Lemon Hound

2007 Winner of the Pat Lowther Award and a Lambda Literary Award

If you open your mouth, ache. If you don’t open your mouth, swelter. If you open your mouth but hold your breath, ether. If you look for colour, coral and tea leaves. If you follow the moon, wet and concrete. If you cling to the earth, pistol and candy apple. If you give up your garden, maze and globe, hydrangeas and moon vines. If you lose your shoes, pumice and strain. If you have no money, tin and clang.

As meditative practices focus on the axis of breath, these poems focus on the moment of action, of thought, on the flux of speech.

This is a poetry not of snapshots or collages but of long-exposed captures of the not-so-still lives of women. One sequence imagines Virginia Woolf’s childhood; another unmakes her novel The Waves by attempting to untangle its six overlapping narratives. Yet another, ‘On the Scent,’ makes us flâneurs through the lives of a series of contemporary women, while ‘The River Is All Thumbs’ uses a palette of vibrant repetition to ‘paint’ a landscape.

Queyras’s language – astute, insistent, languorous – repeats and echoes until it becomes hypnotic, chimerical, almost halluncinatory in its reflexivity. How lyrical can prose poetry be? How closely can it mimic painting? Sculpture? Film? How do wemake a moment firm? These ‘postmodern,’ ‘postfeminist’ poems pulse between prose and poetry: the line, the line, they seem to ask, must it ever end?

‘Laced with Virginia Woolf-inspired content, Queyras cultivates a rhythm that rocks the reader through a frontier map of the twenty-first century woman ... Lemon Hound's unique rhythms provide immediate gratification while its layered substance affords greater fulfillment with each reading.’ – Verse

"1101420446"
Lemon Hound

2007 Winner of the Pat Lowther Award and a Lambda Literary Award

If you open your mouth, ache. If you don’t open your mouth, swelter. If you open your mouth but hold your breath, ether. If you look for colour, coral and tea leaves. If you follow the moon, wet and concrete. If you cling to the earth, pistol and candy apple. If you give up your garden, maze and globe, hydrangeas and moon vines. If you lose your shoes, pumice and strain. If you have no money, tin and clang.

As meditative practices focus on the axis of breath, these poems focus on the moment of action, of thought, on the flux of speech.

This is a poetry not of snapshots or collages but of long-exposed captures of the not-so-still lives of women. One sequence imagines Virginia Woolf’s childhood; another unmakes her novel The Waves by attempting to untangle its six overlapping narratives. Yet another, ‘On the Scent,’ makes us flâneurs through the lives of a series of contemporary women, while ‘The River Is All Thumbs’ uses a palette of vibrant repetition to ‘paint’ a landscape.

Queyras’s language – astute, insistent, languorous – repeats and echoes until it becomes hypnotic, chimerical, almost halluncinatory in its reflexivity. How lyrical can prose poetry be? How closely can it mimic painting? Sculpture? Film? How do wemake a moment firm? These ‘postmodern,’ ‘postfeminist’ poems pulse between prose and poetry: the line, the line, they seem to ask, must it ever end?

‘Laced with Virginia Woolf-inspired content, Queyras cultivates a rhythm that rocks the reader through a frontier map of the twenty-first century woman ... Lemon Hound's unique rhythms provide immediate gratification while its layered substance affords greater fulfillment with each reading.’ – Verse

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Lemon Hound

Lemon Hound

by Sina Queyras
Lemon Hound

Lemon Hound

by Sina Queyras

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Overview

2007 Winner of the Pat Lowther Award and a Lambda Literary Award

If you open your mouth, ache. If you don’t open your mouth, swelter. If you open your mouth but hold your breath, ether. If you look for colour, coral and tea leaves. If you follow the moon, wet and concrete. If you cling to the earth, pistol and candy apple. If you give up your garden, maze and globe, hydrangeas and moon vines. If you lose your shoes, pumice and strain. If you have no money, tin and clang.

As meditative practices focus on the axis of breath, these poems focus on the moment of action, of thought, on the flux of speech.

This is a poetry not of snapshots or collages but of long-exposed captures of the not-so-still lives of women. One sequence imagines Virginia Woolf’s childhood; another unmakes her novel The Waves by attempting to untangle its six overlapping narratives. Yet another, ‘On the Scent,’ makes us flâneurs through the lives of a series of contemporary women, while ‘The River Is All Thumbs’ uses a palette of vibrant repetition to ‘paint’ a landscape.

Queyras’s language – astute, insistent, languorous – repeats and echoes until it becomes hypnotic, chimerical, almost halluncinatory in its reflexivity. How lyrical can prose poetry be? How closely can it mimic painting? Sculpture? Film? How do wemake a moment firm? These ‘postmodern,’ ‘postfeminist’ poems pulse between prose and poetry: the line, the line, they seem to ask, must it ever end?

‘Laced with Virginia Woolf-inspired content, Queyras cultivates a rhythm that rocks the reader through a frontier map of the twenty-first century woman ... Lemon Hound's unique rhythms provide immediate gratification while its layered substance affords greater fulfillment with each reading.’ – Verse


Product Details

ISBN-13: 9781770561274
Publisher: Coach House Books
Publication date: 03/23/2006
Sold by: Barnes & Noble
Format: eBook
Pages: 112
File size: 2 MB

About the Author

Sina Queyras is the author of My Ariel, MxT, Expressway, and Lemon Hound, all from Coach House Books. They were born on land belonging to the Nisichawayasihk Cree Nation and live and teach in Tiohtià:ke (Montréal).

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