Awards and Praise for The Invention of Hugo Cabret:
2008 Caldecott Medal winner
National Book Award Finalist
#1 New York Times Bestseller
New York Times Best Illustrated Book
Los Angeles Times Favorite Children's Book of the Year
TIME Magazine's 100 Best Children's and Young Adult Books of All Time
“Evokes wonder . . . like a silent film on paper.” — The New York Times
“A fast-paced treat.” — People Magazine
“Distinctive.”— The Wall Street Journal
“Cinematic.”— Parenting Magazine
“Captivating.”— Los Angeles Times Book Review
“If your kid loves the J.K. Rowling series, then [they are] bound to enjoyThe Invention of Hugo Cabret. . .”— Good Housekeeping
* “A true masterpiece.”— Publishers Weekly, starred review
* “Fade to black and cue the applause!”— Kirkus, starred review
* “Complete genius.”— Horn Book, starred review
* “Breathtaking . . . shatters conventions.”— School Library Journal, starred review
* “An original and creative integration of art and text.”— The Bulletin of the Center for Children's Books, starred review
“Visually stunning . . . raises the bar.” — San Antonio Express-News
Orphan Hugo Cabret lives in a wall. His secret home is etched out in the crevices of a busy Paris train station. Part-time clock keeper, part-time thief, he leads a life of quiet routine until he gets involved with an eccentric, bookish young girl and an angry old man who runs a toy booth in the station. The Invention of Hugo Cabret unfolds its cryptic, magical story in a format that blends elements of picture book, novel, graphic novel, and film. Caldecott Honor-winning author-illustrator Brian Selznick has fashioned an intricate puzzle story that binds the reader like a mesmerist's spell.
It is wonderful.
Take that overused word literally: Hugo Cabret evokes wonder. At more than 500 pages, its proportions seem Potteresque, yet it makes for quick reading because Selznick’s amazing drawings take up most of the book. While they may lack the virtuosity of Chris Van Allsburg’s work or David Wiesner’s, their slight roughness gives them urgency. The result is a captivating work of fiction that young readers with a taste for complex plots and a touch of magic — think Harry H., not Harry P. — can love.
— The New York Times
Selznick's unique, visually arresting illustrated novel is transformed into an equally unique audiobook-plus-DVD presentation here. The story of 12-year-old Hugo Cabret—orphan, clockmaker's apprentice, petty thief and aspiring magician—and how a curious machine connects him with his departed father and pioneering French filmmaker Georges Méliès is full-bodied material for Woodman. The narrator dives in, reading with both a bright energy and an air of mystery—befitting the adventurous plot. Listeners will likely cotton to Woodman's affable tone and be fascinated by all the unusual elements here, including the sound-effects sequences (footsteps, train station noises) that stand in for Selznick's black-and-white illustrations, which appear like mini–silent movies in the book. Selznick himself takes over as host on the making-of style DVD, in which he divulges his love of film and his inspiration for the book, discusses (and demonstrates) his drawing technique and even performs a magic trick. The "chapters" of his interview are interspersed with excerpts from the audiobook, as he explains how the recording was a translation of both his words and pictures to sound. This inventive audio-visual hybrid will be a welcome addition to both home and classroom libraries. Ages 9-12. (Mar.)
Copyright 2007 Reed Business Information
Gr 3-6
Brian Selznick's atmospheric story (Scholastic, 2007) is set in Paris in 1931. Hugo Cabret is an orphan; his father, a clockmaker, has recently died in a fire and the boy lives with his alcoholic Uncle Claude, working as his apprentice clock keeper in a bustling train station. When Hugo's uncle fails to return after a three-day absence, the boy decides it's his chance to escape the man's harsh treatment. But Hugo has nowhere to go and, after wandering the city, returns to his uncle's rooms determined to fix a mechanical figure-an automaton-that his father was restoring when he died. Hugo is convinced it will "save his life"-the figure holds a pen, and the boy believes that if he can get it working again, it will deliver a message from his father. This is just the bare outline of this multilayered story, inspired by and with references to early (French) cinema and filmmaker George Méliès, magic and magicians, and mechanical objects. Jeff Woodman's reading of the descriptive passages effectively sets the story's suspenseful tone. The book's many pages of pictorial narrative translate in the audio version into sound sequences that successfully employ the techniques of old radio plays (train whistles, footsteps reverberating through station passages, etc.). The accompanying DVD, hosted by Selznick and packed with information and images from the book, will enrich the listening experience.
—Daryl GrabarekCopyright 2006 Reed Business Information.
From Selznick's ever-generative mind comes a uniquely inventive story told in text, sequential art and period photographs and film. Orphaned Hugo survives secretly in a Parisian train station (circa 1930). Obsessed with reconstructing a broken automaton, Hugo is convinced that it will write a message from his father that will save his life. Caught stealing small mechanical repair parts from the station's toy shop, Hugo's life intersects with the elderly shop owner and his goddaughter, Isabelle. The children are drawn together in solving the linked mysteries of the automaton and the identity of the artist, illusionist and pioneer filmmaker, Georges Melies, long believed dead. Discovering that Isabelle's godfather is Melies, the two resurrect his films, his reputation and assure Hugo's future. Opening with cinematic immediacy, a series of drawings immerses readers in Hugo's mysterious world. Exquisitely chosen art sequences are sometimes stopped moments, sometimes moments of intense action and emotion. The book, an homage to early filmmakers as dreammakers, is elegantly designed to resemble the flickering experience of silent film melodramas. Fade to black and cue the applause! (notes, film credits) (Fiction. 9-12)
Inside a Paris train station in 1932, a small boy named Hugo Cabret secretly keeps all the clocks running. Like the workings of a clock, the parts of this intriguing story interlock, and the audio program is a marvel in itself. Jeff Woodman narrates Hugo’s story, which introduces listeners to an automaton, a mechanical figure that writes and draws, and the early science fiction films of Georges Méliès. Woodman clearly captures Hugo and his friends as they try to discover the secrets of an old man. Sound sequences are placed within the narrative where in the print edition of the book a series of illustrations occurs. A bonus DVD accompanies the set, and it’s a dynamic “extra.” The disc contains not just a filmed interview with Selznick, in which he talks about his writing and illustration process, but also images of the actual illustrations. This wholly original integration of audio narration, soundscapes, illustration, and author discussion is an experience listeners of all ages should not miss. Discovering how the intricate puzzle of elements fits together like clockwork will provide repeated listenings to figure out. R.F.W. Winner of AudioFile Earphones Award, AudioFile Best Audiobook of 2007 © AudioFile 2007, Portland, Maine
