Junk: Art and the Politics of Trash
Trash, garbage, rubbish, dross, and detritus - in this enjoyably radical exploration of 'Junk', Gillian Whiteley rethinks art's historical and present appropriation of junk within our eco-conscious and globalised culture. She does this through an illustrated exploration of particular materials, key moments and locations and the telling of a panoply of trash narratives. Found and ephemeral materials are primarily associated with assemblage - object-based practices which emerged in the mid-1950s and culminated in the seminal exhibition 'The Art of Assemblage' in New York in 1961. With its deployment of the discarded and the filthy, Whiteley argues, assemblage has been viewed as a disruptive, transgressive artform that engaged with narratives of social and political dissent, often in the face of modernist condemnation as worthless kitsch. In the Sixties, parallel techniques flourished in Western Europe, the US and Australia but the idiom of assemblage and the re-use of found materials and objects - with artist as bricoleur - is just as prevalent now. This is a timely book that uncovers the etymology of waste and the cultures of disposability within these economies of wealth.
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Junk: Art and the Politics of Trash
Trash, garbage, rubbish, dross, and detritus - in this enjoyably radical exploration of 'Junk', Gillian Whiteley rethinks art's historical and present appropriation of junk within our eco-conscious and globalised culture. She does this through an illustrated exploration of particular materials, key moments and locations and the telling of a panoply of trash narratives. Found and ephemeral materials are primarily associated with assemblage - object-based practices which emerged in the mid-1950s and culminated in the seminal exhibition 'The Art of Assemblage' in New York in 1961. With its deployment of the discarded and the filthy, Whiteley argues, assemblage has been viewed as a disruptive, transgressive artform that engaged with narratives of social and political dissent, often in the face of modernist condemnation as worthless kitsch. In the Sixties, parallel techniques flourished in Western Europe, the US and Australia but the idiom of assemblage and the re-use of found materials and objects - with artist as bricoleur - is just as prevalent now. This is a timely book that uncovers the etymology of waste and the cultures of disposability within these economies of wealth.
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Junk: Art and the Politics of Trash

Junk: Art and the Politics of Trash

by Gillian Whiteley
Junk: Art and the Politics of Trash

Junk: Art and the Politics of Trash

by Gillian Whiteley

eBook

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Overview

Trash, garbage, rubbish, dross, and detritus - in this enjoyably radical exploration of 'Junk', Gillian Whiteley rethinks art's historical and present appropriation of junk within our eco-conscious and globalised culture. She does this through an illustrated exploration of particular materials, key moments and locations and the telling of a panoply of trash narratives. Found and ephemeral materials are primarily associated with assemblage - object-based practices which emerged in the mid-1950s and culminated in the seminal exhibition 'The Art of Assemblage' in New York in 1961. With its deployment of the discarded and the filthy, Whiteley argues, assemblage has been viewed as a disruptive, transgressive artform that engaged with narratives of social and political dissent, often in the face of modernist condemnation as worthless kitsch. In the Sixties, parallel techniques flourished in Western Europe, the US and Australia but the idiom of assemblage and the re-use of found materials and objects - with artist as bricoleur - is just as prevalent now. This is a timely book that uncovers the etymology of waste and the cultures of disposability within these economies of wealth.

Product Details

ISBN-13: 9780857731401
Publisher: Bloomsbury Publishing
Publication date: 11/30/2010
Sold by: Barnes & Noble
Format: eBook
Pages: 192
File size: 5 MB

About the Author

Gillian Whiteley is a curator and is lecturer in visual and material culture at Loughborough University. Her publications include 'Telling Stories: Theories&Criticism, Cinematic Essay, Objects&Narrative' (2009). She is a regular contributor to 'The Art Book', for which during 2009 she has been Honorary Editor.
Gillian Whiteley is Senior Lecturer in Visual and Material Culture at Loughborough University, UK.

Table of Contents

Dedication

Contents

Acknowledgments

Preface - The ragman's grandaughter

Introduction - Culturalist bricolage and garbology

Chapter One - Rehabilitating rubbish : histories, values, aesthetics

Chapter Two - The cultural life of detritus : from objet trouvé to the art of assemblage

Chapter Three - Dissenters, drifters and poets: 'placing' assemblage in the San Francisco Bay Area

Chapter Four - The 'comedy of waste' : a load of British rubbish

Chapter Five - Accumulations, panoplies and le quotidien: French practice and the transfiguration of everyday mess

Chapter Six - Cross-cultural encounters and collisions : the Annandale Imitation Realists and Australian modernism

Afterword - Digital ordure, leftovers and leavings

Bibliography

Index
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