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Overview
Joan of Arc, born in Domremy in France in 1412, began to hear voices when she was thirteen and, believing they were directives from God, followed them - to the French court, to battle to wrest France from the English in the Hundred Years War, and to defeat and capture. She was put on trial for heresy and, on 30 May 1431, burned at the stake. Even today many people are fascinated by this teenage woman who persuaded her king to believe that she could lead her nation to victory. In the retrial of 1452-6 she was vindicated, but it took almost five hundred years after an English soldier declared 'we have burnt a saint' for the Catholic Church to conclude that she was indeed one. 'Joan of Arc: Maid, Myth and Mystery' is not merely an account of a life that was cut short; its focus is also on Joan's history, which in 1431 had just begun, and which, the author shows, was influenced just as much by the transformation in Anglo-French relations and by internal politics, issues of freedom and republicanism, and by changes in society regarding secularisation and belief, as by our response to the central issue of Joan's voices themselves.
Product Details
| ISBN-13: | 9780752472263 |
|---|---|
| Publisher: | The History Press |
| Publication date: | 10/21/2011 |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| Pages: | 256 |
| File size: | 1 MB |
| Age Range: | 18 Years |
About the Author
Read an Excerpt
Joan of Arc
Maid, Myth and History
By Timothy Wilson-Smith
The History Press
Copyright © 2011 Timothy Wilson-SmithAll rights reserved.
ISBN: 978-0-7524-7226-3
CHAPTER 1
A Prophetess to the Rescue
England and France had been rivals for many years when, in Holy Week 1429, Joan of Arc wrote to Henry VI, child king of England and France, informing him that she was sent by God to tell him to leave France and return home. The letter was also sent to William de la Pole, Count of Suffolk, Sir John Talbot and Thomas, Lord Scales, lieutenants of the Duke of Bedford, 'who calls himself Regent of the King of France for the King of England' (Bedford, Regent of English France, was Henry's older uncle). Joan also addressed the soldiers besieging Orléans, among whom she singles out the feared English archers.
As an illiterate girl, Joan dictated her letters. How many letters in all were sent cannot be known, but about twenty are referred to in various documents, of which this letter to the English is the first complete letter to survive. It survived because it must have so incensed the recipients that it was kept and cited as evidence against Joan at her trial in Rouen. Her tone is peremptory and arrogant. The King of England must render account to the King of Heaven and return the keys of the cities he has seized. If he does not, as 'commander of the military', she will force his men to flee; and if they do not obey, 'the Maid' (Joan) will have them all killed. She is sent by the King of Heaven 'to take you out of France'. 'The King of Heaven has sent her so much power that you will not be able to harm her or her brave army.'
Those before Orléans must go: 'you have no rights in France from God, the King of Heaven, and the Son of the Virgin Mary', for God has given France to Charles, the rightful heir; and he will soon enter Paris 'in a grand company'. Lieutenants of the Duke of Bedford, who 'calls himself Regent of the King of France for the King of England, make a response, if you wish to make peace over the city of Orléans!' As for the Duke, 'the Maid asks you not to make her destroy you'. 'If you come to terms, you ... can join her company, in which the French will perform the greatest feat ever done in the name of Christianity.'
Holy women on a mission are apt to be curt. Fifty years earlier, St Catherine of Siena had bullied Pope Gregory XI into going back to Rome; and when the move led to a schism in the Church, with one pope in Avignon and another in Rome, Catherine did not hesitate to maintain that the true pope was Gregory's successor in Rome, Urban VI. There were two important differences between Catherine and Joan, however. First, Catherine spoke persuasively in a melodious Tuscan Italian, whereas Joan probably never went beyond the stage of managing to write her own name, Jehanne. Second, Catherine fought for true authority in the Catholic Church, whereas Joan claimed to know the true authority in one Christian state. In 1415, shortly after Joan was born, the schism in the Church was ended at the Council of Constance, but there were doubts about the relative authority of popes and Church councils; and Joan was not sure who was the true pope. What mattered to Joan was her insistence that Henry VI was a usurper, with no rights over the lands God designed for his uncle Charles, whom his enemies had demoted to the King of Bourges; and that she, to whom she referred dispassionately as 'the Maid' (in French la pucelle), was to restore to Charles his undivided kingdom.
The writing of the letter was the culminating episode in a story that had begun some ten months earlier. In May 1428 Joan had gone to see Robert de Baudricourt, châtelain, or castellan, of the local castle of Vaucouleurs, to order him to take her to Charles. Twice he demurred, until at last, after her repeated calls that he must do what her voices demanded, he obeyed. But, even though she was admitted to the court at Chinon and she identified Charles when he pretended to hide, Charles asked the theologians of the loyal University of Poitiers to question her, before he trusted her. As the University of Paris, most prestigious of all French universities, was under Anglo-Burgundian control, this was the most prudent act he could perform. After this, her first 'trial', Joan sent her letter to the King of England.
No details of the Poitiers conversations are known; and more attention has been given by historians, playwrights and film-makers to her first meeting with Charles in Chinon. How was she able to identify him? What did she say to him in private? This encounter may have given Charles confidence in her, but it seems it was the interrogations at Poitiers that gave her confidence in herself. The university theologians found no wrong in her, but only 'humility, virginity, devotion, honesty, simplicity'. Everyone she met took an interest in her virginity. It is also obvious that she was direct, but the hectoring manner that suffuses her letter to Henry VI was not evident to the first group of clerics who pressed her closely on her mission. What worried Seguin Seguin, a Dominican friar who was dean of the Faculty of Poitiers, was that there was as yet no sign of her divine calling. 'God,' he claimed, 'did not want her to be believed unless something appeared on account of which it seemed to them that she was to be believed.' It was not enough that she asserted that God had sent her nor that soldiers – he could have meant Robert de Baudricourt – believed her assertions.
A contemporary German inquisitor wrote that 'there was lately in France, within the last ten years, a maid of whom I have already spoken, named Joan, for her prophetic spirit and for the power of her miracles.' When she prophesied, Joan emphasised her role as la pucelle, the Maid, as much as on the rights of Charles the Dauphin to be King of France. The word 'la pucelle' is hard to translate, for although it means a girl on the threshold of adulthood, it does not have precisely the sense of our word 'nubile'. Over and over again Joan emphasised that she was a virgin, and every time her virginity was examined she was intact. To some commentators, from Voltaire to the present day, her obsession seems morbid. It places her, however, in a tradition that goes back to the beginnings of Christianity, for what distinguished the Christians from other Jewish sects, including even the Essenes of Qumran, was the value they placed on celibacy. Jesus himself was not married, his mother was said to be a virgin and of the Apostles only St Peter was known to be a married man. Even though most Christians married, even though the unmarried St Paul saw married love as an appropriate image of the love between Christ and his Church, celibacy had from the early days of Christianity a certain prestige among Christians. By Joan's time, celibacy, long cherished as a monastic ideal, had become a clerical one. While in the Eastern Church only bishops had to be monks, in the West the law prescribed that all priests should be celibate.
From the early thirteenth century, as urban society became more developed, there was a move to carry the faith to lay people in the towns, and this was carried out by the new 'orders' of friars, who took vows of chastity as well as of poverty and obedience. In Joan's day, in addition to the parish clergy there were still monks, but the storm troopers of the Church were the friars. Among their numbers were the best-trained, the most eloquent, the most admired and the most traduced of clerics. Free from working in the government of the Church, they could devote themselves to individualistic projects, such as teaching and writing – they dominated the universities – or to preaching to lay people and giving direction to their spiritual lives.
At this time, male monks or friars far outnumbered women religious, who followed slightly modified versions of male rules, but from 1300 women became more prominent and played an increasingly individualistic role in the spiritual affairs of the Church. At the age of seven St Catherine of Siena consecrated her virginity to Christ; aged sixteen she joined the Dominican third order – friars made up the first order and nuns the second – and thus was attached to a religious order while still a lay person. In her twenties, after receiving a series of visions, she began her spectacular public career. In the Netherlands, lay women lived together in béguinages free of vows, free to keep their property, free to leave and marry, but at least temporarily virginal, while they taught or did light manual labour or devoted themselves to prayer. Slightly further north, in Norwich, a woman who may have been a Benedictine nun, Dame Julian, lived as a recluse in an anchorage, a small house set in a churchyard, devoting herself to prayer and later, after experiencing a number of visions, to dictating her story. She claimed to be illiterate, which probably means that her Latin was not up to much, but she was well read in texts she needed to know, such as some of St Catherine's letters and some modern English clerical writings.
None of these women was a model for Joan of Arc, but it is beside this group that she belongs, both as a visionary and as a woman of action; and yet her social background was different to theirs, for whereas the others came from cities where international trade flourished, she never forgot that she was a country girl. Like her, some béguineswere suspected of heresy; like her, St Catherine of Siena found that her life was threatened by political enemies; all were like her in their devotion to temporary or permanent virginity. Of those who 'visited' Joan, Sts Catherine (of Alexandria) and Margaret (of Antioch) reinforced her resolve to remain a virgin, though curiously St Margaret is patron saint of childbirth and as such it is probably her statue that is on the bedstead of Jan van Eyck's Arnolfini wedding portrait, which dates from 1434. There could have been many other such heavenly visitants, such as St Barbara, along with the tower in which her father had immured her to force her to marry, or the huge company, some 10,000 virgins who traipsed round Europe with St Ursula before suffering martyrdom for the sake of virginity. And besides these there were numerous virgin martyrs, set in serried ranks like those standing with loosened hair and palms in their hands among the heavenly hosts who adore the Lamb in the Ghent altarpiece that Jan van Eyck was in process of finishing while Joan became famous. One female saint, St Uncumber, had a beard to put men off; and it was for similar reasons, not as a transvestite, that Joan wore men's clothes. To accomplish what she fervently believed she was called to do, she had to neutralise men's sexual urges. She was strong and fit and became a good horsewoman, but she never struck anyone as unfeminine. To be whole-hearted, however, she had to be a virgin.
Most virgins called themselves virgins for the kingdom of heaven. What marks out Joan is that she was also a virgin for the kingdom of France or, rather, for Charles the Dauphin, whom she was sure was God's choice as King of France.
Playgoers will be familiar with Shakespeare's habit of indifferently using the words 'England' and 'France' (or 'Worcester' or 'York') for a country, a county, a city and for the person who has authority over the place. The man is identified with his title and the title with his land. In a feudal society, where a lord could expect loyalty from those who held their land from him, tight bonds kept upper-class society together; even when, by Joan's time, those bonds had been so loosened that lords thought more in terms of retainers and servants than of vassals, there was still a tendency to think of a king as sovereign, suzerain or overlord; he was the linchpin of lay society.
The King of France was also something more. As God's anointed, he was given divine authority over his people; he had a miraculous power to heal when he touched for the king's evil or scrofula, a power that his brother of England also exercised. From the 1160s, following the canonisation of Edward the Confessor, the King of England was able to claim a royal saint; a century later Henry III built a great shrine for St Edward in the abbey the Confessor had founded in Westminster and also named his son and heir Edward. It took the French royal family 150 years to catch up, but when Louis IX was declared to be St Louis, at least every King of France since the saint's death in 1270 could claim a saint as ancestor (Edward the Confessor had died childless). The aura of holiness clung to the kings of both countries.
The lawyers of the French king drew attention to his rights as king. He could tax his subjects, lay down laws, call them to account in his courts. Indeed, in the fifteenth century the distinguished English lawyer Sir John Fortescue noted that the rights of the King of France were far greater than those of his English counterpart. Whereas the English kingdom was a dominium regale et politicum, the kingdom of France was a dominium regale tantum. Fortescue was probably writing while in exile in France in the 1460s, during the period of the dynastic civil wars known as the Wars of the Roses, when a struggle for the throne was symbolised as a contest between the white rose of the Dukes of York and the red rose of the Dukes of Lancaster. In this period English institutions were crumbling, but the point Fortescue made was still a valid one. Kings had the right and the duty to govern in a dominium regale, but while the English king had to consult with his peers and his commoners in parliament, the French king did not have to listen to or even summon the Estates General. In more modern terms, the King of England was a constitutional king, the King of France was an absolute monarch. Fortescue may have been too sanguine about English practice and understandably he overestimated the French king's actual freedom of action, as he was writing when Joan's Charles VII had just driven the English from all French soil except that round Calais. Throughout his reign Charles had been only too well aware that his power was restricted by the privileges of many of his subjects, above all those of his dukes, his counts and sometimes even of burgesses or bourgeois in cities. Peasants had almost no rights, but the whole pyramid of society rested on them; and there was nothing more feared than a peasant revolt.
For generations French royal power had been centred on the Île de France, the countryside round Paris, but gradually it had been extended to include neighbouring lands to the north-east, such as Artois, and in the Loire and Seine valleys, where Touraine, Anjou, Maine and Normandy were wrested from John of England. Further gains, in Poitou (also from the English), in Languedoc, in the northeast and the centre of France put most of the land now called France under the control of its king. By 1300 the King of France was the most powerful lay ruler in Latin Christendom, far stronger than the Holy Roman Emperor – whom even a man as intelligent as Dante liked to believe to be still the leading monarch in the West. Even the Church, when Philip IV cajoled the pope to move to Avignon in 1309, appeared to be a spiritual adjunct to the French Crown. A French king and pope should have been an unstoppable combination; and yet the army of Philip IV had been routed by the cities of Flanders at the battle of Courtrai in 1302.
Extensive though the royal demesne had become, four fiefs lay beyond its bounds; and, besides, the Count of Anjou, who was descended from Louis IX's youngest brother, was semi-independent both as count of Provence, a county outside France, and as sometime King of Naples. Of the four fiefs, Flanders and Brittany scarcely identified with France, as many of their inhabitants did not speak French; Burgundy, closer to the kingdom's heart, had reverted to the French Crown and would pass to the son of a king; and the English lands in the south-west, making up the duchy of Guyenne, were remote and hard to handle, as its duke was also King of England. From 1258 the English king held these lands from the French king. Philip IV made inroads into Guyenne but failed to conquer it; Philip had, however, prepared the way for France's acquisition of the duchy by making Edward I agree to the marriage of his son Edward to Philip's daughter Isabella – on condition that he, Philip, return Gascony, the southern coastal area of the duchy he had seized, to his 'dearest cousin'. With this marriage in mind, Philip could anticipate the day when his grandchild, as King of England and France, would bring to an end France's problems with English Guyenne.
It turned out that it was the Crown of France that had the problems. When Philip IV died in 1314, the French dynasty, hitherto so stable, was threatened by an unfamiliar sequence of occurrences. From 987, when Hugh Capet had become king, survival had never been an issue, because in each generation of the royal line of Capet a son had succeeded a father. Now the normal chain of events was broken. Philip's oldest son Louis X died in 1316, as did Louis's son, John I, who reigned for only ten days. The infant's uncles, Philip V and Charles IV, dying in 1322 and 1328 respectively, had no male heirs, leaving as nearest male relative the son of their sister Isabella and her husband Edward II of England. In 1327 this teenager, another Edward, became Duke of Guyenne and King Edward III of England. In Paris, his mother's representatives argued that there was no good reason why a woman should not inherit a title, but the French assembly ruled out any claim that would involve her. The French had an immediate practical problem: they needed a regent, as the late king's wife was pregnant. They chose the late king's adult male cousin, Philip Count of Valois, to take that role; and, when a baby girl was born to the widowed queen, the count quickly became King Philip VI. This decision accorded later with a fundamental principle of the French constitution according to Salic Law, not only must the throne of France be inherited by a man, but also through the male line. At the time the choice of Philip VI was wise. Edward III was young, far away and apparently dominated by a mother nobody in Paris liked.
(Continues...)
Excerpted from Joan of Arc by Timothy Wilson-Smith. Copyright © 2011 Timothy Wilson-Smith. Excerpted by permission of The History Press.
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Table of Contents
Contents
Preface,Acknowledgements,
Chronology,
Prologue The Limits of History,
PART ONE: The Maid in Life and Death,
One A Prophetess to the Rescue,
Two What Need of the Maid?,
Three Victory at Orléans and Reims,
Four Defeats and Capture,
Five Coming to Trial,
Six The Preparatory Trial,
Seven The Ordinary Trial,
Eight The Maid's Death,
PART TWO: The Maid Vindicated,
Nine The King on Trial,
Ten National Salvation,
Eleven The Alliance of 1435,
Twelve The End of English France,
Thirteen Voices in Defence,
Fourteen The Case Reopened,
Fifteen Witnesses to the Life,
Sixteen Witnesses to the Trial,
Seventeen Verdict and Rehabilitation,
PART THREE: The Cult of the Maid,
Eighteen History, Legend and Myth,
Nineteen Early Accounts, Partial Histories,
Twenty Reinventing the Maid,
Twenty-one Reviving Joan,
Twenty-two Holy Patriot,
Twenty-three The Cult of St Joan,
Twenty-four Vive la France! Vive Jeanne d'Arc!,
Twenty-five St Joan: a Modern Heroine?,
Epilogue Saint Joan in Orléans,
Genealogical Tables,
Notes,
Bibliography,