Light as Experience and Imagination from Paleolithic to Roman Times
This book is an interdisciplinary synthesis and interpretation about the experience of light as revealed in a wide range of art and literature from Paleolithic to Roman times. Humanistic in spirit and in its handling of facts, it marshals a substantial body of scholarship to develop an explication of light as a central, even dramatic, reality of human existence and experience in diverse cultural settings. David S. Herrstrom underscores our intimacy with light—not only its constant presence in our life but its insinuating character. Focusing on our encounters with light and ways of making sense of these, this book is concerned with the personal and cultural impact of light, exploring our resistance to and acceptance of light.

Its approach is unique. The book’s true subject is the individual’s relationship with light, rather than the investigation of light’s essential nature. Ittells the story of light seducing individuals down through the ages. Consequently, it is not concerned with the “progress” of scientific inquiries into the physical properties and behavior of light (optical science), but rather with subjective reactions to it as reflected in art (Paleolithic through Roman), architecture (Egyptian, Grecian, Roman), mythology and religion (Paleolithic, Egyptian), and literature (e.g., Akhenaten, Plato, Aeschylus, Lucretius, John the Evangelist, Plotinus, and Augustine). This book celebrates the complexity of our relation to light’s character. No individual experience of light is “truer” than any other; none improves on any previous experience of light’s “tidal pull” on us. And the wondrous variety of these encounters has yielded a richly layered tapestry of human experience. By its broad scope and interdisciplinary approach, this pioneering book is without precedent.
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Light as Experience and Imagination from Paleolithic to Roman Times
This book is an interdisciplinary synthesis and interpretation about the experience of light as revealed in a wide range of art and literature from Paleolithic to Roman times. Humanistic in spirit and in its handling of facts, it marshals a substantial body of scholarship to develop an explication of light as a central, even dramatic, reality of human existence and experience in diverse cultural settings. David S. Herrstrom underscores our intimacy with light—not only its constant presence in our life but its insinuating character. Focusing on our encounters with light and ways of making sense of these, this book is concerned with the personal and cultural impact of light, exploring our resistance to and acceptance of light.

Its approach is unique. The book’s true subject is the individual’s relationship with light, rather than the investigation of light’s essential nature. Ittells the story of light seducing individuals down through the ages. Consequently, it is not concerned with the “progress” of scientific inquiries into the physical properties and behavior of light (optical science), but rather with subjective reactions to it as reflected in art (Paleolithic through Roman), architecture (Egyptian, Grecian, Roman), mythology and religion (Paleolithic, Egyptian), and literature (e.g., Akhenaten, Plato, Aeschylus, Lucretius, John the Evangelist, Plotinus, and Augustine). This book celebrates the complexity of our relation to light’s character. No individual experience of light is “truer” than any other; none improves on any previous experience of light’s “tidal pull” on us. And the wondrous variety of these encounters has yielded a richly layered tapestry of human experience. By its broad scope and interdisciplinary approach, this pioneering book is without precedent.
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Light as Experience and Imagination from Paleolithic to Roman Times

Light as Experience and Imagination from Paleolithic to Roman Times

by David S. Herrstrom
Light as Experience and Imagination from Paleolithic to Roman Times

Light as Experience and Imagination from Paleolithic to Roman Times

by David S. Herrstrom

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Overview

This book is an interdisciplinary synthesis and interpretation about the experience of light as revealed in a wide range of art and literature from Paleolithic to Roman times. Humanistic in spirit and in its handling of facts, it marshals a substantial body of scholarship to develop an explication of light as a central, even dramatic, reality of human existence and experience in diverse cultural settings. David S. Herrstrom underscores our intimacy with light—not only its constant presence in our life but its insinuating character. Focusing on our encounters with light and ways of making sense of these, this book is concerned with the personal and cultural impact of light, exploring our resistance to and acceptance of light.

Its approach is unique. The book’s true subject is the individual’s relationship with light, rather than the investigation of light’s essential nature. Ittells the story of light seducing individuals down through the ages. Consequently, it is not concerned with the “progress” of scientific inquiries into the physical properties and behavior of light (optical science), but rather with subjective reactions to it as reflected in art (Paleolithic through Roman), architecture (Egyptian, Grecian, Roman), mythology and religion (Paleolithic, Egyptian), and literature (e.g., Akhenaten, Plato, Aeschylus, Lucretius, John the Evangelist, Plotinus, and Augustine). This book celebrates the complexity of our relation to light’s character. No individual experience of light is “truer” than any other; none improves on any previous experience of light’s “tidal pull” on us. And the wondrous variety of these encounters has yielded a richly layered tapestry of human experience. By its broad scope and interdisciplinary approach, this pioneering book is without precedent.

Product Details

ISBN-13: 9781683930945
Publisher: University Press Copublishing Division
Publication date: 09/26/2017
Pages: 202
Product dimensions: 6.21(w) x 9.38(h) x 0.78(d)

About the Author

David S. Herrstrom is an independent scholar who has taught and lectured at various universities and museums, including Queens College (City University of New York), Monmouth University, and Drew University, as well as the Woodmere Art Museum (Philadelphia).

Table of Contents

Acknowledgements
Introduction
1. Hunter Light of the Sky: The Paleolithic Era
Cro-Magnon Ancestors, the Image-makers
The Shaman’s Transformation and the Light-Body
The Shaman’s Art of Light – the Cave Paintings
2. Planter Light of the Sun:TheNeolithic Era
Shaman to Seer, Being Light to Seeing Light
The Brightness, the Rays, and Quartz Light
Trapping the Rays – Newgrange and Stonehenge
3. The Great Illuminator: The Egyptian Classical Age and the Amarna Period
Lightland of the Sunfolk
Stone-Light on the Plain, Shadow-Light in the Temple
Naked-Light of the Natural World
Akhenaten’s “Great Hymn to the Aten”
Innocence Lost, Light and Darkness
4. Scenes of Light & Shadow, the Luminaries: The Greek Classical Age
Thales’ Light & Shadow Adventure
Athenian Light: Homer’s Radiance and the Potters’ Light-Shadow Contraries
Parmenides’ Refusal to Name Light and Night
Aeschylus’ Actor Light and The Law of Light and Shadow
Plato’s Light-Show
The Bones of Light – Euclid
5. Acts of Light, the Refractors: The Roman Classical Age
Brilliant Mosaic Skin
The Light of the Walls
Lucretius’ Swerves of Light
Systems of Light – John’s Gospel and Hadrian’s Pantheon
Poimandres Says, “Think About the Light and Understand It”
Biographies of Light – Plotinus’ Flash and Augustine’s Seducer
Conclusion
Bibliographies
Index
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