Leaves of Grass
Ralph Waldo Emerson issued a call for a great poet to capture and immortalize the unique American experience.


In 1855, an answer came with Leaves of Grass.





Today, this masterful collection remains not only a seminal event in American literature but also the incomparable achievement of one of America's greatest poets-an exuberant, passionate man who loved his country and wrote of it as no other has ever done. Walt Whitman was a singer, thinker, visionary, and citizen extraordinaire. Thoreau called Whitman “probably the greatest democrat that ever lived,” and Emerson judged Leaves of Grass as “the most extraordinary piece of wit and wisdom America has yet contributed.”





The text presented here is that of the “Deathbed” or ninth edition of Leaves of Grass, published in 1892. The content and grouping of poems is the version authorized by Whitman himself for the final and complete edition of his masterpiece.





With a foreword by Billy Collins, an afterword by Peter Davison, and a new introduction by Elisabeth Panttaja Brink
"1116783229"
Leaves of Grass
Ralph Waldo Emerson issued a call for a great poet to capture and immortalize the unique American experience.


In 1855, an answer came with Leaves of Grass.





Today, this masterful collection remains not only a seminal event in American literature but also the incomparable achievement of one of America's greatest poets-an exuberant, passionate man who loved his country and wrote of it as no other has ever done. Walt Whitman was a singer, thinker, visionary, and citizen extraordinaire. Thoreau called Whitman “probably the greatest democrat that ever lived,” and Emerson judged Leaves of Grass as “the most extraordinary piece of wit and wisdom America has yet contributed.”





The text presented here is that of the “Deathbed” or ninth edition of Leaves of Grass, published in 1892. The content and grouping of poems is the version authorized by Whitman himself for the final and complete edition of his masterpiece.





With a foreword by Billy Collins, an afterword by Peter Davison, and a new introduction by Elisabeth Panttaja Brink
17.99 In Stock
Leaves of Grass

Leaves of Grass

by Walt Whitman

Narrated by Full Cast

Unabridged — 19 hours, 5 minutes

Leaves of Grass

Leaves of Grass

by Walt Whitman

Narrated by Full Cast

Unabridged — 19 hours, 5 minutes

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Overview

Ralph Waldo Emerson issued a call for a great poet to capture and immortalize the unique American experience.


In 1855, an answer came with Leaves of Grass.





Today, this masterful collection remains not only a seminal event in American literature but also the incomparable achievement of one of America's greatest poets-an exuberant, passionate man who loved his country and wrote of it as no other has ever done. Walt Whitman was a singer, thinker, visionary, and citizen extraordinaire. Thoreau called Whitman “probably the greatest democrat that ever lived,” and Emerson judged Leaves of Grass as “the most extraordinary piece of wit and wisdom America has yet contributed.”





The text presented here is that of the “Deathbed” or ninth edition of Leaves of Grass, published in 1892. The content and grouping of poems is the version authorized by Whitman himself for the final and complete edition of his masterpiece.





With a foreword by Billy Collins, an afterword by Peter Davison, and a new introduction by Elisabeth Panttaja Brink

Editorial Reviews

Booknews

A selection of the writings of Whitman from the volumes , , , , , , , , , , , , and others. Annotation c. by Book News, Inc., Portland, Or.

From the Publisher

"Whitman's best poems have that permanent quality of being freshly painted, of not being dulled by the varnish of the years." —Malcolm Cowley

Product Details

BN ID: 2940171322625
Publisher: Author's Republic
Publication date: 06/27/2018
Edition description: Unabridged

Read an Excerpt

One's Self I Sing

One's-Self I sing, a simple separate person,
Yet utter the word Democratic, the word En-Masse.

Of physiology from top to toe I sing,
Not physiognomy alone nor brain alone is worthy for the Muse, I say the Form complete is worthier far,
The Female equally with the Male I sing.

Of Life immense in passion, pulse, and power,
Cheerful, for freest action form'd under the laws divine,
The Modern Man I sing.


As I Ponder'd in Silence

As I ponder'd in silence,
Returning upon my poems, considering, lingering long,
A Phantom arose before me with distrustful aspect,
Terrible in beauty, age, and power,
The genius of poets of old lands,
As to me directing like flame its eyes,
With finger pointing to many immortal songs,
And menacing voice, What singest thou? it said,
Know'st thou not there is hut one theme for ever-enduring bards?
And that is the theme of War, the fortune of battles,
The making of perfect soldiers.

Be it so, then I answer'd.
I too haughty Shade also sing war, and a longer and greater one than any,
Waged in my book with varying fortune, with flight, advance and retreat, victory deferr'd and wavering,
(Yet methinks certain, or as good as certain, at the last,) the field the world,
For life and death., for the Body and for the eternal Soul,
Lo, I too am come, chanting the chant of battles,
I above all promote brave soldiers.

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