It's Great to Be Alive!

It's Great to Be Alive!

by Drive-By Truckers
It's Great to Be Alive!

It's Great to Be Alive!

by Drive-By Truckers

CD(Digi-Pak)

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Overview

One of the reasons the Drive-By Truckers have matured into one of America's finest rock & roll bands is ambition; they're solid players and write great songs, but just as important, they take storytelling seriously, and when they make an album, they strive to do more than just serve up a bunch of new songs. Most DBT releases aren't specifically concept albums, but nearly all of them have a thematic consistency in which the individual songs cohere into a larger framework. With this in mind, it makes sense that the band would want to do something more elaborate than the run-of-the-mill live disc, and 2015's It's Great to Be Alive!, recorded during a three-night stand at the the Fillmore Auditorium in San Francisco, California in the fall of 2014, is an oversized (over three hours on three CDs or five LPs) look at the band's body of work so far, with a set list that reaches back before the beginning ("Runaway Train" was a tune Patterson Hood and Mike Cooley cut for their pre-DBT band Adam's House Cat) all the way up to English Oceans, the album the group released just a few months before these shows. The Drive-By Truckers have always prided themselves on a butt-kicking live show, so it's a bit of a surprise that It's Great to Be Alive! relies so strongly on dynamics, dialing back the tempo and impact of some of the tunes rather than making this set the full-on blowout some fans would expect. It's Great to Be Alive! focuses less on the sweat and fire of a live gig than on the songs, as Hood and Cooley draw their portraits of folks trying to make the best of life's situations, which is often a harder and more desperate task than one would imagine. The relatively subdued attack does make more room for Cooley and Hood's vocals, and both are in strong voice here, and if these performances are often a bit less finely nuanced than the studio originals, nearly everything here sounds more passionate, and the musicianship is excellent, especially Cooley and Hood's dueling guitar work, Jay Gonzalez's keyboards, and Brad Morgan's drumming, which is endlessly implacable and full of lean, thoughtful groove (if this band has a secret weapon, it's Morgan). If It's Great to Be Alive! doesn't rock with the usual fury of a Drive-By Truckers live set, the band knows when and where to kick out the jams (especially on the three uptempo Southern Rock Opera numbers on disc three), and this 198-minute marathon leaves no doubt that this constantly evolving band is still growing and shifting and putting new perspectives on its music. It's Great to Be Alive! is a bit less than the definitive document of the live DBT experience, but if you want to know why this is a great band and how good it can be on-stage, this set will tell you just about everything you need to know. ~ Mark Deming

Product Details

Release Date: 10/30/2015
Label: Ato
UPC: 0880882236328
Rank: 90004

Tracks

Disc 1

  1. Lookout Mountain
  2. Where the Devil Don't Stay
  3. Sink Hole
  4. Made Up English Oceans
  5. The Righteous Path
  6. Women Without Whiskey
  7. The Living Bubba
  8. Primer Coat
  9. Mercy Buckets
  10. Marry Me
  11. Tornadoes
  12. Sounds Better in the Song

Disc 2

  1. Used to Be a Cop
  2. Shit Shots Count
  3. Runaway Train
  4. A Ghost to Most
  5. Goode's Field Road
  6. Uncle Frank
  7. Putting People on the Moon
  8. First Air of Autumn
  9. Box of Spiders
  10. When the Pin Hits the Shell
  11. A World of Hurt

Disc 3

  1. Get Downtown
  2. Ronnie and Neil
  3. Gravity's Gone
  4. Pauline Hawkins
  5. Birthday Boy
  6. Girls Who Smoke
  7. Three Dimes Down
  8. Hell No, I Ain't Happy
  9. Shut Up and Get on the Plane
  10. Angels and Fuselage
  11. Zip City
  12. Grand Canyon

Album Credits

Performance Credits

Drive-By Truckers   Primary Artist
Alan Williams   Trombone
Darren Johnston   Trumpet
Ralph Carney   Sax (Tenor)

Technical Credits

Greg Calbi   Mastering
Patterson Hood   Composer,Group Member
Newton Carter   Monitor Engineer
Greg Chow   Photography
Kelly Kettering   Publicity
Wyatt Pless   Monitor Engineer
Cole Taylor   Production Manager,Lighting
Henry Barbe   Assistant Engineer
Matt Patton   Group Member
Jay Blakesberg   Photography
Lilla Hood   Art Direction,Design
Matt DeFilippis   Live Sound Engineer,Tour Manager
Wes Freed   Paintings,Artwork
Asa Leffer   Monitor Engineer
Mike Cooley   Group Member,Composer
Brad Morgan   Group Member
David Barbe   Producer,Engineer,Mixing
Jay Gonzalez   Group Member,Horn Arrangements
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