Landscapes of the New West: Gender and Geography in Contemporary Women's Writing
312Landscapes of the New West: Gender and Geography in Contemporary Women's Writing
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Overview
Product Details
ISBN-13: | 9780807848135 |
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Publisher: | The University of North Carolina Press |
Publication date: | 06/28/1999 |
Series: | Cultural Studies of the United States |
Edition description: | 1 |
Pages: | 312 |
Product dimensions: | 6.12(w) x 9.25(h) x 0.71(d) |
About the Author
Table of Contents
Contents
Acknowledgments
Introduction: Postmodernism, Literary Nationalism, and Western Cultural Production
Part I. Toward a Spatial History of the New Feminist Regionalism
1. Landscapes of Westernness: Gender, Race, and the Politics of American Spaces
2. Urbanscapes in the Golden Land: California as Western Continuum
Part II. Gender and the "Master" Landscapes of Western Narrative
3. Sidestepping Environmental Justice: "Natural" Landscapes and the Wilderness Plot
4. Queering Heterosexual Love: Trailer Parks, Telenovelas, and Other Landscapes of Feminist Desire
5. A Good Country Is Hard to Find: Journeys toward Postnational Landscapes
Epilogue
Notes
Bibliography
Index
What People are Saying About This
Truly indispensable to scholars working with the literature of the American West, American studies, environmental theory, and feminist criticism.Western American Literature
Comer has established the richness of an evolving Western literature that quarrels with and extends not only the legends bracketing the Marlboro Man and Clint Eastwood but also the regionalism of the earlier women writers.Women's Review of Books
Extensively explores the element of landscapethe single most unifying factor in all writing of the Westand specifically how landscape is presented by the female literary tradition.Library Journal
Landscapes of the New West marks a major advance in connecting feminist thinking with Western regional thinking. Exploring the works of writers from Joan Didion to Sandra Cisneros, from Wanda Coleman to Mary Clearman Blew, Krista Comer thinks and analyzes with an extraordinary intensity and vigor. Under her attention, familiar assumptions about the West and its meanings are reconfigured into the sparkling elements of a new intellectual kaleidoscope. Especially in its reckoning with race and with dreams of the wilderness, this book makes you think, and think with freshness.Patricia Nelson Limerick, University of Colorado at Boulder
This landmark book is a deft and gracefully written survey of the 'new female regionalism' in U.S. literary and cultural studies. Comer splendidly integrates urban geography, ethnic studies, feminist studies, and literary detail in a cross-cultural framework that neither fragments nor totalizes.Jose David Saldivar, University of California, Berkeley (or, author of Border Matters: Remapping American Cultural Studies)
In a breathtakingly provocative and original study that forever de-mythologizes the masculinist west of Owen Wister and Wallace Stegner, Krista Comer makes a persuasive case that there is a new literary female regionalism and that the heart of this new regionalist sensibility is decidedly feminist and postmodern. By surveying writers like Joan Didion, Leslie Silko, Barbara Kingsolver, Pam Houston, Sandra Cisneros, Louis Erdrich, Gloria Anzaldua, Judith Freeman and others, Comer uncovers how these new female regionalists imaginatively relate to, construct, and narratively inhabit their many different western landscapes.Annette Kolodny, University of Arizona
Krista Comer's Landscapes of the New West offers inventive new readings of contemporary western women writers like Didion, Silko, Kingsolver, Anzaldua, and Kingston, readings grounded in interdisciplinary work on feminist geography, new western history, ecocriticism, environmental history, postcolonial studies, and postmodernism. Always politically engaged and risk-taking, Comer creates a new multi-ethnic literary landscape in the American West.Melody Graulich, editor, Western American Literature
Breathtakingly provocative and original...Comer males a persuasive case that there is new literary female regionalism and that [its] heart...is decidedly feminist and postmodern.
Author of The Lay of the Land