Publishers Weekly
12/02/2019
In Giddings’s chilling debut, Lena Johnson takes a leave from college after her grandmother dies and must find a way to financially support herself and her mother, who suffers from a mysterious but debilitating illness. Serendipitously, she receives an invitation to apply to the Lakewood Project, a series of research studies about memory. If chosen, Lena will receive a hefty paycheck and, crucially, insurance that would cover all of her mother’s health-care costs. After an invasive screening process that includes uncomfortable questions about race and being injected with strange substances, Lena is invited to participate. This involves moving to Lakewood, a nearby town in Michigan, and leading a double life. After signing an NDA, she’s instructed to tell her family and friends, through monitored communication, that she works for a shipping company. In reality, she and the other participants—all of them black, Indian, or Latin—must undergo grueling evaluations and take part in experiments (such as eye drops that change eye color, and being put on a diet of cream pellets only) that can have fatal consequences, all under the watch of “observers,” all of whom are white. Though the book’s second half doesn’t quite live up to the promise of the first, Giddings is a writer with a vivid imagination and a fresh eye for horror, both of the body and of society. This eerie debut provides a deep character study spiked with a dose of horror. (Mar.)
From the Publisher
Chilling...Giddings is a writer with a vivid imagination and a fresh eye both of the body and of society. This eerie debut provides a deep character study spiked with a dose of horror.” — Publishers Weekly
“Giddings writes with eloquence, walking readers through the complicated world of Lakewood. They'll be eager to turn each page and read what happens next.” — Booklist
"Lakewood is a thought-provoking debut and Megan Giddings is a young writer to watch." — Kirkus Reviews
“Megan Giddings’ debut novel Lakewood is reminiscent of Jordan Peele’s terrifying film Get Out.” — Essence
“Both profoundly poetic and utterly compelling, Lakewood presents an intimate portrait of the physical and psychological trauma caused by the use of black people as test subjects for medical experiments in the United States and powerfully connects it to the broader legacy of environmental racism.” — Ladee Hubbard, author of The Talented Ribkins
“Megan Giddings’ Lakewood is a gripping thriller of ideas in the tradition of Kazuo Ishiguro’s Never Let Me Go, depicting a terrifying world of public complicity and government-sponsored malpractice. Giddings asks: What happens when our want to be useful is weaponized against us, when the only way we see to help others is to invite harm upon ourselves? This is the rare debut that feels utterly of the now, unearthing our shared past even as it charges the reader to imagine and enact a better future, fast as they can.” — Matt Bell, author of Scrapper
"Like Margaret Atwood’s The Handmaid’s Tale or Ira Levin’s The Stepford Wives, Lakewood compels even as it unsettles. Megan Giddings writes with a scalpel and I’d follow her characters anywhere." — Kelly Link, author of Get in Trouble
“An impressive debut. Megan Giddings has produced a novel of great emotional intensity. Her brilliant storytelling skills are on full display in this story which unfolds with subtle prose that deftly explores powerful themes of family, loss, responsibility, and friendship. Lena Johnson is a masterfully rendered protagonist, reminiscent of the characters of Toni Morrison, Gayl Jones and Jesmyn Ward, while appearing utterly new and fresh.” — Jeffrey Colvin, author of Africaville
Essence
Megan Giddings’ debut novel Lakewood is reminiscent of Jordan Peele’s terrifying film Get Out.
Jeffrey Colvin
An impressive debut. Megan Giddings has produced a novel of great emotional intensity. Her brilliant storytelling skills are on full display in this story which unfolds with subtle prose that deftly explores powerful themes of family, loss, responsibility, and friendship. Lena Johnson is a masterfully rendered protagonist, reminiscent of the characters of Toni Morrison, Gayl Jones and Jesmyn Ward, while appearing utterly new and fresh.
Kelly Link
"Like Margaret Atwood’s The Handmaid’s Tale or Ira Levin’s The Stepford Wives, Lakewood compels even as it unsettles. Megan Giddings writes with a scalpel and I’d follow her characters anywhere."
Booklist
Giddings writes with eloquence, walking readers through the complicated world of Lakewood. They'll be eager to turn each page and read what happens next.
Matt Bell
Megan Giddings’ Lakewood is a gripping thriller of ideas in the tradition of Kazuo Ishiguro’s Never Let Me Go, depicting a terrifying world of public complicity and government-sponsored malpractice. Giddings asks: What happens when our want to be useful is weaponized against us, when the only way we see to help others is to invite harm upon ourselves? This is the rare debut that feels utterly of the now, unearthing our shared past even as it charges the reader to imagine and enact a better future, fast as they can.
Ladee Hubbard
Both profoundly poetic and utterly compelling, Lakewood presents an intimate portrait of the physical and psychological trauma caused by the use of black people as test subjects for medical experiments in the United States and powerfully connects it to the broader legacy of environmental racism.
Booklist
Giddings writes with eloquence, walking readers through the complicated world of Lakewood. They'll be eager to turn each page and read what happens next.
Essence
Megan Giddings’ debut novel Lakewood is reminiscent of Jordan Peele’s terrifying film Get Out.
Kirkus Reviews
2020-01-13
A first-time novelist offers medical horror with a political edge.
Lena Johnson's grandmother has just died, leaving behind a staggering amount of debt. Lena's mother is debilitated by an illness—or collection of illnesses—no one can diagnose or cure. When Lena is offered a position that pays an incredible sum of money and full health-insurance coverage for her mom, she feels that she has no choice but to leave college and become a research subject in a secret government project. Her participation requires her to lie to family and friends about what she's doing, and she signs a nondisclosure agreement that discourages her from ever revealing the torture she and other people of color will endure at the hands of white doctors. The historical underpinnings of Giddings' premise are obvious. Lena follows in the footsteps of black men whose syphilis went untreated even though they were promised health care for joining the Tuskegee syphilis experiment, and her experience echoes that of the enslaved women James Marion Sims brutalized while testing new gynecological techniques. It might seem that, unlike them, Lena has a choice, but does she? The position she finds herself in after her grandmother's death is a reminder that hundreds of years of structural racism have made it difficult for black families to accumulate and pass on wealth. But this novel isn't just about Lena's physical ordeal. The emotional and mental strains of being black in an environment seemingly designed to punish blackness—and the necessity to pretend that everything is fine—are devastating, too. At the novel's beginning, Lena is in the habit of noting when a person she's describing is white, a powerful rejoinder to the widespread tendency to consider whiteness the default American identity. Toward the end, she has to consciously remind herself that she is still human. In terms of style and storytelling, Giddings doesn't always succeed, but there's no denying the potency of her message.
This is a thought-provoking debut, and Giddings is a young writer to watch.
