James Joyce

by B.C. Southam (Editor)

Overview

The Collected Critical Heritage II comprises 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995. The Critical Heritage series gathers together a large body of critical figures in literature. These carefully selected sources include: * comtemporary reviews from both popular and literary media. In these students can read about how Lady Chatterly's Lover shocked contemporary reviewers or what Ibsen's Doll's House meant to the early women's movement. * little-known documentary material, such as diaries and correspondence - often between authors and their publishers and critics. * landmark essays in the history of criticism. * significant pieces of criticism from later periods to demonstrate how an author's reputation changed over time.

Product Details

ISBN-13:	9781134539864
Publisher:	Taylor & Francis
Publication date:	10/15/2013
Sold by:	Barnes & Noble
Format:	eBook
Pages:	836
File size:	2 MB

About the Author

Robert H. Deming

Table of Contents

James Joyce: The Critical Heritage Volume 1, 1907-27; Chapter 1 George Russell (Æ) on James Joyce; Chapter 2 Æ on Joyce; Chapter 3 Stanislaus Joyce on his brother; Chapter 4 Æ on Joyce; Chapter 5 Stanislaus on Joyce; Chapter 6 Æ on Joyce; chambermusic CHAMBER MUSIC; Chapter 7 Arthur Symons on Joyce; Chapter 8 Thomas Kettle, review, Freeman's Journal; Chapter 9 Arthur Symons, review, Nation; Chapter 10 Unsigned notice, Bookman; Chapter 11 Opinions of Chamber Music; Chapter 12 Unsigned review, Egoist; Chapter 13 ‘M.A.’ review, New Republic; Chapter 14 Morton D. Zabel on Chamber Music; Chapter 15 Louis Golding on Joyce's poetry; Chapter 16 Arthur Symons on Joyce's poetry; Chapter 17 Italo Svevo on Joyce's A Portrait of the Artist; dubliners DUBLINERS; Chapter 18 An Irish view of Dubliners; Chapter 19 Symons on Dubliners; Chapter 20 Unsigned review, Times Literary Supplement; Chapter 21 Unsigned review, AthencÆum; Chapter 22 Gerald Gould on Dubliners; Chapter 23 Unsigned review, Everyman; Chapter 24 Unsigned review, Academy; Chapter 25 Ezra Pound on Dubliners; Chapter 26 Unsigned review, Irish Book Lover; Chapter 27 A French view of Dubliners; Chapter 28 Review of the French translation; Chapter 29 Another French view of Dubliners; Chapter 30 Review of the French translation; Chapter 31 A later opinion of Dubliners; Chapter 32 Review of the German translation; opinions OPINIONS; Chapter 33 Pound to H. L. Mencken; Chapter 34 Pound to Mencken; Chapter 35 W. B. Yeats to Edmund Gosse; Chapter 36 W. B. Yeats on Joyce; Chapter 37 George Moore on Joyce; portrait A PORTRAIT OF THE ARTIST AS A YOUNG MAN; Chapter 38 Reader's report on A Portrait of the Artist; Chapter 39 Pound on A Portrait; Chapter 40 Unsigned review, Everyman; Chapter 41 H. G. Wells, review, Nation; Chapter 42 A. Clutton-Brock, review, Times Literary Supplement; Chapter 43 Unsigned review, Literary World; Chapter 44 Review, Manchester Guardian; Chapter 45 Francis Hackett, review, New Republic; Chapter 46 Notice, Nation (New York); Chapter 47 Unsigned review, Freeman's Journal; Chapter 48 J. C. Squire, review, New Statesman; Chapter 49 Unsigned review, Irish Book Lover; Chapter 50 John Quinn, review, Vanity Fair; Chapter 51 Van Wyck Brooks, review, The Seven Arts; Chapter 52 John Macy, review of A Portrait and Dubliners; Chapter 53 Unsigned review, New Age; comments COMMENTS ON A PORTRAIT; Chapter 54 Stanislaus on A Portrait; Chapter 55 Ezra Pound to John Quinn; Chapter 56 An Italian comment on A Portrait; Chapter 57 Jane Heap on Joyce; Chapter 58 Margaret Anderson on Joyce; Chapter 59 A Pound editorial on Joyce and Wyndham Lewis; Chapter 60 Wyndham Lewis on A Portrait; Chapter 61 John F. Harris on the unconventional; Chapter 62 Hart Crane on Joyce and Ethics; Chapter 63 Virginia Woolf on modern novels; Chapter 64 Florent Fels, review of A Portrait; Chapter 65 Ford Madox Ford on Joyce; exiles EXILES; Chapter 66 George Bernard Shaw, the Stage Society and Exiles; Chapter 67 G.B.S., the Stage Society and Exiles; Chapter 68 Pound on Exiles and the modern drama; Chapter 69 Review, Freeman's Journal; Chapter 70 A. Clutton-Brock, review, Times Literary Supplement; Chapter 71 Desmond MacCarthy, review, New Statesman; Chapter 72 Padraic Colum, review, Nation; Chapter 73 Francis Hackett, review, New Republic; Chapter 74 Little Review symposium on Exiles; Chapter 75 A French comment on Exiles; Chapter 76 Francis Fergusson on Exiles and Ibsen; Chapter 77 Bernard Bandler on Exiles; someviews SOME VIEWS FROM 1918 TO 1921; Chapter 78 P. Beaumont Wadsworth on Joyce; Chapter 79 Pound to Mencken; Chapter 80 Pound to John Quinn; Chapter 81 Padraic Colum on Joyce and Dublin; Chapter 82 Pound on the early works; Chapter 83 Silvio Benco on Joyce and Trieste; Chapter 84 Yeats to John Quinn; Chapter 85 Scofield Thayer on Joyce's works; Chapter 86 Pound to John Quinn; Chapter 87 Evelyn Scott on Joyce and modernity; Chapter 88 J. C. Squire on Joyce; Chapter 89 Arthur Power on Joyce; Chapter 90 Joyce and jazz prose; ulysses ULYSSES; Chapter 91 ValÉry Larbaud, reaction to Ulysses; Chapter 92 Ulysses and censorship; Chapter 93 Richard Aldington on the influence of Joyce; Chapter 94 Shaw's reaction to the Ulysses prospectus; ulysses_review ULYSSES: REVIEWS; Chapter 95 Review, Daily Express; Chapter 96 Review, Sporting Times (Pink ’Un); Chapter 97 Unsigned review, Evening News; Chapter 98 John M. Murry, review, Nation … AthenŒum; Chapter 99 Holbrook Jackson, review, To-Day; Chapter 100 Review, Dublin Review; Chapter 101 Reaction to a review; Chapter 102 Shane Leslie, review, Quarterly Review; Chapter 103 George Rehm, review, Chicago Tribune (European edition); Chapter 104 Sisley Huddleston, review, Observer; Chapter 105 George Slocombe, review, Daily Herald; Chapter 106 Arnold Bennett, review, Outlook; Chapter 107 Joseph Collins, review, New York Times; Chapter 108 Edmund Wilson, review, New Republic; Chapter 109 Mary Colum, review, Freeman; Chapter 110 Gilbert Seldes, review, Nation; ulysses_reviews2 ULYSSES: REVIEWS OF AMERICAN EDITION; Chapter 111 Horace Gregory, review, New York Herald Tribune; Chapter 112 Gilbert Seldes, review, New York Evening Journal; Chapter 113 Review, The Carnegie Magazine; Chapter 114 Robert Cantwell, review, New Outlook; Chapter 115 Edwin Baird, review, Real America; Chapter 116 Review of the English edition, New Statesman; Chapter 117 Unsigned review of the English edition, Times Literary Supplement; contemporary CONTEMPORARY CRITICAL OPINIONS; Chapter 118 ValÉry Larbaud on Joyce; Chapter 119 Pound on Ulysses and Flaubert; Chapter 120 T. S. Eliot on Ulysses and myth; Chapter 121 John Eglinton on Joyce's method; Chapter 122 Cecil Maitland on the Catholic tradition; Chapter 123 Alfred Noyes on literary Bolshevism; Chapter 124 Ford Madox Ford on Ulysses and indecency; Chapter 125 Paul Claudel on Ulysses; Chapter 126 Robert McAlmon on Joyce and Ulysses; Chapter 127 Oliver St. John Gogarty comment on Ulysses; Chapter 128 Gertrude Stein on Joyce; Chapter 129 Yeats to Olivia Shakespear; Chapter 130 Hart Crane on Ulysses; Chapter 131 Ford Madox Ford on Ulysses; a_1923 1923; Chapter 132 George Slocombe on Joyce; Chapter 133 Aleister Crowley on the novel of the mind; Chapter 134 An interview with ValÉry Larbaud; Chapter 135 Yeats and the Dublin Philosophical Society; ulysses_1923 1923: ULYSSES; Chapter 136 An Irish comment on Ulysses; Chapter 137 An Irish opinion of Joyce; Chapter 138 Stephen Gwynn on modern Irish literature; Chapter 139 Ernest Boyd on Ireland's literary renaissance; ulysses_1924 1924: ULYSSES; Chapter 140 F. M. Ford on the cadence of Joyce's prose; Chapter 141 Comment on Yeats's discovery of Joyce; Chapter 142 Alec Waugh on Joyce's style; Chapter 143 Franklin Adams, comment on Ulysses; Chapter 144 Julien Green, comments on Ulysses; Chapter 145 Edmund Gosse to Louis Gillet; Chapter 146 Louis Cazamian on Joyce and Ulysses; a_1925 1925; Chapter 147 Ernest Boyd on Joyce; Chapter 148 Edmund Wilson on Joyce as a poet; ulysses_1925 1925: ULYSSES; Chapter 149 R. H. Pender on Ulysses; Chapter 150 Edwin Muir on the meaning of Ulysses; Chapter 151 A French critique of Louis Gillet; Chapter 152 German comment on Ulysses by Bernhard Fehr; a_1926 1926; Chapter 153 RenÉLalou on Joyce's works; Chapter 154 Pound on ‘Work in Progress’; pomes POMES PENYEACH; Chapter 155 George Slocombe, review, Daily Herald; Chapter 156 Æ review, Irish Statesman; Chapter 157 Unsigned review, Nation; Chapter 158 Marcel Brion, review, Les Nouvelles littÉraires; Chapter 159 Edmund Wilson, review, New Republic; Chapter 160 Padraic Colum review, New York World; Chapter 161 Robert Hillyer, comment, New Adelphi; a_1927 1927; Chapter 162 Yeats on Joyce in the Irish Senate; ulysses_1927 1927: ULYSSES; Chapter 163 Italo Svevo lecture on Joyce at Milan; Chapter 164 Armin Kesser on the German Ulysses; Chapter 165 Wyndham Lewis on time in Joyce; Chapter 166 Herbert Gorman on Joyce's form; Chapter 167 Yvan Goll on Ulysses; Chapter 168 Another Goll comment on Ulysses; work_1927 1927: WORK IN PROGRESS; Chapter 169 Mary Colum on the enigma of ‘Work in Progress’; Chapter 170 Henry Seidel Canby, reaction to ‘Work in Progress’; Chapter 171 ‘Affable Hawk’ dissatisfaction with ‘Work in Progress’; Chapter 172 William Carlos Williams on Joyce's style; Chapter 173 EugÈne Jolas et al. answer Wyndham Lewis; Chapter 174 Gertrude Stein and T. S. Eliot on Joyce; Chapter 175 EugÈne Jolas, memoir of Joyce; James Joyce: The Critical Heritage Volume 2, 1928-41; annalivia ANNA LIVIA PLURABELLE, ALP; Chapter 176 Early reaction from Stanislaus Joyce; Chapter 177 Padraic Colum, ‘Preface’ for Anna Livia Plurabelle; Chapter 178 Sean O'Faolain on the language of ALP; Chapter 179 Gerald Gould, comment, Observer; Chapter 180 Unsigned review, Times Literary Supplement; Chapter 181 Æ, review, Irish Statesman; Chapter 182 O'Faolain, reply to review in Irish Statesman; Chapter 183 EugÈne Jolas, reply to Sean O'Faolain; Chapter 184 O'Faolain, reply to EugÈne Jolas; Chapter 185 Cyril Connolly, review, Life and Letters; Chapter 186 Arnold Bennett, comment, London Evening Standard; Chapter 187 Leon Edel on Work in Progress; Chapter 188 G. W. Stonier, review of ALP and Haveth Childers Everywhere; Chapter 189 Unsigned review of ALP and HCE , Times Literary Supplement; Chapter 190 O'Faolain, re-reading of ALP; Chapter 191 Philippe Soupault and the French translation of ALP; Chapter 192 French comment on Work in Progress; Chapter 193 Max Eastman, interview with Joyce about ALP; a_1928 1928; Chapter 194 F. Scott Fitzgerald and Joyce; Chapter 195 Ellen Glasgow on the novel; Chapter 196 Denis Marion on Joyce; ulysses_1928 1928: ULYSSES; Chapter 197 Sisley Huddleston on Joyce and Sylvia Beach; Chapter 198 A French comment on Joyce the Romancier; Chapter 199 Rebecca West on Joyce; Chapter 200 Carola Giedion-Welcker on Ulysses; Chapter 201 Stefan Zweig on Ulysses; Chapter 202 Gerhardt Hauptmann on Ulysses; Chapter 203 Ernst R. Curtius on Joyce's works; Chapter 204 William Carlos Williams on Ulysses; work_1928 1928: WORK IN PROGRESS; Chapter 205 Jack Lindsay on the modern consciousness; Chapter 206 Robert McAlmon on Joyce, transition and ALP; Chapter 207 H. G. Wells deserts the standard; a_1929 1929; Chapter 208 John Eglinton on Joyce's emancipation; ulysses_1929 1929: ULYSSES; Chapter 209 Jack Kahane comment on Ulysses; Chapter 210 Wyndham Lewis to A. Symons on Ulysses; Chapter 211 Adrienne Monnier on Ulysses and French public; Chapter 212 Ernst R. Curtius on Ulysses; Chapter 213 Jean Cassou, review of French Ulysses; Chapter 214 Arnold Bennett on the influence of Ulysses; Chapter 215 Marcel Brion, review of Ulysses; Chapter 216 Marc Chadourne, comment on Ulysses; Chapter 217 Paul Souday, opinion of Ulysses; Chapter 218 Marcel Thiebaut, review of Ulysses; Chapter 219 Brian Penton, comment on the form of the novel; Chapter 220 S. Foster Damon on Ulysses and Dublin; Chapter 221 Edmond Jaloux on the English novel; p7 1929: WORK IN PROGRESS; Chapter 222 Padraic Colum assisting with Work in Progress; Chapter 223 Max Eastman on unintelligibility; Chapter 224 Harry Crosby answers Max Eastman; Chapter 225 C. K. Ogden on linguistic experiment; Chapter 226 Arnold Bennett on the oddest novel; Chapter 227 C. Giedion-Welcker on Joyce's experiment; Chapter 228 Michael Stuart on Work in Progress; p8 TALES TOLD OF SHEM … SHAUN; Chapter 229 Editorial, New York Times; Chapter 230 Michael Stuart on the sublime; Chapter 231 Hamish Miles, review, Criterion; Chapter 232 Unsigned review, Saturday Review; Chapter 233 D. G. Bridson, review, New English Weekly; Chapter 234 E. Oldmeadow, review, Tablet; Chapter 235 Unsigned comment on T. S. Eliot and Joyce; p9 1930; Chapter 236 Frank O'Connor on Joyce; Chapter 237 Herbert Read on classic or romantic; Chapter 238 Herbert Read on Joyce's influence; Chapter 239 Philippe Soupault on Joyce; p10 1930: ULYSSES; Chapter 240 Austin Clarke on Joyce; Chapter 241 G. K. Chesterton on Joyce; p11 1930: WORK IN PROGRESS; Chapter 242 Paul L. LÉon and Joyce; Chapter 243 Rebecca West on Work in Progress; Chapter 244 Stuart Gilbert on Joyce's growth; p12 HAVETH CHILDERS EVERYWHERE (HCE); Chapter 245 Padraic Colum, review, New Republic; Chapter 246 Michael Petch, opinion, Everyman; p13 1931: ULYSSES; Chapter 247 Sisley Huddleston on Joyce and Ulysses; Chapter 248 Wyndham Lewis on Joyce; Chapter 249 Henri FluchÈre on Ulysses; Chapter 250 A Fellow Dubliner on Joyce, S. Gilbert and Gogarty; Chapter 251 Harold Nicolson on the significance of Joyce; p14 1931: WORK IN PROGRESS; Chapter 252 Stuart Gilbert explicates Work in Progress; Chapter 253 George Moore to Louis Gillet; Chapter 254 Michael Stuart on Joyce's word creatures; p15 1932; Chapter 255 EugÈne Jolas, homage to Joyce; Chapter 256 Elliot Paul, comment on Joyce; Chapter 257 Desmond MacCarthy on the postwar novel; Chapter 258 John Eglinton on the early Joyce; p16 1932: ULYSSES; Chapter 259 Henry Daniel-Rops on the interior monologue; Chapter 260 Thomas Wolfe comment on Ulysses; Chapter 261 Carl Jung, letter to Joyce; Chapter 262 Carl Jung on Ulysses; Chapter 263 L. A. G. Strong on Joyce; p17 1933; Chapter 264 A. Lyner on music and Joyce; Chapter 265 Mirsky on bourgeois decadence; p18 1933: ULYSSES; Chapter 266 Emeric Fischer on the interior monologue; Chapter 267 267. Pound on Ulysses and Wyndham Lewis; Chapter 268 Robert Cantwell on Joyce's influence; Chapter 269 G. K. Chesterton on eccentricity; p19 1933: WORK IN PROGRESS; Chapter 270 EugÈne Jolas, explication; Chapter 271 Ronald Symond on The Mookse and the Gripes; p20 MIME OF MICK, NICK AND THE MAGGIES (MIME); Chapter 272 G. W. Stonier, review, New Statesman; p21 1935; Chapter 273 Malcolm Cowley on religion of art; Chapter 274 John H. Roberts on religion to art; Chapter 275 275. A Communist on Joyce; Chapter 276 Frank Budgen on Joyce; p22 1934: ULYSSES; Chapter 277 Alec Brown on Ulysses and the novel; Chapter 278 Ernest Boyd on Joyce's influence; Chapter 279 Karl Radek on Joyce's realism; Chapter 280 Frank Swinnerton on Joyce and Freud; p23 1934: WORK IN PROGRESS; Chapter 281 Richard Thoma on the dream in progress; Chapter 282 Edith Sitwell on prose innovations; p24 1935; Chapter 283 Dorothy Richardson on Joyce; Chapter 284 L. A. G. Strong on the novel; Chapter 285 L. A. G. Strong on Joyce and new fiction; p25 1936; Chapter 286 James Joyce and Gertrude Stein; Chapter 287 Thomas Wolfe on Ulysses; Chapter 288 James T. Farrell, reply to Mirsky and Radek; p26 COLLECTED POEMS; Chapter 289 Review, New York Herald Tribune; Chapter 290 Horace Reynolds, comment, New York Times; Chapter 291 Irene Hendry on Joyce's poetry; p27 1937; Chapter 292 Mary Colum on Joyce; p28 1938; Chapter 293 Æ on Joyce and Ulysses; Chapter 294 A Marxian view of Ulysses; Chapter 295 EugÈne Jolas, homage and commentary; p29 FINNEGANS WAKE; Chapter 296 L. A. G. Strong, review, John O'London's Weekly; Chapter 297 Paul Rosenfeld, review, Saturday Review of Literature; Chapter 298 Louise Bogan, review, Nation; Chapter 299 Unsigned review, Times Literary Supplement; Chapter 300 Padraic Colum, review, New York Times; Chapter 301 Oliver Gogarty, review, Observer; Chapter 302 Edwin Muir, review, Listener; Chapter 303 B. Ifor Evans, review, Manchester Guardian; Chapter 304 G. W. Stonier, review, New Statesman; Chapter 305 Georges Pelorson, review, in Aux Ecoutes; Chapter 306 Malcolm Muggeridge, review, Time and Tide; Chapter 307 Alfred Kazin, review, New York Herald Tribune; Chapter 308 Morley Callaghan, review, Saturday Night; Chapter 309 Richard Aldington, review, Atlantic Monthly; Chapter 310 Unsigned review, Irish Times; Chapter 311 Harry Levin, review, New Directions; Chapter 312 William Troy, review, Partisan Review; Chapter 313 A. Glendinning, review, Nineteenth Century; Chapter 314 Review, Dublin Magazine; Chapter 315 Salvatore Rosati, review, Nuova Antologia; p30 CONTEMPORARY CRITICAL COMMENT; Chapter 316 Sean O'Casey, letter to Joyce; Chapter 317 Dorothy Richardson, opinion; Chapter 318 LÉon Edel on Finnegans Wake; Chapter 319 Mary Colum on Finnegans Wake; Chapter 320 Margaret Schlauch on Joyce's language; Chapter 321 Louis Gillet on Finnegans Wake; Chapter 322 Walter Rybert on how to read Finnegans Wake; Chapter 323 John Peale Bishop on Finnegans Wake; p31 1941; Chapter 324 Max Rychner on Ulysses; Chapter 325 Van Wyck Brooks on Joyce; p32 CRITICAL OBITUARIES; Chapter 326 Thornton Wilder in Poetry; Chapter 327 Cyril Connolly, New Statesman; Chapter 328 Unsigned notice, New Republic; Chapter 329 Stephen Spender, Listener; Chapter 330 Oliver Gogarty, Saturday Review of Literature; Chapter 331 Unsigned notice, Times Literary Supplement; Chapter 332 J. Donald Adams, New York Times; Chapter 333 Padraic Colum, reply to Oliver Gogarty; Chapter 334 Frank Budgen, Horizon; Chapter 335 T. S. Eliot, Horizon; p33 AFTER 1941; Chapter 336 Paul LÉon remembers; Chapter 337 James Stephens remembers; Chapter 338 Oliver Gogarty comments; Chapter 339 Oliver Gogarty corrects memories; Chapter 340 Mary Colum corrects Gogarty; Chapter 341 Stanislaus Joyce corrects Gogarty; Chapter 342 Malcolm Cowley recalls Joyce and Sylvia Beach; Chapter 343 Janet Flanner recalls Joyce and Sylvia Beach; Chapter 344 An Irish last word;