Itineraire de Paris a Jerusalem (English Edition)
A new translation into English by A. S. Kline fully identifying, for the first time, all of the quotations and sources of Chateaubriand references. Illustrated with 123 engravings and lithographs from nineteenth-century travelogues by celebrated artists such as Edward Dodwell Esq, F.S.A, Thomas Allom Esq, William Henry Bartlett, David Roberts R.A. and Louis Haghe.
Chateaubriand set out on his travels to the Middle East in the summer of 1806, returning via Spain in 1807. His trip was ostensibly to provide background material for his work Les Martyrs, a Christian epic in prose, but may also have helped to resolve certain problems in his private life. He travelled to Greece and Constantinople on his way to Jerusalem, returning through Egypt, Tunisia and Spain.
His record of the journey often contrasts the meagre contemporary state of civilisation in Greece, Turkey and the Holy Land with the richness of classical antiquity and the Christian past. While not purporting to offer fresh archaeological evidence, he established a 'tourist route' through that antiquity which many other travellers would follow. He was, in his own words, "...in some ways the last visitor to the Turkish Empire in its previous form" before the progressive revolutions of the Eastern Question gradually weakened Ottoman control.
As always, Chateaubriand enriches his narrative with extensive quotations and vivid moral and philosophical perceptions, to create a colourful and resonant self-portrait of the intelligent wealthy European traveller, in touch with the ancient world through Christian and Classical writers, and dismayed by the present but stimulated and inspired by the past. His account of Jerusalem is fascinating, and he was one of the last travellers to visit the Church of the Holy Sepulchre before the damaging fire of 1808.
Despite the estimation of Cardinal de Bausset, formerly Bishop of Alais, that Chateaubriand was "...the first and only traveller who has no need of etchings and drawings to bring places and monuments which recall beautiful memories and grand images before his readers' eyes" this new edition also collates a selection of engravings and lithographs from nineteenth-century travelogues by celebrated artists such as Edward Dodwell Esq, F.S.A, Thomas Allom Esq, William Henry Bartlett, David Roberts R.A. and Louis Haghe.
"1001514917"
Chateaubriand set out on his travels to the Middle East in the summer of 1806, returning via Spain in 1807. His trip was ostensibly to provide background material for his work Les Martyrs, a Christian epic in prose, but may also have helped to resolve certain problems in his private life. He travelled to Greece and Constantinople on his way to Jerusalem, returning through Egypt, Tunisia and Spain.
His record of the journey often contrasts the meagre contemporary state of civilisation in Greece, Turkey and the Holy Land with the richness of classical antiquity and the Christian past. While not purporting to offer fresh archaeological evidence, he established a 'tourist route' through that antiquity which many other travellers would follow. He was, in his own words, "...in some ways the last visitor to the Turkish Empire in its previous form" before the progressive revolutions of the Eastern Question gradually weakened Ottoman control.
As always, Chateaubriand enriches his narrative with extensive quotations and vivid moral and philosophical perceptions, to create a colourful and resonant self-portrait of the intelligent wealthy European traveller, in touch with the ancient world through Christian and Classical writers, and dismayed by the present but stimulated and inspired by the past. His account of Jerusalem is fascinating, and he was one of the last travellers to visit the Church of the Holy Sepulchre before the damaging fire of 1808.
Despite the estimation of Cardinal de Bausset, formerly Bishop of Alais, that Chateaubriand was "...the first and only traveller who has no need of etchings and drawings to bring places and monuments which recall beautiful memories and grand images before his readers' eyes" this new edition also collates a selection of engravings and lithographs from nineteenth-century travelogues by celebrated artists such as Edward Dodwell Esq, F.S.A, Thomas Allom Esq, William Henry Bartlett, David Roberts R.A. and Louis Haghe.
Itineraire de Paris a Jerusalem (English Edition)
A new translation into English by A. S. Kline fully identifying, for the first time, all of the quotations and sources of Chateaubriand references. Illustrated with 123 engravings and lithographs from nineteenth-century travelogues by celebrated artists such as Edward Dodwell Esq, F.S.A, Thomas Allom Esq, William Henry Bartlett, David Roberts R.A. and Louis Haghe.
Chateaubriand set out on his travels to the Middle East in the summer of 1806, returning via Spain in 1807. His trip was ostensibly to provide background material for his work Les Martyrs, a Christian epic in prose, but may also have helped to resolve certain problems in his private life. He travelled to Greece and Constantinople on his way to Jerusalem, returning through Egypt, Tunisia and Spain.
His record of the journey often contrasts the meagre contemporary state of civilisation in Greece, Turkey and the Holy Land with the richness of classical antiquity and the Christian past. While not purporting to offer fresh archaeological evidence, he established a 'tourist route' through that antiquity which many other travellers would follow. He was, in his own words, "...in some ways the last visitor to the Turkish Empire in its previous form" before the progressive revolutions of the Eastern Question gradually weakened Ottoman control.
As always, Chateaubriand enriches his narrative with extensive quotations and vivid moral and philosophical perceptions, to create a colourful and resonant self-portrait of the intelligent wealthy European traveller, in touch with the ancient world through Christian and Classical writers, and dismayed by the present but stimulated and inspired by the past. His account of Jerusalem is fascinating, and he was one of the last travellers to visit the Church of the Holy Sepulchre before the damaging fire of 1808.
Despite the estimation of Cardinal de Bausset, formerly Bishop of Alais, that Chateaubriand was "...the first and only traveller who has no need of etchings and drawings to bring places and monuments which recall beautiful memories and grand images before his readers' eyes" this new edition also collates a selection of engravings and lithographs from nineteenth-century travelogues by celebrated artists such as Edward Dodwell Esq, F.S.A, Thomas Allom Esq, William Henry Bartlett, David Roberts R.A. and Louis Haghe.
Chateaubriand set out on his travels to the Middle East in the summer of 1806, returning via Spain in 1807. His trip was ostensibly to provide background material for his work Les Martyrs, a Christian epic in prose, but may also have helped to resolve certain problems in his private life. He travelled to Greece and Constantinople on his way to Jerusalem, returning through Egypt, Tunisia and Spain.
His record of the journey often contrasts the meagre contemporary state of civilisation in Greece, Turkey and the Holy Land with the richness of classical antiquity and the Christian past. While not purporting to offer fresh archaeological evidence, he established a 'tourist route' through that antiquity which many other travellers would follow. He was, in his own words, "...in some ways the last visitor to the Turkish Empire in its previous form" before the progressive revolutions of the Eastern Question gradually weakened Ottoman control.
As always, Chateaubriand enriches his narrative with extensive quotations and vivid moral and philosophical perceptions, to create a colourful and resonant self-portrait of the intelligent wealthy European traveller, in touch with the ancient world through Christian and Classical writers, and dismayed by the present but stimulated and inspired by the past. His account of Jerusalem is fascinating, and he was one of the last travellers to visit the Church of the Holy Sepulchre before the damaging fire of 1808.
Despite the estimation of Cardinal de Bausset, formerly Bishop of Alais, that Chateaubriand was "...the first and only traveller who has no need of etchings and drawings to bring places and monuments which recall beautiful memories and grand images before his readers' eyes" this new edition also collates a selection of engravings and lithographs from nineteenth-century travelogues by celebrated artists such as Edward Dodwell Esq, F.S.A, Thomas Allom Esq, William Henry Bartlett, David Roberts R.A. and Louis Haghe.
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Itineraire de Paris a Jerusalem (English Edition)
Itineraire de Paris a Jerusalem (English Edition)
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Product Details
| BN ID: | 2940159144539 |
|---|---|
| Publisher: | Poetry in Translation |
| Publication date: | 03/23/2018 |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| File size: | 9 MB |
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