Italian Shoes

by Henning Mankell Narrated by Henry Strozier

Overview

With more than 30 million copies of his works published in 37 languages, award-winning author Henning Mankell may be Sweden' s most accomplished novelist. Here he crafts the icy, atmospheric tale of Fredrik Welin, a disgraced surgeon living in exile on a small island. When Fredrik receives a surprise visit from a lover he abandoned decades earlier, he begins the difficult road to redemption.

Editorial Reviews

Publishers Weekly

A tragic operating room error has cost Swedish surgeon Fredrik Welin his career in this moving novel from Mankell, who's best known for his Kurt Wallander mystery series (Firewall, etc.). Welin, 66, lives on a remote island with only his dog and cat for company. His routine is abruptly shattered by the arrival of an elderly woman who proves to be Harriet Hörnfeldt, the youthful love he ditched four decades earlier. Hörnfeldt, who's dying of cancer, has sought out Welin because she wants to share a secret about their relationship. This reintroduction to the world of human emotions and interactions proves to be the first of many, leading the doctor to an awkward attempt to get absolution from the woman whose perfectly healthy arm he mistakenly amputated. Mankell displays his considerable gifts for characterization as he succeeds in making his emotionally limited lead character sympathetic. (Apr.)

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Library Journal

Fredrik Welin is a reclusive ex-surgeon living alone on a tiny island in the north of Sweden. His only companions are a pair of aged pets, and the only society callers to his living room are ants that are transforming his table into an enormous anthill. Every morning, the loner goes out to the frozen lake, cuts a hole in the ice, and then plunges himself into the freezing water to remind himself that he is still alive. Four women enter his life: Harriet, his ex, whom he abandoned years ago; Louise, his unknown daughter; Agnes Klarstrom, the patient who ended his medical career; and Sima, a troubled young woman. By the end of the story, Fredrik no longer takes an icy morning bath to validate his existence; he has undergone redemption with the help of these women. Mankell, the author of the award-winning Kurt Wallander mystery novels, has an ability to create an intimate atmosphere that places the reader directly into the world of his characters, which is nothing short of brilliant.
—Lisa Rohrbaugh

Kirkus Reviews

The creator of police detective Kurt Wallander presents a tale of mortal reckoning in which all the deaths are natural but none the less powerful. After he lost his surgical license over a disastrous mistake, Fredrik Welin retired to a remote archipelago where he had only half a dozen neighbors and the three miles to the Swedish mainland were iced over when winter came. With his only company a dog, a cat and the anthill that's been taking shape for years in his living room, he ekes out a frozen life without letters, without regrets over his two failed marriages and, evidently, without much thought for anything except the cold. He scorns the discount coupons the postal carrier brings him: "Life is basically about something more important. I don't know what exactly." All that changes with the unexpected, unwanted arrival of Harriet Hornfeldt, the lover Welin abandoned a generation ago when he left for an American post without a word of farewell. The fatally ill Harriet's demand that Welin take her to see the forest pool he'd described to her so long ago is only the first stage in a journey that will break up the ice that's armored Welin's heart for so long. His newfound, urgent and troubled return to the world of others will involve a homeless spaniel on the mainland; an Italian craftsman who takes four months to make a pair of shoes; a fraught meeting with Harriet's daughter; a reunion with the patient whose life he ruined; and an Iranian refugee girl who's nothing but trouble, even to herself. The tone throughout is elegiac-someone always seems to be dying, even as Welin is surging back to life-yet quietly hopeful, with each step forward a hard-won victory over winter's freeze. Mankell(The Eye of the Leopard, 2008, etc.) provides a moving test of Welin's belief that "people are close to each other so that they can be parted."

From the Publisher

Beautiful.”—The Boston Globe  

"A voyage into the soul of a man."—The Guardian, London
 
“A fine meditation on love and loss.”—Sunday Telegraph, London

“Intense and precisely detailed. . . . A hopeful account of a man released from self-imposed withdrawal.”—The Independent, London

APRIL 2010 - AudioFile

Living on an island with two ancient pets and a colony of ants intent on devouring his dining room table, 66-year-old former surgeon Fredrik Welin finds that his life is as frozen as the sea that surrounds him. He receives neither mail nor visitors, and he daily chops a hole in the ice and takes a punishing morning bath to remind himself he's alive. This icy idyll ends with the unexpected appearance of Harriet, the lover he abandoned in his youth. In tones that blend ennui and ironic awareness, Henry Strozier blends the details of Welin's self-imposed exile with a portrait of his unwillingness to face his own humanity. Swedish author Henning Mankell, known for his Kurt Wallander mystery series, offers a rich, thoughtful reflection on human isolation and redemption. Strozier's controlled, nontheatrical performance is a perfect fit. S.J.H. © AudioFile 2010, Portland, Maine

Product Details

BN ID:	2940171082574
Publisher:	Recorded Books, LLC
Publication date:	12/30/2009
Edition description:	Unabridged

Read an Excerpt

CHAPTER 1

I always feel more lonely when it's cold.

The cold outside my window reminds me of the cold emanating from my own body. I'm being attacked from two directions. But I'm constantly resisting. That's why I cut a hole in the ice every morning. If anyone were to stand with a telescope on the ice in the frozen bay and saw what I was doing, he would think that I was crazy and was about to arrange my own death. A naked man in the freezing cold, with an axe in his hand, opening up a hole in the ice?

I suppose, really, that I hope there will be somebody out there one of these days, a black shadow against all the white – somebody who sees me and wonders if he'd be able to stop me before it was too late. But it's not necessary to stop me because I have no intention of committing suicide.

Earlier in my life, in connection with the big catastrophe, my fury and despair were sometimes so overwhelming that I did consider doing away with myself. But I never actually tried. Cowardice has been a faithful companion throughout my life. Like now, I thought then that life is all about never losing your grip. Life is a flimsy branch over an abyss. I'm hanging on to it for as long as I have the strength. Eventually I shall fall, like everybody else, and I don't know what will lie in store. Is there somebody down there to catch me? Or will there be nothing but cold, harsh blackness rushing towards me?

The ice is here to stay.

It's a hard winter this year, at the beginning of the new millennium. This morning, when I woke up in the December darkness, I thought I could hear the ice singing. I don't know where I've got the idea from that ice can sing. Perhaps my grandfather, who was born here on this little island, told me about it when I was a small boy.

But I was woken up this morning, while it was still dark, by a sound. It wasn't the cat or the dog. I have two pets who sleep more soundly than I do. My cat is old and stiff, and my dog is stone deaf in his right ear and can't hear much in his left. I can creep past him without him knowing.

But that noise?

I tried to get my bearings in the darkness. It was some time before I realised that it must be the ice moving, although it's a foot or more deep here in the bay. Last week, one day when I was more troubled than usual, I walked out towards the edge of the ice, where it meets the open sea, now stretching for a mile beyond the outermost skerry. That means that the ice here in the bay ought not to have been moving at all. But, in fact, it was rising and falling, creaking and singing.

I listened to this sound, and it occurred to me that my life has passed very fast. Now I'm here. A man aged sixty-six, financially independent, burdened with a memory that plagues me constantly. I grew up in desperate circumstances that are impossible to imagine nowadays in Sweden. My father was a browbeaten and overweight waiter, and my mother spent all her time trying to make ends meet. I succeeded in clambering out of that pit of poverty. As a child, I used to play out here in the archipelago every summer, and had no concept of time passing. In those days my grandfather and grandmother were still active, they hadn't yet aged to a point where they were unable to move and merely waited for death. He smelled of fish, and she had no teeth left. Although she was always kind to me, there was something frightening about her smile, the way her mouth opened to reveal a black hole.

It seems not so long ago since I was in the first act. Now the epilogue has already started.

The ice was singing out there in the darkness, and I wondered if I was about to suffer a heart attack. I got up and took my blood pressure. There was nothing wrong with me, the reading was 155/90, my pulse was normal at 64 beats per minute. I felt to see if I had a pain anywhere. My left leg ached slightly, but it always does and it's not something I worry about. But the sound of the ice out there was influencing my mood. Like an eerie choir made up of strange voices. I sat down in the kitchen and waited for dawn. The timbers of the cottage were creaking and squeaking. Either the cold was causing the timber to contract, or perhaps a mouse was scurrying along one of its secret passages.

The thermometer attached to the outside of the kitchen window indicated minus nineteen degrees Celsius.

I decide that today I shall do exactly what I do every other winter day. I put on my dressing gown, thrust my feet into a pair of cut-down wellington boots, collect my axe and walk down to the jetty. It doesn't take long to open up my hole in the ice – the area I usually chip away hasn't had time to freeze hard again. Then I undress and jump into the slushy water. It hurts, but when I clamber out, it feels as if the cold has been transformed into intensive heat.

Every day I jump down into my black hole in order to get the feeling that I'm still alive. Afterwards, it's as if my loneliness slowly fades away. One day, perhaps, I shall die of the shock from plunging into freezing cold water. As my feet reach the bottom I can stand up in the water; I shan't disappear under the ice. I shall remain standing there as the ice quickly freezes up again. That's where Jansson, the man who delivers post to the islands in the archipelago, will find me.

No matter how long he lives, he will never understand what happened.

But I don't worry about that. I've arranged my home out here on the little island I inherited as an impregnable fortress. When I climb the hill behind my house, I can see directly out to sea. There's nothing there but tiny islands and rocks, their low backs just about visible over the surface of the water, or the ice. If I look in the other direction, I can see the more substantial and less inhospitable islands of the inner archipelago. But nowhere is there any other dwelling to be seen.

Needless to say, this isn't how I'd envisaged it.

This house was going to be my summer cottage. Not my final redoubt. Every morning, when I've cut my hole in the ice or lowered myself down into the warm waters of summer, I am again amazed by what has happened to my life.

I made a mistake. And I refused to accept the consequences. If I'd known then what I know now, what would I have done? I'm not sure. But I know I wouldn't have needed to spend my life out here like a prisoner, on a deserted island at the edge of the open sea.

I should have followed my plan.

I made up my mind to become a doctor on my fifteenth birthday. To my amazement my father had taken me out for a meal. He worked as a waiter, but in a stubborn attempt to preserve his dignity he worked only during the day, never in the evening. If he was instructed to work evenings, he would resign. I can still recall my mother's tears when he came home and announced that he had resigned again. But now, out of the blue, he was going to take me to a restaurant for a meal. I had heard my parents quarrelling about whether or not I should be given this 'present', and it ended with my mother locking herself away in the bedroom. That was normal when something went against her wishes. Those were especially difficult periods when she spent most of her time locked away in the bedroom. The room always smelled of lavender and tears. I always slept on the kitchen sofa, and my father would sigh deeply as he made his bed on a mattress on the floor.

In my life I have come across many people who weep. During my years as a doctor, I frequently met people who were dying, and others who had been forced to accept that a loved one was dying. But their tears never emitted a perfume reminiscent of my mother's. On the way to the restaurant, my father explained to me that she was oversensitive. I still can't recall what my response was. What could I say? My earliest memories are of my mother crying hour after hour lamenting the shortage of money, the poverty that undermined our lives. My father didn't seem to hear her weeping. If she was in a good mood when he came home, all was well. If she was in bed, surrounded by the scent of lavender, that was also good. My father used to devote his evenings to sorting out his large collection of tin soldiers, and reconstructing famous battles. Before I fell asleep, he would often lie down beside me on my bed, stroke my head, and express his regret at the fact that my mother was so sensitive that, unfortunately, it was not possible to present me with any brothers or sisters.

I grew up in a no-man's-land between tears and tin soldiers. And with a father who insisted that, as with an opera singer, a waiter required decent shoes if he was to be able to do his job properly.

It turned out in accordance with his wish. We went to the restaurant. A waiter came to take our order. My father asked all kinds of complicated and detailed questions about the veal he eventually ordered. I had plumped for herring. My summers spent in the archipelago had taught me to appreciate fish. The waiter left us in peace.

This was the first time I had ever drunk a glass of wine. I was intoxicated almost with the first sip. After the meal, my father smiled and asked me what career I intended to take up.

I didn't know. He'd invested a lot of money enabling me to stay on at school. The depressing atmosphere and shabbily dressed teachers patrolling the evil-smelling corridors had not inspired me to think about the future. It was a matter of surviving from day to day, preferably avoiding being exposed as one of those who hadn't done their homework, and not collecting a black mark. Each day was always very pressing, and it was impossible to envisage a horizon beyond the end of term. Even today, I can't remember a single occasion when I spoke to my classmates about the future.

'You're fifteen now,' my father said. 'It's time for you to think about what you're going to do in life. Are you interested in the culinary trade? When you've passed your exams you could earn enough washing dishes to fund a passage to America. It's a good idea to see the world. Just make sure that you have a decent pair of shoes.'

'I don't want to be a waiter.'

I was very firm about that. I wasn't sure if my father was disappointed or relieved. He took a sip of wine, stroked his nose, then asked if I had any definite plans for my life.

'No.'

'But you must have had a thought or two. What's your favourite subject?'

'Music.'

'Can you sing? That would be news to me.'

'No, I can't sing.'

'Have you learned to play an instrument, without my knowing?'

'No.'

'Then why do you like music best?'

'Because Ramberg, the music teacher, pays no attention to me.'

'What do you mean by that?'

'He's only interested in pupils who can sing. He doesn't even know the rest of us are there.'

'So your favourite subject is the one that you don't really attend, is that it?'

'Chemistry's good as well.'

My father was obviously surprised by this. For a brief moment he seemed to be searching through his memory for his own inadequate schooldays, and wondering if there had even been a subject called chemistry. As I looked at him, he seemed bewitched. He was transformed before my very eyes. Until now the only things about him that had changed over the years were his clothes, his shoes and the colour of his hair (which had become greyer and greyer). But now something unexpected was happening. He seemed to be afflicted by a sort of helplessness that I'd never noticed before. Although he'd often sat on the edge of my bed or swum with me out here in the bay, he was always distant. Now, when he was exhibiting his helplessness, he seemed to come much closer to me. I was stronger than the man sitting opposite me, on the other side of the white tablecloth, in a restaurant where an ensemble was playing music that nobody listened to, where cigarette smoke mixed with pungent perfumes, and the wine was ebbing away from his glass.

That was when I made up my mind what I would say. That was the very moment at which I discovered, or perhaps devised, my future. My father fixed me with his greyish-blue eyes. He seemed to have recovered from the feeling of helplessness that had overcome him. But I had seen it, and would never forget it.

'You say you think that chemistry is good. Why?'

'Because I'm going to be a doctor. So you have to know a bit about chemical substances. I want to do operations.'

He looked at me with obvious disgust.

'You mean you want to cut people up?'

'Yes.'

'But you can't be a doctor unless you stay on at school longer.'

'That's what I intend doing.'

'So that you can poke your fingers around people's insides?'

'I want to be a surgeon.'

I'd never thought about the possibility of becoming a doctor. I didn't faint at the sight of blood, or when I had an injection; but I'd never thought about life in hospital wards and operating theatres. As we walked home that April evening, my father a bit tipsy and me a fifteen-year-old suffering from his first taste of wine, I realised that I hadn't only answered my father's questions. I'd given myself something to live up to.

I was going to become a doctor. I was going to spend my life cutting into people's bodies.

CHAPTER 2

There was no post today.

There was no post yesterday either. But Jansson, the postman, does come to my island. He doesn't bring me junk mail. I've forbidden him to do so. Twelve years ago I told him not to bother making the journey if he was only bringing junk mail. I was tired of all the special offers on computers and knuckles of pork. I told him I didn't need it – people who were trying to control my life by pestering me with special offers. Life is not about cut prices, I tried to explain to him. Life is basically about something more important. I don't know what exactly but, nevertheless, one must believe that it is important, and that the hidden meaning is something more substantial than discount coupons and scratch cards.

We quarrelled. It was not the last time. I sometimes think it is our anger that binds us together. But he never came with junk mail after that. The last time he had a letter for me, it was a communication from the local council. That was over seven years ago, an autumn day with a fresh gale blowing from the north-east, and low tide. The letter informed me that I had been allocated a plot in the cemetery. Jansson claimed that all local residents had received a similar letter. It was a new service: all tax-paying residents should know the location of their eventual grave, in case they wished to go to the cemetery and find out who they would have as neighbours.

It was the only real letter I have received in the last twelve years, apart from dreary pension documents, tax forms and bank statements. Jansson always appears at around two in the afternoon. I suspect he has to come out this far in order to be able to claim full travel expenses from the Post Office for his boat or his hydrocopter. I've tried to ask him about that, but he never answers. It could even be that I'm the one who makes it practical for him to continue as postman. That the authorities would have cancelled deliveries altogether but for the fact that he heaves to at my jetty three times a week in the winter months, and five times a week in the summer.

Fifteen years ago there were about fifty permanent residents out here in the archipelago. There was a boat ferrying four youngsters to and from the village school. This year there are only seven of us left, and only one is under the age of sixty. That's Jansson. As the youngest, he is dependent on the rest of us keeping going, and insisting on living out here on the remote islands. Otherwise there'll be no job for him.

But that's irrelevant to me. I don't like Jansson. He's one of the most difficult patients I've ever had. He belongs to a group of extremely recalcitrant hypochondriacs. On one occasion a few years ago, when I'd examined his throat and checked his blood pressure, he suddenly said he thought he had a brain tumour that was affecting his eyesight. I said I didn't have time to listen to his imaginings. But he insisted. Something was happening inside his brain. I asked him why he thought that. Did he have headaches? Did he have dizzy spells? Any other symptoms? He didn't give up until I'd dragged him into the boathouse, where it was darker, and shone my special torch into his pupils, and told him that everything seemed to be normal.

I'm convinced that Jansson is basically as sound as a bell. His father is ninety-seven and lives in a care home, but his mind is clear. Jansson and his father fell out in 1970, and then Jansson stopped helping his father to fish for eels and went to work at a sawmill in Småland instead. I've never understood why he chose a sawmill. Naturally, I can understand his failing to put up with his tyrannical father any longer. But a sawmill? I really have no idea. However, since that trouble in 1970, they've not spoken to each other. Jansson didn't return from Småland until his father was so old that he'd been taken into a home.

(Continues…)

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Excerpted from "Italian Shoes"
by .
Copyright © 2006 Henning Mankell.
Excerpted by permission of The New Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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