darkly compelling portrait of an artist who evolves into a homegrown ecoterrorist. Mark Powell’s brooding, twisty novel is packed with a distinctively American, highly explosive mixture of religion, art, sexual obsession, mental illness, and environmental menace.” Tom Perrotta, author of Tracy Flick Can’t Win and The Leftovers “The best Appalachian novelist of his generation.” Ron Rash, author of Serena and In the Valley
“Mark Powell’s Lioness is a force of nature: moody, twisty, stormy, and supercharged with the fierce blue voltage of top-notch storytelling. It’s a riveting ecothriller that’s also a profound exploration of grief—grief for one another, and grief for the earth. What a powerful novel.” Jonathan Miles, author of Anatomy of a Miracle
“A thriller with quickness and elegance, Lioness asks tough questions about our responsibilities to the natural world and to one another. In offering no easy answers, it achieves something beautiful and haunting. Mark Powell has written a gorgeous, enthralling, immensely readable novel that will hook you until the very last page.” Kayla Rae Whitaker, author of The Animators
“Mark Powell’s Lioness is an immersive rendering of the human quest for love and healing amidst a world on fire—a fire we have set and cannot tame.” Annette Saunooke Clapsaddle, author of Even as We Breathe
“In this haunting novel of passion and intrigue, Mark Powell takes on the environmental collapse coming at us and the people driven to action. Powell is a writer with mountains of talent, and here he creates complex and fascinating characters trying to figure a way out of grief and despair. Even love is sometimes violent.” Janisse Ray, author of Wild Spectacle: Seeking Wonders in a World beyond Humans
“Lioness takes the reader on a cross-country journey that is as much spiritual and psychological as it is physical. Mark Powell’s powerful descriptions capture the grief, love, and despair of his characters as they move through a land that’s been wrought by environmental degradation and an ever-changing climate.” Jessica Cory, editor of Mountains Piled upon Mountains: Appalachian Nature Writing in the Anthropocene
★ 2022-03-16
An artist takes part in an act of ecoterrorism.
There’s a small but memorable coterie of novels in which a troubled narrator attempts to figure out what drove a loved one to an act of political violence. Paul Auster’s Leviathan (1992) is one such book, and Powell’s latest offers a distinctly 21st-century spin on the theme. David, the writer at the heart of this novel, is struggling in the aftermath of a host of harrowing events. One is his young son’s death as a result of non-Hodgkin’s lymphoma; the other is his wife Mara’s involvement in the bombing of a water bottling facility, which may have killed her though her body was never found. As David looks back on the events that led up to these tragedies, he ponders Mara’s successful art career and his own work as a journalist and playwright. This also involves tracing their involvement in activism, which began in 2003 with “an affair built around private lust and public fury.” Another figure looms large in the book and in David and Mara’s relationship: an activist named Chris Bright who, David recalls, “lived with the discipline required of one existing outside the bounds of society.” David’s narrative moves backward and forward in time, circling different parts of his marriage to Mara, their respective artistic careers, the birth of their son, and the tragic end to it all. Despite this unconventional structure, Powell’s novel is never confusing; instead, it has a tragic force that propels it toward its destination. And while some of David’s own attempts to wrestle with the past and summon alternate explanations or endings for various events feel a bit overlong, the overall effect is emotionally wrenching.
This politically charged novel is haunting (and haunted) in the best possible way.
