MARCH 2018 - AudioFile
Listening to Junot Díaz’s narration is like having a story read to you by your uncle who can do all the best voices. Lola’s class is full of kids from around the world, and her teacher asks them to draw pictures of their first country. But Lola left “The Island” as a baby, and Díaz’s voice reflects her anxiety over not remembering her brief time there. Lola asks her neighbors and family about their former home, and they share memories of lively music, swooping "blanket-sized" bats, and the hurricane their family survived, with sound effects to help listeners imagine the details. One gruff neighbor talks of a “monster” who terrorized The Island and the heroes who fought him, providing an age-appropriate approach to the topics of dictatorships and immigration. E.E.C. Winner of AudioFile Earphones Award © AudioFile 2018, Portland, Maine
The New York Times Book Review - Maria Russo
With Espinosa's bright illustrations creating just the right mood, Díaz…celebrates an immigrant community and testifies to the experiences of Dominicans who fled the dictator Rafael Trujillo…
Publishers Weekly
★ 12/18/2017
From its very first sentence, this first picture book from Díaz (The Brief Wondrous Life of Oscar Wao) is both beautifully nuanced and instantly comprehensible: “Every kid in Lola’s school was from somewhere else.” Lola is from a place that she calls the Island, which adult readers will recognize as the author’s native Dominican Republic, but she left as a baby. When her teacher asks everyone to draw a picture of “the country you were originally from, your first country,” Lola, who doesn’t remember the Island herself, embarks on a quest through her tight-knit city neighborhood to collect memories. Many recall the Island with fondness: nonstop music, mangoes so sweet “they make you want to cry,” colors of every kind. “Even the people are like a rainbow,” says one. But Lola also hears stories of fear, hardship, and sadness; the super in her building recalls a reign of terror by what he calls “the Monster” (dictator Rafael Trujillo) and the courage it took to resist. As the story moves between past and present, the Island and “the North,” and the microworlds of classroom, streets, and home, the sweep of experience and emotion becomes unmistakably novelistic. Reminiscence, reality, and Lola’s imagination similarly merge in Espinosa’s effervescent, mural-like drawings (which eventually become the work Lola presents to her class): bats soar through the air on blanket wings, and a barbershop customer tears up while clutching a translucent mango. With his tenacious, curious heroine and a voice that’s chatty, passionate, wise, and loving, Díaz entices readers to think about a fundamental human question: what does it mean to belong? Lola realizes it means both being cherished by those around her and taking ownership of their collective memory. “Even if I’d never set foot on the Island,” she tells the class, “it doesn’t matter: The Island is me.” Ages 5–8. Agent: Nicole Aragi, Aragi Inc. (Mar.)
From the Publisher
★ "With his tenacious, curious heroine and a voice that’s chatty, passionate, wise, and loving, Díaz entices readers to think about a fundamental human question: what does it mean to belong?"–Publishers Weekly, starred review
★ “A sensitive and beautiful story of culture, identity, and belonging—a superb picture book outing for Díaz and one to be shared broadly in a variety of settings.” –School Library Journal, starred review
★ “This important title will be enjoyed by young children and may spark many significant discussions.” –Booklist, starred review
School Library Journal
★ 02/01/2018
K-Gr 3—When Ms. Obi asks her students to draw a picture of the country they are originally from, the children are excited. All except for Lola, "What if you left before you could start remembering?" As Lola talks to some of her neighbors from the Island to draw from their memories, she learns of bats as big as blankets; a love of music and dancing; coconut water and sweet mangoes. And an island where "Even the people are like a rainbow—every shade ever made." With a place so beautiful, Lola wonders, why did people leave? Reluctantly, Mr. Mir, the building superintendent, tells her of a Monster that fell upon their Island and did as he pleased for 30 years. Though never mentioned by name, the country in question is the Dominican Republic. The Monster refers to the dictator Rafael Leónidas Trujillo. Lola learns from her assignment that "Just because you don't remember a place doesn't mean it's not in you." Espinosa's gloriously vibrant mixed-media illustrations portray a thriving community living under the shadow of the George Washington Bridge in Manhattan. As Lola learns more about her Island, the illustrations cleverly incorporate a plethora of tropical plants and color, bringing to life both Lola's neighborhood and La Isla. Lola, a Spanish language edition, is ably translated by Mlawer and publishes simultaneously. VERDICT A sensitive and beautiful story of culture, identity, and belonging—a superb picture book outing for Díaz and one to be shared broadly in a variety of settings.—Lucia Acosta, Children's Literature Specialist, Princeton, NJ
MARCH 2018 - AudioFile
Listening to Junot Díaz’s narration is like having a story read to you by your uncle who can do all the best voices. Lola’s class is full of kids from around the world, and her teacher asks them to draw pictures of their first country. But Lola left “The Island” as a baby, and Díaz’s voice reflects her anxiety over not remembering her brief time there. Lola asks her neighbors and family about their former home, and they share memories of lively music, swooping "blanket-sized" bats, and the hurricane their family survived, with sound effects to help listeners imagine the details. One gruff neighbor talks of a “monster” who terrorized The Island and the heroes who fought him, providing an age-appropriate approach to the topics of dictatorships and immigration. E.E.C. Winner of AudioFile Earphones Award © AudioFile 2018, Portland, Maine
Kirkus Reviews
2018-02-03
A young girl's homework assignment unravels the history and beauty of her homeland.Lola and her classmates are assigned to draw pictures of their respective origin countries. With excitement, the others begin sharing what they will draw: pyramids, a long canal, a mongoose. Lola, concerned, doesn't remember what life was like on the Island, and so she recruits her whole neighborhood. There is Leticia, her cousin; Mrs. Bernard, who sells the crispy empanadas; Leticia's brother Jhonathan, a barber; her mother; her abuela; and their gruff building superintendent. With every description, Lola learns something new: about the Island's large bats, mangoes, colorful people, music and dancing everywhere, the beaches and sea life, and devastating hurricanes. Espinosa's fine, vibrant illustrations dress the story in colorful cacophony and play with texture (hair especially) as Lola conjures images of her homeland. While the story does not identify the Island by name, readers familiar with Díaz's repertoire will instantly identify it as the Dominican Republic, a conclusion that's supported when the super recalls the Monster (Dominican dictator Rafael Trujillo), and sharp-eyed readers should look at the magnets on Lola's refrigerator. Lola, Teresa Mlawer's translation, is just as poignant as the original.Together, Díaz and Espinosa present an imaginative, purposeful narrative about identity and belonging. (Picture book. 5-8)
