In awe-filled vignettes, she juxtaposes the “inescapable” noise of Tokyo—and its “manically happy” train station jingles—with the “quiet, formal, ritualistic atmosphere” of a music festival in the rugged mountain town of Akita. She contemplates wabi sabi, the Japanese aesthetic that celebrates imperfect beauty; explores the seedier sides of locations not mentioned in tourist brochures—including Okinawa’s Kadena Military Base, where strip clubs butt up against all-night tattoo parlors; and dives into Osaka’s underground music scene, which is more about ‘resisting conformity’ than it is the actual music. Throughout, her sharp observations are interspersed with moving moments of introspection, as when she quietly muses that Japan may be ‘the only place in the world... where my heart feels like it can rest.’ This transportive work is a thrilling escape.” —Publishers Weekly
“Jillian Marshall is a kindred spirit: I too love Japan, music, and champion the bridging of academia with the public sphere. What a fun, accessible journey in a place considered too often, and incorrectly, as inscrutable.” —Nancy Snow, Senior Adviser, Kreab Tokyo, author, Japan’s Information War
"Japanthem is a lively, sparkling, and very personal book, both about Japanese music and culture and about Marshall’s ambivalent relationship to academia. Born as a doctoral dissertation, the book couldn’t be further from the dry and scholarly reading experience of an academic book, which is the idea. Yet the author’s expertise and lived experience as a “researcher” figure centrally in the story she tells, and her knowledge of Japan’s musics, culture, media, and language. Part travel writing, part memoir, part ethnography, Japanthem immerses you in the author’s encounters with diverse facets of Japan and its music. The portrait of Japan that emerges is quirky, funny, and humane, both loving and, at times, appalled. Marshall closely observes Japanese musical culture and yet holds it at a certain distance, seen honestly through her outsider’s eyes. Throughout, Marshall’s writing crackles with wit and humor and emotional honesty, richly drawn characters and complicated situations.” —Aaron A. Fox, Associate Professor of Music, Columbia University
"Jill Marshall’s writing is so utterly engaging . . . Her style reminds me of Molly Ivins at her most cutting and sarcastic and breathtakingly honest. Her methodology and her self-reflective authorial stance remind me of John Miller Chernoff’s African Rhythm and African Sensibility (University of Chicago Press, 1978). Or the “comedy of academic manners” of David Lodge’s The Campus Trilogy novels. —from the introduction by Steven F. Pond, Associate Professor, Cornell University; author, Herbie Hancock’s Head Hunters: The Making of Jazz’s First Platinum Album
