J.G. Ballard's Surrealist Imagination: Spectacular Authorship / Edition 1

J.G. Ballard's Surrealist Imagination: Spectacular Authorship / Edition 1

by Jeannette Baxter
ISBN-10:
0754662675
ISBN-13:
9780754662679
Pub. Date:
02/28/2009
Publisher:
Taylor & Francis
ISBN-10:
0754662675
ISBN-13:
9780754662679
Pub. Date:
02/28/2009
Publisher:
Taylor & Francis
J.G. Ballard's Surrealist Imagination: Spectacular Authorship / Edition 1

J.G. Ballard's Surrealist Imagination: Spectacular Authorship / Edition 1

by Jeannette Baxter
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Overview

Making the case that J. G. Ballard's fictional and non-fictional writings must be read within the framework of Surrealism, Jeannette Baxter argues for a radical revisioning of Ballard that takes account of the political and ethical dimensions of his work. Ballard's appropriation of diverse Surrealist aesthetic forms and political writings, Baxter suggests, are mobilised to contest official narratives of postwar history and culture and offer a series of counter-historical and counter-cultural critiques. Thus Ballard's work must be understood as an exercise in Surrealist historiography that is politically and ethically engaged. Placing Ballard's illustrated texts within this critical framework permits Baxter to explore the effects of photographs, drawings, and other visual symbols on the reading experience and the production of meaning. Ballard's textual spectacles raise a variety of questions about the shifting role of the reader and the function of the written text within a predominantly visual culture, while acknowledging the visual contexts of Ballard's Surrealist writings allows a very different historical picture of the author and his work to emerge.

Product Details

ISBN-13: 9780754662679
Publisher: Taylor & Francis
Publication date: 02/28/2009
Edition description: 1
Pages: 256
Product dimensions: 6.12(w) x 9.19(h) x (d)

About the Author

Jeannette Baxter is Senior Lecturer in English and Writing at Anglia Ruskin University, UK.

Table of Contents

Contents: Introduction; Mapping a surrealist historiography: recontextualising The Drowned World and The Crystal World; Reading The Atrocity Exhibition: a history of forms; Radical surrealism: performance, photography and history in Crash; Convulsive autobiography: negotiating history, memory and fiction in Empire of the Sun and The Kindness of Women; The surrealist Fait Divers: uncovering violent histories in Running Wild, Cocaine Nights, Super-Cannes and Millennium People; Conclusion; Bibliography; Index.
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