Just a Dropped Stitch
Just a Dropped Stitch is a memoir told in interlocking short stories. It's a family photo album; each snapshot tells a mini-story. You're sure you understand what you're seeing, but it's not until you've finished flipping through the entire album that you develop an intimate sense of who this family is. You thought you knew them, understood all the subtleties and dynamics, but, change the angle, soften the focus, flip the page; there's a different story. Jesse, the narrator, is on a search. She's trying to identify the "dropped stitches" in her own life, to name them, and reknit them into a whole. As the book opens Jesse's mother is dying, but Jesse and her father find it impossible to face the inevitable. Turn the page: Jesse desperately wants to have children; she's a lesbian; she has to figure out how to make that happen. Later we meet her children, Noah and Sophie; we're introduced to Anna, who becomes Jesse's spouse, before the world has caught up with the concept. We meet grandparents, and learn that in Jesse's family writing is revered, but infused with unspoken taboos. And we meet her brothers who each has a particular place to stand in the family portrait. Jesse has a story to tell, and she isn't sure it's safe to tell it. Loss and grief, being silenced and silencing oneself, becoming frozen, and the heat-generating, melting power of love, these are the themes in Just a Dropped Stitch. The importance of naming, the redemption that comes from breaking silences, these are the interwoven threads. Meanwhile, keep flipping through the album and you see snapshots of everyday life: hiking with Noah, shopping with Sophie for a bat mitzvah dress. And Jesse's mother, who refuses to completely disappear, makes a surprise appearance, embarrassing Jesse at a job interview. As we close the album, we're keeping vigil with Jesse in the hospital while she waits to hear whether she has the disease that killed her mother. And, then, there's a final snapshot: a handmade Chinese box, with sides that drop open, revealing a blood-red interior where there's nothing to hide.
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Just a Dropped Stitch
Just a Dropped Stitch is a memoir told in interlocking short stories. It's a family photo album; each snapshot tells a mini-story. You're sure you understand what you're seeing, but it's not until you've finished flipping through the entire album that you develop an intimate sense of who this family is. You thought you knew them, understood all the subtleties and dynamics, but, change the angle, soften the focus, flip the page; there's a different story. Jesse, the narrator, is on a search. She's trying to identify the "dropped stitches" in her own life, to name them, and reknit them into a whole. As the book opens Jesse's mother is dying, but Jesse and her father find it impossible to face the inevitable. Turn the page: Jesse desperately wants to have children; she's a lesbian; she has to figure out how to make that happen. Later we meet her children, Noah and Sophie; we're introduced to Anna, who becomes Jesse's spouse, before the world has caught up with the concept. We meet grandparents, and learn that in Jesse's family writing is revered, but infused with unspoken taboos. And we meet her brothers who each has a particular place to stand in the family portrait. Jesse has a story to tell, and she isn't sure it's safe to tell it. Loss and grief, being silenced and silencing oneself, becoming frozen, and the heat-generating, melting power of love, these are the themes in Just a Dropped Stitch. The importance of naming, the redemption that comes from breaking silences, these are the interwoven threads. Meanwhile, keep flipping through the album and you see snapshots of everyday life: hiking with Noah, shopping with Sophie for a bat mitzvah dress. And Jesse's mother, who refuses to completely disappear, makes a surprise appearance, embarrassing Jesse at a job interview. As we close the album, we're keeping vigil with Jesse in the hospital while she waits to hear whether she has the disease that killed her mother. And, then, there's a final snapshot: a handmade Chinese box, with sides that drop open, revealing a blood-red interior where there's nothing to hide.
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Just a Dropped Stitch

Just a Dropped Stitch

by Laurie E. Levinger
Just a Dropped Stitch

Just a Dropped Stitch

by Laurie E. Levinger

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Overview

Just a Dropped Stitch is a memoir told in interlocking short stories. It's a family photo album; each snapshot tells a mini-story. You're sure you understand what you're seeing, but it's not until you've finished flipping through the entire album that you develop an intimate sense of who this family is. You thought you knew them, understood all the subtleties and dynamics, but, change the angle, soften the focus, flip the page; there's a different story. Jesse, the narrator, is on a search. She's trying to identify the "dropped stitches" in her own life, to name them, and reknit them into a whole. As the book opens Jesse's mother is dying, but Jesse and her father find it impossible to face the inevitable. Turn the page: Jesse desperately wants to have children; she's a lesbian; she has to figure out how to make that happen. Later we meet her children, Noah and Sophie; we're introduced to Anna, who becomes Jesse's spouse, before the world has caught up with the concept. We meet grandparents, and learn that in Jesse's family writing is revered, but infused with unspoken taboos. And we meet her brothers who each has a particular place to stand in the family portrait. Jesse has a story to tell, and she isn't sure it's safe to tell it. Loss and grief, being silenced and silencing oneself, becoming frozen, and the heat-generating, melting power of love, these are the themes in Just a Dropped Stitch. The importance of naming, the redemption that comes from breaking silences, these are the interwoven threads. Meanwhile, keep flipping through the album and you see snapshots of everyday life: hiking with Noah, shopping with Sophie for a bat mitzvah dress. And Jesse's mother, who refuses to completely disappear, makes a surprise appearance, embarrassing Jesse at a job interview. As we close the album, we're keeping vigil with Jesse in the hospital while she waits to hear whether she has the disease that killed her mother. And, then, there's a final snapshot: a handmade Chinese box, with sides that drop open, revealing a blood-red interior where there's nothing to hide.

Product Details

ISBN-13: 9781498272025
Publisher: Wipf & Stock Publishers
Publication date: 05/04/2010
Series: Emerald City Books
Sold by: Barnes & Noble
Format: eBook
Pages: 232
File size: 1 MB

About the Author

Laurie Levinger is a retired psychotherapist who lives and writes in Vermont. She is the author of What War? Testimonies of Maya Survivors.
Laurie Levinger is a freelance writer. She is the author of two books, What War? Testimonies of Maya Survivors and Just a Dropped Stitch.

Table of Contents

Acknowledgments ix

After

1 After 3

2 Good Night, Irene 15

3 My Mothers Jewelry 19

Dropped Stitch

4 Dropped Stitch 35

Family Business

5 The Family Business 43

6 Naming Ourselves 49

7 Learning to Swim 54

The Little Girl

8 Bezel 59

9 Ice 63

10 The Grocery Store 67

Hard Listening

11 What I Heard 75

12 Fire 83

Right Work

13 Vincent 91

14 Looking for Work 97

15 The Tigers Eye 99

16 Coach 105

17 6 Hens and a Robin 111

18 Getting the Mail 115

Too Big

19 Too Big 121

20 Binky 124

Telling

21 The Letter 131

22 The Hero 139

23 Like Air 153

24 Wife? 159

25 Next of Kin 172

26 Blessing 175

Sophie

27 The Dress 185

28 On the Bridge, Twice 190

Noah

29 Hiking 197

30 Dear John 204

Love Made Visible

31 Characters 209

32 Thanks to Itzhak 212

33 Chinese Box 217

Afterword 221

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