Kobu Kobu takes us on rides of the heart and mind.” – Whoopi Goldberg
“Okorafor shows the good and the bad, both exploitation and hope, strength and evil of the people. And she adds a healthy dose of magic to the mix.” – SFF Book Reviews
“Kobu Kobu takes us on rides of the heart and mind.” – Whoopi Goldberg
“One of the strongest qualities of African literature is that it gives you the feeling of intimacy as if the griot or teller is speaking quietly to you as one of a selected circle of listeners. Orkorafor conjures up that feeling. Two of my favorite stories here, “Biafra” and “Icon” deal with the topic of genocide and the subject of oil, told from inside out. They are matter-of-fact, sometimes brutal and raw, and do not dodge the reality of tribal conflict or greed. Finally, Okorafor doesn’t turn her back on any of the current hot button issues. She tackles the controversial topics of greed, gender, sexuality, politics, nationalism, technology, the depletion of the earth’s resources, fear, blood ties, conformity, and conflict. On the heels of the acclaimed Who Fears Death, Okorafor has done herself proud and should acquire many readers with this sterling effort.” – African American Literature Book Club
“Kobu Kobu takes us on rides of the heart and mind.” – Whoopi Goldberg
“Kobu Kobu takes us on rides of the heart and mind.” – Whoopi Goldberg
“It is a brave and generous book.” – Strange Horizons
“It is a brave and generous book.” – Strange Horizons
“It’s a collection that I’m glad to see published, and one that contributes to the field in a real and exciting way.” – Tor.com
“It’s a collection that I’m glad to see published, and one that contributes to the field in a real and exciting way.” – Tor.com
“One of the strongest qualities of African literature is that it gives you the feeling of intimacy as if the griot or teller is speaking quietly to you as one of a selected circle of listeners. Orkorafor conjures up that feeling. Two of my favorite stories here, “Biafra” and “Icon” deal with the topic of genocide and the subject of oil, told from inside out. They are matter-of-fact, sometimes brutal and raw, and do not dodge the reality of tribal conflict or greed. Finally, Okorafor doesn’t turn her back on any of the current hot button issues. She tackles the controversial topics of greed, gender, sexuality, politics, nationalism, technology, the depletion of the earth’s resources, fear, blood ties, conformity, and conflict. On the heels of the acclaimed Who Fears Death, Okorafor has done herself proud and should acquire many readers with this sterling effort.” – African American Literature Book Club
“Kobu Kobu takes us on rides of the heart and mind.” – Whoopi Goldberg
“It is a brave and generous book.” – Strange Horizons
“One of the strongest qualities of African literature is that it gives you the feeling of intimacy as if the griot or teller is speaking quietly to you as one of a selected circle of listeners. Orkorafor conjures up that feeling. Two of my favorite stories here, “Biafra” and “Icon” deal with the topic of genocide and the subject of oil, told from inside out. They are matter-of-fact, sometimes brutal and raw, and do not dodge the reality of tribal conflict or greed. Finally, Okorafor doesn’t turn her back on any of the current hot button issues. She tackles the controversial topics of greed, gender, sexuality, politics, nationalism, technology, the depletion of the earth’s resources, fear, blood ties, conformity, and conflict. On the heels of the acclaimed Who Fears Death, Okorafor has done herself proud and should acquire many readers with this sterling effort.” – African American Literature Book Club
“It is a brave and generous book.” – Strange Horizons
“One of the strongest qualities of African literature is that it gives you the feeling of intimacy as if the griot or teller is speaking quietly to you as one of a selected circle of listeners. Orkorafor conjures up that feeling. Two of my favorite stories here, “Biafra” and “Icon” deal with the topic of genocide and the subject of oil, told from inside out. They are matter-of-fact, sometimes brutal and raw, and do not dodge the reality of tribal conflict or greed. Finally, Okorafor doesn’t turn her back on any of the current hot button issues. She tackles the controversial topics of greed, gender, sexuality, politics, nationalism, technology, the depletion of the earth’s resources, fear, blood ties, conformity, and conflict. On the heels of the acclaimed Who Fears Death, Okorafor has done herself proud and should acquire many readers with this sterling effort.” – African American Literature Book Club
“It’s a collection that I’m glad to see published, and one that contributes to the field in a real and exciting way.” – Tor.com
“It’s a collection that I’m glad to see published, and one that contributes to the field in a real and exciting way.” – Tor.com
“Okorafor shows the good and the bad, both exploitation and hope, strength and evil of the people. And she adds a healthy dose of magic to the mix.” – SFF Book Reviews
“Okorafor shows the good and the bad, both exploitation and hope, strength and evil of the people. And she adds a healthy dose of magic to the mix.” – SFF Book Reviews
“It’s a collection that I’m glad to see published, and one that contributes to the field in a real and exciting way.” – Tor.com
“It’s a collection that I’m glad to see published, and one that contributes to the field in a real and exciting way.” – Tor.com
“One of the strongest qualities of African literature is that it gives you the feeling of intimacy as if the griot or teller is speaking quietly to you as one of a selected circle of listeners. Orkorafor conjures up that feeling. Two of my favorite stories here, “Biafra” and “Icon” deal with the topic of genocide and the subject of oil, told from inside out. They are matter-of-fact, sometimes brutal and raw, and do not dodge the reality of tribal conflict or greed. Finally, Okorafor doesn’t turn her back on any of the current hot button issues. She tackles the controversial topics of greed, gender, sexuality, politics, nationalism, technology, the depletion of the earth’s resources, fear, blood ties, conformity, and conflict. On the heels of the acclaimed Who Fears Death, Okorafor has done herself proud and should acquire many readers with this sterling effort.” – African American Literature Book Club
“One of the strongest qualities of African literature is that it gives you the feeling of intimacy as if the griot or teller is speaking quietly to you as one of a selected circle of listeners. Orkorafor conjures up that feeling. Two of my favorite stories here, “Biafra” and “Icon” deal with the topic of genocide and the subject of oil, told from inside out. They are matter-of-fact, sometimes brutal and raw, and do not dodge the reality of tribal conflict or greed. Finally, Okorafor doesn’t turn her back on any of the current hot button issues. She tackles the controversial topics of greed, gender, sexuality, politics, nationalism, technology, the depletion of the earth’s resources, fear, blood ties, conformity, and conflict. On the heels of the acclaimed Who Fears Death, Okorafor has done herself proud and should acquire many readers with this sterling effort.” – African American Literature Book Club
“Kobu Kobu takes us on rides of the heart and mind.” – Whoopi Goldberg
“Kobu Kobu takes us on rides of the heart and mind.” – Whoopi Goldberg
“Okorafor shows the good and the bad, both exploitation and hope, strength and evil of the people. And she adds a healthy dose of magic to the mix.” – SFF Book Reviews
“Okorafor shows the good and the bad, both exploitation and hope, strength and evil of the people. And she adds a healthy dose of magic to the mix.” – SFF Book Reviews
