Members of Vancouver's
psychedelic space rock monster
Black Mountain have formed several side projects up until this point, and what's striking is that all of these ensembles, duos, and solo acts have been consistently good.
Lightning Dust, comprised of
Amber Webber and
Joshua Wells, is no exception; their self-titled debut is stark, curst, strange, and compelling. It's the sparse, meditative complement to
Black Mountain's galloping repertoire: epic
acid folk twined in the latter band's energy charged synth-trippery. To put it another way, this is
Black Sabbath's witchy-hippy granddaughter, or
Devendra Banhart's Mood-wielding twin sister.
Lightning Dust, at its core, is all about
Webber's deep, dark vocals (think
Chan Marshall meets
Grace Slick) and her haunting lyrics. And the fact that she's been given room to move into the forefront on
Lightning Dust is pretty much the disc's biggest draw; she's come out from behind
Black Mountain's sauropaud-sized rock and into her own. This album is by and large plodding and melancholy, but
Lightning Dust manage to inject it with enough tension to keep things from growing sodden and mirey. In fact, the album is at its best when the mood is dark; the sole upbeat number,
"Wind Me Up," actually sounds disproportionate and contrived compared to the rest of the tracks.
Wells and
Webber haven't delved into strikingly new territory on this disc; many of the tracks found here,
"Take Me Back" and
"Heaven" in particular, sound like they'd be right at home on a
Black Mountain release. If there's anything to be learned from
Lightning Dust, it's that
Webber's talent is essentially buried under the weight of
Black Mountain. She's a huge vocalist, and in some respects she might be a more rewarding musician than
Black Mountain frontman
Stephen McBean. ~ Margaret Reges
