King's Vibrato: Modernism, Blackness, and the Sonic Life of Martin Luther King Jr.

King's Vibrato: Modernism, Blackness, and the Sonic Life of Martin Luther King Jr.

by Maurice O. Wallace
King's Vibrato: Modernism, Blackness, and the Sonic Life of Martin Luther King Jr.

King's Vibrato: Modernism, Blackness, and the Sonic Life of Martin Luther King Jr.

by Maurice O. Wallace

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Overview

In King’s Vibrato Maurice O. Wallace explores the sonic character of Martin Luther King Jr.’s voice and its power to move the world. Providing a cultural history and critical theory of the black modernist soundscapes that helped inform King’s vocal timbre, Wallace shows how the qualities of King’s voice depended on a mix of ecclesial architecture and acoustics, musical instrumentation and sound technology, audience and song. He examines the acoustical architectures of the African American churches where King spoke and the centrality of the pipe organ in these churches, offers a black feminist critique of the influence of gospel on King, and outlines how variations in natural environments and sound amplifications made each of King’s three deliveries of the “I Have a Dream” speech unique. By mapping the vocal timbre of one of the most important figures of black hope and protest in American history, Wallace presents King as the embodiment of the sound of modern black thought.

Product Details

ISBN-13: 9781478022992
Publisher: Duke University Press
Publication date: 07/29/2022
Sold by: Barnes & Noble
Format: eBook
Pages: 368
File size: 25 MB
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About the Author

Maurice O. Wallace is Associate Professor of English at Rutgers University–New Brunswick, author of Constructing the Black Masculine: Identity and Ideality in African American Men’s Literature and Culture, 1775–1995, and coeditor of Pictures of Progress: Early Photography and the Making of African American Identity, both also published by Duke University Press.

Table of Contents

Acknowledgments  ix
Introduction  1
I. Architectures of the Incantatory
1. Dying Words: The Aural Afterlife of Martin Luther King Jr.  21
2. Swinging the God Box: Modernism, Organology, and the Ebenezer Sound  43
3. The Cantor King: Reform Preaching, Cantorial Style, and Acoustic Memory in Chicago’s Black Belt  71
II. Nettie’s Nocturne
4. King’s Gospel Modernism: The Politics of Lament, the Politics of Loss  97
5. Four Women: Alberta, Coretta, Mahalia, Aretha  138
III. Technologies of Freedom
6. King’s Vibrato: Visual Oratory and the “Sound of the Photograph”  185
7. Dream Variations: “I Have a Dream” and the Sonic Politics of Race and Place  229
Epilogue. “It’s Moanin’ Time”: Black Grief and the End of Words  273
Notes  281
Bibliography  325
Index  343

What People are Saying About This

In Search of The Color Purple: The Story of an American Masterpiece - Salamishah Tillet

“In this personal, thoughtfully written, and deeply insightful book, Maurice O. Wallace helps us to further understand and appreciate Martin Luther King Jr.’s extraordinary contributions to American culture and black life. Off these pages leaps a version of King that kept on honing his craft to become both a trumpet of America’s conscience and a sonic tributary for black America. This field-changing work greatly adds to our knowing and hearing King, a voice that we still desperately need.”

Soundworks: Race, Sound, and Poetry in Production - Anthony Reed

“In this ambitious and accomplished book, Maurice O. Wallace takes Martin Luther King Jr. as a point of departure into a textured analysis of the aural exorbitance of black cultural history. At once thoroughly researched and theoretically deft, King’s Vibrato offers a new vocabulary and a new set of questions for black sound studies. By engaging the social, cultural, and historical determinants that contributed to King’s way of sounding, Wallace’s treatment of King as exemplary and emblematic of general tendencies within post-Emancipation African American culture is a crowning achievement.”

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