Ivanov

by Anton Chekhov

Overview

The eighth title in TCG’s Classic Russian Drama series.

Nikolai Ivanov, approaching middle-age, has lost all passion for life. No longer in love with his wife, riddled with debt, and in danger of losing his estate, Ivanov finds himself trapped in a stasis he cannot shake—dragging all of those in his orbit down with him. While his family and friends rally around him trying to help, Ivanov only seems to sink further into the darkness that threatens to consume him. A new translation of Chekhov’s character study of a man undone by his own spiritual malaise.

Product Details

ISBN-13:	9781784350093
Publisher:	Jiahu Books
Publication date:	01/17/2014
Pages:	80
Product dimensions:	5.50(w) x 8.50(h) x 0.19(d)
Language:	Russian

About the Author

Richard Nelson’s many plays include Illyria; The Gabriels: Election Year in the Life of One Family (Hungry, What Did You Expect?, Women of a Certain Age); The Apple Family: Scenes from Life in the Country (That Hopey Changey Thing, Sweet and Sad, Sorry, Regular Singing); Nikolai and the Others; Goodnight Children Everywhere (Olivier Award for Best Play); Franny’s Way; Some Americans Abroad; Frank’s Home; Two Shakespearean Actors; and James Joyce’s The Dead (with Shaun Davey; Tony Award for Best Book of a Musical).

Richard Pevear and Larissa Volokhonsky have translated the works of Leo Tolstoy, Fyodor Dostoevsky, Nikolai Gogol, Anton Chekhov, Boris Pasternak, and Mikhail Bulgakov. Their translations of The Brothers Karamazov and Anna Karenina won the PEN Translation Prize in 1991 and 2002, respectively. Pevear, a native of Boston, and Volokhonsky, of St. Petersburg, are married and live in France.

Editorial Reviews

The director wanted 'a language that would sound, in the mouths of American actors, as fresh and vivid as the original Russian.' Schmidt succeeds. Slang and modern idiom are woven almost seamlessly into the script.

Time Out (San Francisco)

Schmidt's translation has a lean, sharp, sorrowfully funny style...

Sacramento Bee

"Pevear and Volokhonsky are at once scrupulous translators and vivid stylists of English."

New Yorker

A play often patronised as an immature melodrama, one that Chekhov himself described as "a pudding", has the quirkiness, the subtlety, the unpredictable touches of human truth we associate with the great works that followed.” —Benedict Nightingale, The Times

“...as intimate and subtly plotted as a piece of chamber music” —Rachel Halliburton, The Evening Standard

“A dazzling cabaret that brings tears to the cheek” —The Evening Standard

From the Publisher