Jazz Transatlantic, Volume II: Jazz Derivatives and Developments in Twentieth-Century Africa

In Jazz Transatlantic, Volume II, renowned scholar Gerhard Kubik extends and expands the epic exploration he began in Jazz Transatlantic, Volume I. This second volume amplifies how musicians influenced by swing, bebop, and post-bop influenced musicians in Africa from the end of World War II into the 1970s were interacting with each other and re-creating jazz. Much like the first volume, Kubik examines musicians who adopted a wide variety of jazz genres, from the jive and swing of the 1940s to modern jazz. Drawing on personal encounters with the artists, as well as his extensive field diaries and engagement with colleagues, Kubik looks at the individual histories of musicians and composers within jazz in Africa. He pays tribute to their lives and work in a wider social context.

The influences of European music are also included in both volumes as it is the constant mixing of sources and traditions that Kubik seeks to describe. Each of these groundbreaking volumes explores the international cultural exchange that shaped and continues to shape jazz. Together, these volumes culminate an integral recasting of international jazz history.

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Jazz Transatlantic, Volume II: Jazz Derivatives and Developments in Twentieth-Century Africa

In Jazz Transatlantic, Volume II, renowned scholar Gerhard Kubik extends and expands the epic exploration he began in Jazz Transatlantic, Volume I. This second volume amplifies how musicians influenced by swing, bebop, and post-bop influenced musicians in Africa from the end of World War II into the 1970s were interacting with each other and re-creating jazz. Much like the first volume, Kubik examines musicians who adopted a wide variety of jazz genres, from the jive and swing of the 1940s to modern jazz. Drawing on personal encounters with the artists, as well as his extensive field diaries and engagement with colleagues, Kubik looks at the individual histories of musicians and composers within jazz in Africa. He pays tribute to their lives and work in a wider social context.

The influences of European music are also included in both volumes as it is the constant mixing of sources and traditions that Kubik seeks to describe. Each of these groundbreaking volumes explores the international cultural exchange that shaped and continues to shape jazz. Together, these volumes culminate an integral recasting of international jazz history.

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Jazz Transatlantic, Volume II: Jazz Derivatives and Developments in Twentieth-Century Africa

Jazz Transatlantic, Volume II: Jazz Derivatives and Developments in Twentieth-Century Africa

by Gerhard Kubik
Jazz Transatlantic, Volume II: Jazz Derivatives and Developments in Twentieth-Century Africa

Jazz Transatlantic, Volume II: Jazz Derivatives and Developments in Twentieth-Century Africa

by Gerhard Kubik

Hardcover

$110.00 
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Overview

In Jazz Transatlantic, Volume II, renowned scholar Gerhard Kubik extends and expands the epic exploration he began in Jazz Transatlantic, Volume I. This second volume amplifies how musicians influenced by swing, bebop, and post-bop influenced musicians in Africa from the end of World War II into the 1970s were interacting with each other and re-creating jazz. Much like the first volume, Kubik examines musicians who adopted a wide variety of jazz genres, from the jive and swing of the 1940s to modern jazz. Drawing on personal encounters with the artists, as well as his extensive field diaries and engagement with colleagues, Kubik looks at the individual histories of musicians and composers within jazz in Africa. He pays tribute to their lives and work in a wider social context.

The influences of European music are also included in both volumes as it is the constant mixing of sources and traditions that Kubik seeks to describe. Each of these groundbreaking volumes explores the international cultural exchange that shaped and continues to shape jazz. Together, these volumes culminate an integral recasting of international jazz history.


Product Details

ISBN-13: 9781496806086
Publisher: University Press of Mississippi
Publication date: 11/30/2017
Series: American Made Music Series
Pages: 294
Product dimensions: 6.13(w) x 9.25(h) x (d)

About the Author

Gerhard Kubik, Vienna, Austria, is one of the best-known scholars in the field of ethnomusicology and author of numerous books over a lengthy career. A cultural anthropologist, ethnomusicologist, and psychoanalyst, Kubik researches music, dance, and oral traditions in Africa and the Americas. He is author of Africa and the Blues, also published by University Press of Mississippi.

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