A startling, moving magic realist debut
Almost immediately upon Julie Bird’s return to the small port town where she was raised, everyday life is turned upside down. Julie’s Gulf War vet father, Marty, has been on the losing side of a battle with PTSD for too long. A day of boating takes a dramatic turn when a majestic blue whale beaches itself and dies. A blond stranger sets up camp oceanside: she’s an agitator, musician-impersonator, and armchair philosopher named Jennie Lee Lewis — and Julie discovers she’s connected to her father’s mysterious trip to New Mexico 25 years earlier. As the blue whale decays on the beach, more wildlife turns up dead — apparently by suicide — echoing Marty’s deepest desire. But Julie isn’t ready for a world without her father.
A stunning exploration of love and grief, Land Mammals and Sea Creatures is magic realism on the seaside, a novel about living life to the fullest and coming to your own terms with its end.
A startling, moving magic realist debut
Almost immediately upon Julie Bird’s return to the small port town where she was raised, everyday life is turned upside down. Julie’s Gulf War vet father, Marty, has been on the losing side of a battle with PTSD for too long. A day of boating takes a dramatic turn when a majestic blue whale beaches itself and dies. A blond stranger sets up camp oceanside: she’s an agitator, musician-impersonator, and armchair philosopher named Jennie Lee Lewis — and Julie discovers she’s connected to her father’s mysterious trip to New Mexico 25 years earlier. As the blue whale decays on the beach, more wildlife turns up dead — apparently by suicide — echoing Marty’s deepest desire. But Julie isn’t ready for a world without her father.
A stunning exploration of love and grief, Land Mammals and Sea Creatures is magic realism on the seaside, a novel about living life to the fullest and coming to your own terms with its end.
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Overview
A startling, moving magic realist debut
Almost immediately upon Julie Bird’s return to the small port town where she was raised, everyday life is turned upside down. Julie’s Gulf War vet father, Marty, has been on the losing side of a battle with PTSD for too long. A day of boating takes a dramatic turn when a majestic blue whale beaches itself and dies. A blond stranger sets up camp oceanside: she’s an agitator, musician-impersonator, and armchair philosopher named Jennie Lee Lewis — and Julie discovers she’s connected to her father’s mysterious trip to New Mexico 25 years earlier. As the blue whale decays on the beach, more wildlife turns up dead — apparently by suicide — echoing Marty’s deepest desire. But Julie isn’t ready for a world without her father.
A stunning exploration of love and grief, Land Mammals and Sea Creatures is magic realism on the seaside, a novel about living life to the fullest and coming to your own terms with its end.
Product Details
| ISBN-13: | 9781773051826 |
|---|---|
| Publisher: | ECW Press |
| Publication date: | 05/08/2018 |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| Pages: | 288 |
| File size: | 3 MB |
About the Author
Jen Neale lives in Vancouver with her partner, Brendan, and her dog, Sulu. She has a master’s degree in creative writing from the University of British Columbia. In 2012, she won the Bronwen Wallace Award for Emerging Writers; jurors Madeleine Thien, Johanna Skibsrud, and Alexander MacLeod cited her “pure imaginative power, sharp humor, emotional honesty, and real insight.” Land Mammals and Sea Creatures, her first novel, was shortlisted for the Rogers Writers’ Trust Fiction Prize.
Read an Excerpt
CHAPTER 1
Blue Whale
Julie Bird closed her eyes and listened to water slap the hull. The tinny taste of lager coated the back of her tongue. She and her father, Marty, spread themselves over lawn chairs on the deck of the old troller. Waves rolled under the boat, and the strips of rainbow vinyl creaked under their weight. Ice sloshed rhythmically against the sides of the cooler.
Ian, Marty's best and only friend, emerged from the cabin and fished another beer from the ice. He called out to his two passengers. "Set?"
Julie's father had his beer jammed into his prosthesis — his Captain Hook — and held it in the air for Ian to see. With his good hand he held binoculars fast to his eyes.
For the last half hour, Marty had been watching a figure on shore and giving Julie updates. The details were still shady. The figure, of indeterminate age, gender and height, had been weighted like a pack mule when it'd arrived on the beach, and it was now setting up a bright orange A-frame tent that contrasted the navy water and dark conifers. Marty's eyebrows, or the fatty lumps where his eyebrows used to be, rose.
"Now they're stringing up a hammock in the trees. Looks like they're there for the long haul. I didn't think anyone camped on Tallicurn."
"Marty, please stop spying," Julie said.
"They just seem so familiar."
"You know a lot of faraway specks?"
By Marty's feet sat a small Tupperware container of herring pieces that were melting together in the heat. He'd set up a rod on the port side for some mooching, but so far, the line hadn't budged. Marty wouldn't have noticed anyway. Earlier, Ian had tossed a piece into the open water to "get the ocean's juices flowing."
"Hey," Marty said. "I think they're waving at me." He took off his bandana, scratched his bald head, and retied the fabric.
"Marty, you're a stick figure on a boat to them," Julie said.
"Look." Marty handed the binoculars to her. Through the viewfinder, she saw a crowd of gulls circling above the orange tent. Farther down the beach, the backlit figure appeared with a blond puff of hair catching the light and shining like an anglerfish lure. The person stood in the water, looking in their direction. The waves crashed against their shins. They were gesturing with their arms, but it didn't seem like a wave. More of a come hither.
Ian barged into the middle of their assembly and pointed starboard. "Hey, you two. Whale."
Plumes of mist were approaching the troller. With a bird's-eye view, one could trace a straight line between the puff-topped shadow, the fishing boat and the whale.
"Think it's an orca?" Julie asked.
"Nah. No pod — it's solo." Ian hoisted himself up and took the binoculars from Julie's hand. He stood on the deck with one leg propped on the railing. His white shorts flapped in the breeze, revealing a vast expanse of untanned thigh. "Too big, too," he said.
"Grey?" Julie asked.
"Maybe. Look at it." Ian passed the binoculars back.
All she could see was sun bouncing off waves and a flash of black and white as a flock of murres glided above the surface, but then the whale's rolling back filled the viewing area. A burst of mist shot into the air and dissipated. Julie adjusted the sight. A group of fat barnacles pocked the skin around its blowhole, but otherwise the whale's complexion was uninterrupted slate, like a blackboard wiped clean with a damp cloth. It was smoother than the greys Julie had seen.
"Fuck, yeah," she whispered.
The back of the whale rolled over the surface until the flukes broke free and heaved into the air. The whale dipped below the waves.
Ian's voice came from behind them, somewhere between a prayer and a curse. "It's coming toward us."
Julie imagined the whale as a submarine designed to look like a biological being, but with two soldiers sitting behind the eyes. If they could build a camera the size of a housefly, why not this? The submarine theory seemed so much more likely than a living being double the length of the Greyhound she rode from Port Braid to Vancouver. Fifty-five people could sit inside that Greyhound on a busy holiday, meaning that 110 humans could be comfortably hidden within the whale's blubber, with leg and luggage room to spare.
Julie zipped her life vest and shoved one at her father as the whale got closer to the boat. As usual, Marty wouldn't think of his welfare, so she'd have to do it for him. She watched him slide the life vest on and struggle to do it up. When the zipper wouldn't go past his belly, he visited the cooler for another beer. Julie counted this as his fourth, still within safe limits for a calm day.
The list of events that could disrupt a calm day had shape-shifted since she was last home in Port Braid. Once again the rules had to be relearned. Marty's triggers developed like allergies. Some were long-term — bird bangers, air brakes, metal-tinged smoke — and others came and went in a matter of years — the smell of Julie's hair straightener, the rattle of Boggle.
She stood up for a better look, binoculars pressed to her cheekbones.
The whale broke the surface again, much closer to the boat. Its blowhole looked like a nose thieved from an Easter Island statue. It let out another giant breath, and this time Julie could hear the sound — a bucket of ice water hitting a campfire. Julie brought the binoculars down and turned to her father. "It's a blue, you know." Marty scoffed.
Blues migrated by Port Braid but weren't typically interested in stopping. They were half-starved from raising their young at the equator. Up north, all they'd have to do to be full was open their mouths.
So much of Port Braid's aesthetic was based on the idea that whale spirits permeated the air: a metallic statue stood proud outside the bank, a badly constructed orca mural graced the side of the pharmacy, and of course, all of the T-shirts in the town's single gift shop were a blend of semi-transparent moons, whales, wolves, eagles and feathers.
"I'm serious," Julie said. "It's a blue."
Marty brought his beer to his lips and held it there, waiting for the beast to reappear.
A bulge of water appeared a few boat-lengths away. Julie's breath caught. The whale's nose pushed through the centre of this water mountain. Its body rose up to its pectoral fins. Columns of water fell away. The animal lunged and sent a boat-rocking wave.
The force of its leap propelled it forward and downward. Its head and body slapped the water in one massive parallel line. At the sound of the collision, the three dropped back to their seats.
Ian started laughing. "Jesus," he said. "It's a blue." He grabbed Marty's shoulders and planted a kiss on his cheek.
This was a game they played. Julie said something that was true; Marty claimed it couldn't be true; Ian proclaimed it as truth and thus it became an axiom of their shared reality.
Marty started laughing too. A strange smell wafted through the air — something like sewage combined with the taste of a wet Tylenol tab.
Julie saw the whale's shadow coming in their direction. "Marty!" Julie gripped the railing with white knuckles.
The whale's smooth skin surfed above the waves, its torpedo-shaped face just under the surface. The whale exhaled again, sending flecks of mist against their faces and filling their nostrils with the medicinal stench of its breath.
Ian looked to Marty for help. Save his poor baby boat. The whale's back grazed the farthest reach of their fishing lines and their bobbers were swallowed by the waves.
The three of them held tight to the railing and rope ties. Julie looked over at her father. He had a wet sheen along his lower lids. Under his breath, Ian said, "Not my boat, not my boat." They all fell silent and waited for the impact. Julie stared down and counted the splashes against the hull. One ... two ... three ... four. The world was devoid of sound except for the slap of waves and the gurgle of upturned water that followed the whale's progress.
Julie had the urge to jump over the railing and ride the whale to the bottom of the sea, swinging a seaweed cowboy hat over her head.
Just before its nose reached the hull, it began to dive. As the whale slid down, Julie held her breath and closed her eyes. The boat leaned starboard as the great mass passed underneath. Her daily life, being home in Marty's half-dilapidated bungalow, had consisted of grey mornings eating cold eggs out of a pan and daytime television marathons. Even if I die ... she thought.
Julie opened her eyes and watched as the mast returned to centre.
"Where's she going?" Ian's grip on the railing had released but the parental look of concern stayed.
Julie tasted blood in her spit. She turned to her father.
"Marty, I think she's beaching."
"I don't think so, kiddo."
Another massive plume rose from the whale as it accelerated toward the shoreline. Rocks jutted from the water around the beach at Tallicurn.
The figure on the beach had waded farther out. One of their hands held a cigarette.
The smell of gasoline flooded the air as Ian started the engine and manoeuvered the boat to pursue the whale.
The individual shapes of the spruce and shore pines came into focus as the boat chugged closer to the shore. A bald eagle soared out from the evergreens with two ravens attacking its tail feathers.
Ian yelled over the sound of the engine. "She's beaching!"
Marty nodded. "Maybe we can steer her back."
"In this piece of shit?" Julie asked.
A look of hurt crossed Ian's face.
A stirred line of silt illuminated the whale's route from boat to beach. Julie begged the blue to come to its senses. She pictured herself on her knees at the bottom, an air traffic — water traffic — controller, waving an orange flag. It's all death and seagulls this way, Whale. Here's a card for a suicide prevention hotline. But she spoke in a high-pitched language incompatible with the whale's low drumming pulses.
The beast came up for another breath, its tail now too weak to rise above the waves. The sandbars came one after another and brought the whale closer to the dry summer air.
Ian killed the engine and came back onto the deck. The boat bobbed and swayed.
Marty voice was a child's. "She'll turn back."
Seagulls screamed louder. The blue's breaths came more frequently but shot lower into the air. Finally its back was forced to stay above the surface.
Ian stood like a Renaissance-era navigator at the front of his boat, hand shielding his eyes.
"It's happening," he said, and Marty nodded. The whale had somehow disappointed Ian by beelining for shore. Marty rose and put his prosthesis on Ian's shoulder.
The whale, with a last push, reached the shallows. It emerged from the water past its eyes and slid along the sand until finally, as its last motion, it rolled sixty degrees onto its right side, its tail still curled into deeper water. A freight train derailing, it folded in on itself, crumpled by its own mass and speed. Waves lapped around the whale's bottom fin. Its length took up half the shoreline and blocked the view of the orange tent and the spruce. Out of the water, its form flattened against the sand. A deflated inner tube.
The two men stood in a silent vigil, their shoulders dropped low, while Julie flopped down on the lawn chair.
Marty broke away and picked up the on-board radio to call the coast guard.
Ian started the engine back up and chugged toward shore. They anchored as close as they could and lowered themselves into the little rubber dinghy, bringing along the essentials: the binoculars and the remaining beer.
The sun's effects were catching up to Julie. Her nausea went beyond seasickness, augmented by the sun and swells of emotion and probably the beer, and she was unsure if she wanted a glass of ice water or a toilet to puke in.
The sides of the behemoth rose in quick starts. Its graceless fin grasped at the air.
They dragged the boat onto the sand and walked to the whale's eye, dark and glossy, which somehow didn't seem that much bigger than Julie's. It was, of course. It was half the size of her fist, but it shrank in proportion to the animal. The design of the whale's eye was meant to make out images in the deep pressure of the ocean, so Julie imagined that now the whale saw only a collection of colours standing in front of it. It made her regret her neon tank top. She reached out a hand and felt the whale's rubbery skin. The coolness of it startled her. Julie turned to Marty. "Feel that."
"Nah." Marty stood with his arms crossed over his chest the same way he did when trying to end a conversation. He rubbed under his bandana, a nervous twitch predicting his next bout of psoriasis. His eyes darted in the direction of the orange tent. Julie followed his gaze and saw the figure from the shore, now fully fleshed in contour and colour.
The blond flop of curls bounced over her eyes as she strode toward them. There was tightness to her face, as though strings pulled back from her cheekbones and from the sides of her mouth. A cigarette hung from her lips, and she carried a bucket that bounced against her legs. She stopped in front of them and scratched at some crud on her rolled-up jeans. Her eyes locked on to Marty. Marty stared back. The seagulls screamed over their heads.
The woman rubbed the shaved sides of her head and hooked the bucket onto Marty's prosthesis. "For you. You can try to keep it wet for a while, if that makes you feel better." She touched a barnacle on the beast's side. "Every dying whale has a story to tell." The woman flicked Marty's arm, turned and walked to the back of the beach, kicking sand as she went. She disappeared into the trees.
Julie inspected the bucket. "What the fuck was that?"
Marty stared in the direction that his spying victim had gone. He ducked his head and visited the ocean for the first bucket of seawater. His body was weighted to the left as he heaved the bucked across the beach. The splash barely reached the top of the whale. They'd need twenty people passing twenty buckets if they wanted to keep its body from drying out.
Julie and Ian sat side by side in the sand and inspected the whale. Along its throat were deep parallel grooves highlighted by a lighter grey — hued skin.
When Julie was young, during a competition to rid the local lake of undesirable catches, she did her best to keep a school of junk fish alive in a bucket. She couldn't bring herself to smash the heads of the sunfish and spiny dogfish, even though the organizers told her she couldn't win the grand prize gift certificate with a bucket of live ones. So she left them in her pail. Until they suffocated. Probably killed more than anyone else, in fact. Buckets of water would only prolong the whale's suffering. But it was something to keep Marty busy. The whale would be crushed under its own weight on land, and it wouldn't take long. The whale fin shook hands with the air, blocking and unblocking the stream of sunshine.
The blue's mouth gaped to reveal the hair-like baleen plates. Shallow breaths, like panting, moved the whale's sides. Julie gagged at the whale's breath, but she couldn't move away from the animal.
The sun moved lower in the sky and the tide retreated. The fingertips of the waves stopped reaching the whale's mass, and finally Marty gave up his efforts and sat in the sand. Julie reached out occasionally to feel the whale's skin, which radiated hotter each time. The skin grew tacky. Julie scanned the horizon for the coast guard but no ships came into sight, and at this point that was for the best. What would they do? Drag the animal by its tail into the ocean? Would it tear in two on the sand? Or, if they got it out to sea, wouldn't it come back?
Ian turned to Marty. "Maybe you can sell deep-fried blubber." He announced he wanted his photo with the whale, for posterity. He jogged up to the little orange tent and grabbed something resting on the far side.
"Ian," Julie said. "You dipshit."
"She's long gone. Thought I spotted something. Here." Ian came back with a fishing rod in his hand. He knelt by the whale's mouth with his back blocking their view. When he stepped away, Julie saw that he had pushed the hook through a small section of the whale's bottom lip. "Where's your camera?" he asked Julie.
"Fuck you, Ian. It's still alive."
"Come on, Julie, it can't feel that."
"Take it out, shit wad."
"Julie." Marty turned to her — to her — to stop the fight. His hand shook.
"Tell him to take it out, Marty."
Ian slumped his shoulders. "Marty, for Christ's sake, I just want a photo. You can hang it at the bar."
Marty rose to his feet and fumbled with Ian's phone. He asked Julie for a hand.
"Figure it out yourself." She got up and moved to the other side of the whale. It still laboured for breath and they were taking photos. Har, har, you caught a blue whale.
She watched her father aim the screen and snap a shot of Ian reeling in the blue.
* * *
Just before the sun buried itself below the ocean, the whale's breath became shallower until, anticlimactically, it stopped.
"That's it," Marty said.
They prepped the dinghy for the ride back to the boat. There was still light enough to see the whale's full frame.
Marty gazed back at the trees. "Something familiar about her."
(Continues…)
Excerpted from "Land Mammals and Sea Creatures"
by .
Copyright © 2018 Jen Neale.
Excerpted by permission of ECW PRESS.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Table of Contents
PART I: Arrival,
One: Blue Whale,
Two: Salmon Shark,
Three: Cat,
Four: 1992,
Five: Elephant,
Six: Raccoons,
Seven: 1992,
Eight: Camouflaging Cuttlefish,
PART II: The Whale Has Exploded,
Nine: Arctic Hare,
Ten: 1992,
Eleven: Sole,
Twelve: Skunk,
Thirteen: 1992,
Fourteen: Coyote,
Fifteen: Pallid Bat,
Sixteen: The Moose,
Seventeen: Opossum,
Eighteen: Rockfish,
Nineteen: Mice,
PART III: Three Days Missing,
Twenty: Hyena, Jackal,
Twenty-one: Halibut,
Twenty-two: Dog Bones,
Twenty-three: Caribou,
Twenty-four: Humans,
Acknowledgements,
About the Author,
Copyright,