Kissing the Witch: Old Tales in New Skins

Kissing the Witch: Old Tales in New Skins

Kissing the Witch: Old Tales in New Skins

Kissing the Witch: Old Tales in New Skins

Audio MP3 on CD(MP3 on CD - Unabridged)

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Overview

Thirteen tales are unspun from the deeply familiar, and woven anew into a collection of fairy tales that wind back through time. Acclaimed Irish author Emma Donoghue reveals heroines young and old in unexpected alliances—sometimes treacherous, sometimes erotic, but always courageous.

Told with luminous voices that shimmer with sensuality and truth, these age-old characters shed their antiquated cloaks to travel a seductive new landscape, radiantly transformed. Cinderella forsakes the handsome prince and runs off with the fairy godmother; Beauty discovers the Beast behind the mask is not so very different from the face she sees in the mirror; Snow White is awakened from slumber by the bittersweet fruit of an unnamed desire. Acclaimed writer Emma Donoghue spins new tales out of old in a magical web of thirteen interconnected stories about power and transformation and choosing one's own path in the world. In these fairy tales, women young and old tell their own stories of love and hate, honor and revenge, passion and deception. Using the intricate patterns and oral rhythms of traditional fairy tales, Emma Donoghue wraps age-old characters in a dazzling new skin.


Product Details

ISBN-13: 9781491589519
Publisher: Brilliance Audio
Publication date: 10/13/2015
Edition description: Unabridged
Product dimensions: 5.25(w) x 6.75(h) x 0.50(d)
Age Range: 14 - 17 Years

About the Author

About The Author
Emma Donoghue is a novelist, screenwriter, and playwright. Room sold more than two million copies and won the Rogers Writers’ Trust Fiction Prize and the Commonwealth Writers’ Prize (Canada and the Caribbean). It was also shortlisted for the Man Booker and Orange Prizes. Donoghue scripted the Canadian-Irish film adaptation, which was nominated for four Academy Awards, including Best Picture. The Wonder was shortlisted for the Scotiabank Giller Prize, and Donoghue cowrote the 2022 screen adaptation for Netflix. The Pull of the Stars was a finalist for the Trillium Book Award and was longlisted for the Scotiabank Giller Prize. Donoghue’s fiction ranges from the contemporary (Stir-FryHoodLandingTouchy Subjects, Akin) to the historical (Haven, SlammerkinThe Sealed LetterAstrayFrog Music) and includes two books for young readers, The Lotterys Plus One and The Lotterys More or Less.

Hometown:

London, England and Ontario, Canada

Date of Birth:

October 24, 1969

Place of Birth:

Dublin, Ireland

Education:

B.A. in English and French, University College Dublin, 1990; Ph.D. in English, University of Cambridge, 1998

Read an Excerpt

The Tale of
The Shoe

Till she came it was all cold.

Ever since my mother died the feather bed felt hard as a stone floor. Every word that came out of my mouth limped away like a toad. Whatever I put on my back now turned to sackcloth and chafed my skin. I heard a knocking in my skull, and kept running to the door,but there was never anyone there. The days passed like dust brushed from my fingers.

I scrubbed and swept because there was nothing else to do. I raked out the hearth with my fingernails, and scoured the floor until my knees bled. I counted grains of rice and divided brown beans from black.

Nobody made me do the things I did, nobody scolded me, nobody punished me but me. The shrill voices were all inside. Do this, do that, you lazy heap of dirt. They knew every question and answer, the voices in my head. Some days they asked why I was still alive. I listened out for my mother, but I couldn't hear her among their clamor.

When everything that could possibly be done was done for the day, the voices faded. I knelt on the hearth and looked into the scarlet cinders until my eyes swam. I was trying to picture a future, I suppose. Some nights I told myself stories to make myself weep, then stroked my own hair till I slept.

Once, out of all the times when I ran to the door and there was nobody there, there was still nobody there, but the stranger was behind me. I thought for a moment she must have come out of the fire. Her eyes had flames in their centers, and her eyebrows were silvered with ash.

The stranger said my back must be tired, and the sweeping could wait. She took me into the garden and showed me a hazeltree I had never seen before. I began to ask questions, but she put her tiny finger over my mouth so we could hear a dove murmuring on the highest branch.

It turned out that she had known my mother, when my mother was alive. She said that was my mother's tree.

How can I begin to describe the transformations? My old dusty self was spun new. This woman sheathed my limbs in blue velvet. I was dancing on points of clear glass.

And then, because I asked, she took me to the ball. Isn't that what girls are meant to ask for?

Her carriage brought me as far as the palace steps. I knew just how I was meant to behave. I smiled ever so prettily when the great doors swung wide to announce me. I refused a canape and kept my belly pulled in. Under the thousand crystal candelabras I danced with ten elderly gentlemen who had nothing to say but did not let that stop them. I answered only, Indeed and Oh yes and Do you think so?

At ten to twelve I came down the steps and she swept me away. Had enough? she asked, lifting a hair off my long glove.

But she was old enough to be my mother, and I was a girl with my fortune to make. The voices were beginning to jabber. They each told me to do something different. Take me back tomorrow night, I said.

So she appeared again just when the soup was boiling over, and took a silver spoon from her pocket to feed me. Our fingers drew pictures in the ashes on the hearth, vague shapes of birds and islands. She showed me the sparkle in my eyes, how wide my skirt could spread, how to waltz without getting dizzy. I was lithe in green satin now; my own mother would not have recognized me.

That night at the ball I got right into the swing of things. I tittered at the old king's jokes; I accepted a single chicken wing and nibbled it daintily. I danced three times with the prince, whose hand wavered in the small of my back. He asked me my favorite color, but I couldn't think of any. He asked me my name, and for a moment I couldn't remember it.

At five to midnight when my feet were starting to ache I waited on the bottom step and she came for me. On the way home I leaned my head on her narrow shoulder and she put one hand over my ear. Had enough? she asked.

But I didn't have to listen to the barking voices to know how the story went: my future was about to happen. Take me back tomorrow night, I said.

So she came for me again just when the small sounds of the mice were getting on my nerves, and she told me they were coachmen to drive us in state. She claimed her little finger was a magic wand, it could do spectacular things. She could always make me laugh.

That night my new skin was red silk, shivering in the breeze. The prince hovered at my elbow like an autumn leaf ready to fall. The musicians played the same tune over and over. I danced like a clockwork ballerina and smiled till my face twisted. I swallowed a little of everything I was offered, then leaned over the balcony and threw it all up again.

I had barely time to wipe my mouth before the prince came to propose.

Out on the steps he led me, under the half-full moon, all very fairy-tale. His long moustaches were beginning to tremble; he seemed like an actor on a creaking stage. As soon as the words began to leak out of his mouth, they formed a cloud in which I could see the future.

Reading Group Guide

Introduction:

Kissing the Witch, Emma Donoghue's refreshing collection of fairy tales, offers readers weaned on "happily ever after…" a startling new perspective on age-old tales. In Kissing the Witch, women young and old wander a strange and delightful landscape in search of shelter, power, or their heart's desire. They work, struggle, marry for love or money, lose children or steal them, plot escape or revenge. Above all they tell each other their own stories. The alliances they form are sometimes treacherous, sometimes erotic, but always unpredictable. Conjuring the intricate patterns and oral rhythms of traditional fairy tales, Emma Donoghue wraps age-old characters in a dazzling new skin.

Questions For Discussion:

  1. How do fairy tales inform our lives?
  2. In what ways does Emma Donoghue undermine the conventions of the fairy tale?
  3. By weaving all of the tales together, what might the author be trying to say about these women and their stories? About women in general?
  4. In what ways are the women in these stories the same? In what ways different?
  5. How important is homosexuality in these stories? Would you consider this book Gay Literature? Why?
  6. At the end of The Tale of the Rose, the author writes, "And as the years flowed by, some villagers told travelers of a beast and a beauty who lived in the castle… and others told of two beauties, and others, of two beasts." What factors could contribute to these various perceptions? Do you think the beauty and her beast are lovers? Does it matter to the story?
  7. Which of these stories is your favorite? Why? Which best captures the situationof women today?
  8. How are men portrayed throughout the stories? What are their views on women? Does this seem to differ from men's perceptions of women in traditional fairy tales?
  9. Why does the author entitle this book "Kissing the Witch"?
  10. In traditional fairy tales, we know these stories by the names of the women who star in them (Cinderella, Snow White, Rapunzel, etc.). However, Emma Donoghue chooses to name her tales after the inanimate objects in the stories. What relationship do the women have to the objects? What does each object symbolize in these stories?

About The Author:

Emma Donoghue has made a name for herself overseas as the host of a literary talk show on Irish television, and is an established playwright whose work has been performed in Dublin and Cambridge. She is the author of Passions Between Women: British Lesbian Culture 1668–1801, and the novels Hood and Stir-Fry. She lives in Cambridge, England.

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