Jain Ramaya?a Narratives: Moral Vision and Literary Innovation

Jain Rāmāyaṇa Narratives: Moral Vision and Literary Innovation traces how and why Jain authors at different points in history rewrote the story of Rāma and situates these texts within larger frameworks of South Asian religious history and literature.

The book argues that the plot, characters, and the very history of Jain Rāma composition itself served as a continual font of inspiration for authors to create and express novel visions of moral personhood. In making this argument, the book examines three versions of the Rāma story composed by two authors, separated in time and space by over 800 years and thousands of miles. The first is Raviṣeṇa, who composed the Sanskrit Padmapurāṇa (“The Deeds of Padma”), and the second is Brahma Jinadāsa, author of both a Sanskrit Padmapurāṇa and a vernacular (bhāṣā) version of the story titled Rām Rās (“The Story of Rām”). While the three compositions narrate the same basic story and work to shape ethical subjects, they do so in different ways and with different visions of what a moral person actually is. A close comparative reading focused on the differences between these three texts reveals the diverse visions of moral personhood held by Jains in premodernity and demonstrates the innovative narrative strategies authors utilized in order to actualize those visions.

The book is thus a valuable contribution to the fields of Jain studies and religion and literature in premodern South Asia.

1140558896
Jain Ramaya?a Narratives: Moral Vision and Literary Innovation

Jain Rāmāyaṇa Narratives: Moral Vision and Literary Innovation traces how and why Jain authors at different points in history rewrote the story of Rāma and situates these texts within larger frameworks of South Asian religious history and literature.

The book argues that the plot, characters, and the very history of Jain Rāma composition itself served as a continual font of inspiration for authors to create and express novel visions of moral personhood. In making this argument, the book examines three versions of the Rāma story composed by two authors, separated in time and space by over 800 years and thousands of miles. The first is Raviṣeṇa, who composed the Sanskrit Padmapurāṇa (“The Deeds of Padma”), and the second is Brahma Jinadāsa, author of both a Sanskrit Padmapurāṇa and a vernacular (bhāṣā) version of the story titled Rām Rās (“The Story of Rām”). While the three compositions narrate the same basic story and work to shape ethical subjects, they do so in different ways and with different visions of what a moral person actually is. A close comparative reading focused on the differences between these three texts reveals the diverse visions of moral personhood held by Jains in premodernity and demonstrates the innovative narrative strategies authors utilized in order to actualize those visions.

The book is thus a valuable contribution to the fields of Jain studies and religion and literature in premodern South Asia.

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Jain Ramaya?a Narratives: Moral Vision and Literary Innovation

Jain Ramaya?a Narratives: Moral Vision and Literary Innovation

by Gregory M. Clines
Jain Ramaya?a Narratives: Moral Vision and Literary Innovation

Jain Ramaya?a Narratives: Moral Vision and Literary Innovation

by Gregory M. Clines

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Overview

Jain Rāmāyaṇa Narratives: Moral Vision and Literary Innovation traces how and why Jain authors at different points in history rewrote the story of Rāma and situates these texts within larger frameworks of South Asian religious history and literature.

The book argues that the plot, characters, and the very history of Jain Rāma composition itself served as a continual font of inspiration for authors to create and express novel visions of moral personhood. In making this argument, the book examines three versions of the Rāma story composed by two authors, separated in time and space by over 800 years and thousands of miles. The first is Raviṣeṇa, who composed the Sanskrit Padmapurāṇa (“The Deeds of Padma”), and the second is Brahma Jinadāsa, author of both a Sanskrit Padmapurāṇa and a vernacular (bhāṣā) version of the story titled Rām Rās (“The Story of Rām”). While the three compositions narrate the same basic story and work to shape ethical subjects, they do so in different ways and with different visions of what a moral person actually is. A close comparative reading focused on the differences between these three texts reveals the diverse visions of moral personhood held by Jains in premodernity and demonstrates the innovative narrative strategies authors utilized in order to actualize those visions.

The book is thus a valuable contribution to the fields of Jain studies and religion and literature in premodern South Asia.


Product Details

ISBN-13: 9781000584141
Publisher: Taylor & Francis
Publication date: 04/28/2022
Series: Routledge Advances in Jaina Studies
Sold by: Barnes & Noble
Format: eBook
Pages: 180
File size: 3 MB

About the Author

Gregory M. Clines is Assistant Professor of Religion at Trinity University, USA. His research focuses on early modern Digambara Jainism and Jain Rāmāyaṇa literature.

Table of Contents

Acknowledgments

Note on Transliteration

List of Maps and Figures

1 Introduction: Jains in Rāmāyaṇa Studies and Rāmāyaṇas in Jain Studies

PART I

2 Grief, Peace, and Moral Personhood in Raviṣeṇa’s Padmapurāṇa

PART II

3 Creating Clarity: Jinadāsa Rewrites Raviṣeṇa

4 Recognizing Enemies, Internal and External: Exemplarity and the Moral Vision of Jinadāsa’s Padmapurāṇa

PART III

5 From Padma to Rām: Language and Performance in Jinadāsa’s Rām Rās

6 Performance, Audience, and Quotidian Ethics in the Rām Rās

7 Concluding Thoughts

Appendix

Index

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