Considering the troubles
DIIV went through after the release of their debut album
Oshin -- chief among them
Zachary Cole Smith's 2013 arrest for drug possession -- it's somewhat miraculous that they made another album, much less one as consistently good as
Is the Is Are. Over the course of 17 songs (just a handful of the over 150 demos
Smith wrote),
DIIV finds salvation through ambition, with
Smith using his mistakes as a crucible for his art. While artists shouldn't have to suffer for their work, there is something alchemical about turning pain into beauty;
Is the Is Are has plenty of both. Cliched as it may sound, hardship seems to have given
DIIV's prettiness more depth. "Out of Mind" opens the album with a glassy, fragile insistence reminiscent of
Deerhunter, another band skilled in transforming ugly feelings and situations into beautiful songs. Elsewhere,
DIIV blends grunge's cathartic power with shoegaze's impressionistic, transporting qualities, surrounding listeners with
Smith's angst rather than forcing it on them: The echo and reverb on "Take Your Time" suggest lingering feelings of loss and regret that grow ominous on "Yr Not Far." Even when
Smith tips his hand more, murmuring "I left you with a pretty big mess" on "Bent (Roi's Song)" or "You made a believer out of me" on "Mire (Grant's Song)," he still leaves space for listeners to impart their own emotions on these songs. Indeed, several of
Is the Is Are's most dynamic moments come at the hands of others.
Sky Ferreira injects "Blue Boredom" with some of
Kim Gordon's aloof danger, while "Dust"'s opening lyric ("the only way to be quiet is to be quick") quotes poet
Frank O'Hara; another poet,
Frederick Deming, crafted the album's syntax-defying title, which sums up its searching feel and shifting states of being within these songs perfectly. This indefinite quality makes
Is the Is Are more interesting than a lot of more obvious soul-bearing, particularly on songs like the chiming "Healthy Moon," which suggests that catharsis doesn't have to be grim. Even without
DIIV's backstory, it's easy to hear the band's growth since the
Oshin days. "Under the Sun" boasts a stronger spine than many of their songs, as well as a jaunty, angular riff that rivals
Echo & the Bunnymen's finest. The title track, which was inspired by
Neu!'s "Hallogallo," incorporates
DIIV's fondness for Krautrock more organically and excitingly than before, evoking the sustained tension of a dream about falling. Meanwhile, on "Loose Ends," they pay homage to generations of brilliant guitar bands while claiming their own place in that legacy. Here and throughout
Is the Is Are,
DIIV reveal themselves as a more thoughtful, more rewarding band than could have been expected from their debut. ~ Heather Phares