John Sullivan Dwight: The Life and Writings of Boston's Musical Transcendentalist
John Sullivan Dwight (1813-93) was, for much of the nineteenth century, America's leading music critic. Born into a musical family and educated at several premier Boston schools, he fell under the spell of New England Transcendentalism and befriended Ralph Waldo Emerson, Elizabeth Palmer Peabody, Margaret Fuller, George Ripley, and others of a similarly progressive mindset. Dwight resided at the socialist/utopian community of Brook Farm where he learned the art of journalism and wrote on many topics--Transcendentalism, of course, but especially on music and musical performance. After the demise of Brook Farm and several years as a journeyman writer, Dwight launched Dwight's Journal of Music: A Paper of Art and Literature in 1852. It was a newspaper that firmly established him as a serious music critic and in its time spoke to America's growing appetite for art music. By charting Dwight's relationships with other writers, musicians, and thinkers, as well as his evolution into a powerful and persuasive writer in his own right, this book situates his story in its nineteenth century and Transcendental contexts and provides the first thorough account of music and the arts at Brook Farm. Dwight's enormous body of essays, reviews, translations, correspondence, and other various writings are illuminated in this biography and reveal the indelible influence Dwight's Journal had on music criticism--the impacts of which resonate today.
"1143256102"
John Sullivan Dwight: The Life and Writings of Boston's Musical Transcendentalist
John Sullivan Dwight (1813-93) was, for much of the nineteenth century, America's leading music critic. Born into a musical family and educated at several premier Boston schools, he fell under the spell of New England Transcendentalism and befriended Ralph Waldo Emerson, Elizabeth Palmer Peabody, Margaret Fuller, George Ripley, and others of a similarly progressive mindset. Dwight resided at the socialist/utopian community of Brook Farm where he learned the art of journalism and wrote on many topics--Transcendentalism, of course, but especially on music and musical performance. After the demise of Brook Farm and several years as a journeyman writer, Dwight launched Dwight's Journal of Music: A Paper of Art and Literature in 1852. It was a newspaper that firmly established him as a serious music critic and in its time spoke to America's growing appetite for art music. By charting Dwight's relationships with other writers, musicians, and thinkers, as well as his evolution into a powerful and persuasive writer in his own right, this book situates his story in its nineteenth century and Transcendental contexts and provides the first thorough account of music and the arts at Brook Farm. Dwight's enormous body of essays, reviews, translations, correspondence, and other various writings are illuminated in this biography and reveal the indelible influence Dwight's Journal had on music criticism--the impacts of which resonate today.
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John Sullivan Dwight: The Life and Writings of Boston's Musical Transcendentalist

John Sullivan Dwight: The Life and Writings of Boston's Musical Transcendentalist

by Bill F. Faucett
John Sullivan Dwight: The Life and Writings of Boston's Musical Transcendentalist

John Sullivan Dwight: The Life and Writings of Boston's Musical Transcendentalist

by Bill F. Faucett

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Overview

John Sullivan Dwight (1813-93) was, for much of the nineteenth century, America's leading music critic. Born into a musical family and educated at several premier Boston schools, he fell under the spell of New England Transcendentalism and befriended Ralph Waldo Emerson, Elizabeth Palmer Peabody, Margaret Fuller, George Ripley, and others of a similarly progressive mindset. Dwight resided at the socialist/utopian community of Brook Farm where he learned the art of journalism and wrote on many topics--Transcendentalism, of course, but especially on music and musical performance. After the demise of Brook Farm and several years as a journeyman writer, Dwight launched Dwight's Journal of Music: A Paper of Art and Literature in 1852. It was a newspaper that firmly established him as a serious music critic and in its time spoke to America's growing appetite for art music. By charting Dwight's relationships with other writers, musicians, and thinkers, as well as his evolution into a powerful and persuasive writer in his own right, this book situates his story in its nineteenth century and Transcendental contexts and provides the first thorough account of music and the arts at Brook Farm. Dwight's enormous body of essays, reviews, translations, correspondence, and other various writings are illuminated in this biography and reveal the indelible influence Dwight's Journal had on music criticism--the impacts of which resonate today.

Product Details

ISBN-13: 9780197684191
Publisher: Oxford University Press
Publication date: 08/18/2024
Sold by: Barnes & Noble
Format: eBook
File size: 9 MB

About the Author

Bill F. Faucett is the author of Music in Boston: Composers, Events, and Ideas, 1852-1918 and George Whitefield Chadwick: The Life and Music of The Pride of New England, among other volumes.

Table of Contents

Acknowledgements Illustrations Introduction PART I: Musica sub rosa 1. A Lineage so Grandly Historic The Dwights of Massachusetts Irrepressible Fondness Dwight's Early Education Genius and Enterprise 2. Musical Awakenings Life at Harvard Musica sub rosa Harvard Divinity School 3. The World Idealized Ralph Waldo Emerson Gardiner's The Music of Nature (1832) Goethe, Schiller&Carlyle George Ripley Early Major Writings 4. Preaching, The Dial, and the HMA Northampton The Dial (1840-1844) The Harvard Musical Association PART II: The Music of Transcendentalism 5. Dwight at Brook Farm Gentleman Farmers The Arts at Brook Farm The Emerging Journalist 6. The Harbinger, Beethoven, and the End of Brook Farm The Harbinger Beethoven Storms Boston Dwight's Fourieristic Writings Gone Like a Dream 7. The Maturing Critic Back in Boston The Daily Chronotype Sartain's Magazine Graham's Magazine New Prospects PART III: The World at Arm's Length 8. Dwight's Journal of Music Founding the Journal Models and Influences Early Reception of the Journal Oliver Ditson 9. Years in Days Dwight's Grand Tour Music in Europe The Great Eastern 10. Dwight on the Issues Responses to the Civil War Dwight contra Enterprise Native Musicians Music of the Future Murmurs of a Grander Future Music Libraries in Boston 11. The End of Dwight's Journal of Music We Still Live Howling Wolves The Journal Folds CODA 12. The Last Transcendentalist Life After the Journal The Perkins Institution for the Blind Last writings The Last Transcendentalist Appendices 1. Dwight's Harvard Forensics&Themes Topics 2. Selected Original Poems by Dwight 3. Musical Repertoire&Guest Artists at Brook Farm 4. Selected Song Translations&Adaptations by Dwight 5. Dwight's Major Original Essays in the Journal (1852-1881) 6. Dwight's European ?Editorial Correspondences? for the Journal (1860-1861) Abbreviations John Sullivan Dwight: A Selected Bibliography Selected Bibliography Index
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