Inventing Memory: A Novel of Mothers and Daughters

by Erica Jong, Erica Jong (Introduction)

Overview

First published in 1997, Inventing Memory is about four generations of remarkable women from a Jewish-American family-their triumphs, tragedies, scandals, and love affairs-as related by Sara Solomon, the youngest of these women. While trying to chronicle their history, the story becomes essentially hers, as she comes to understand the nature of memory, the way all of us both invent and assimilate our ancestors. In learning about the women in her family, Sara discovers how to create her own future.

Product Details

ISBN-13:	9781101216002
Publisher:	Penguin Publishing Group
Publication date:	08/02/2007
Sold by:	Penguin Group
Format:	eBook
Pages:	320
File size:	682 KB
Age Range:	18 Years

About the Author

Erica Jong is the author of nineteen books of poetry, fiction, and memoir, including Fear of Flying, which has more than 18 million copies in print worldwide. Her most recent essays have appeared in The New York Times Book Review, and she is a frequent guest on television talk shows. Currently working on a novel featuring Isadora Wing—the heroine of Fear of Flying—as a woman of a certain age, Erica and her lawyer husband live in New York City and Connecticut. Her daughter, Molly Jong-Fast, is also an author.

Erica Jong left a Ph.D. program at Columbia to write her ground-breaking novel Fear of Flying, published in 1973. Jong is the author of numerous award-winning books of poetry and novels including Fanny, How to Save Your Own Life, Parachutes and Kisses, Any Woman’s Blues, and the forthcoming Sappho’s Leap. She is also the author of the memoir Fear of Fifty. She lives in New York City and Connecticut.

Editorial Reviews

The author of the renowned Fear of Flying, among other novels, offers a pastiche of fictionalized anecdotes, breezy philosophical pronouncements, and amusing Yiddish homilies ("When a rogue kisses you, count your teeth") in a family saga of four generations of Jewish women creating art (and havoc) in and out of New York.

"Sometimes, in dreams, my first-born son comes back to me," begins Sarah, the long-dead Levitsky family matriarch who narrates her story from beyond the grave. Sarah's infant son, Dovie, was killed in Russia by Cossacks, a tragedy that prompts the indomitable photographer's assistant to flee to America in search of a better life. Beginning her career in a sweatshop, Sarah soon graduates to drawing catalogue illustrations, then painting the portraits of New York's wealthiest. She eventually marries the protective art dealer Lev Levitsky. The Levitskys make a handsome living off Lev's gallery and Sarah's paintings, with their only anxieties centered on their bohemian writer-daughter, Salome, whose life in Paris includes her own literary magazine and an affair with author Henry Miller. Eventually, though, even Salome settles down enough to give birth to beautiful Sally, who grows up to throw herself into the '60s Greenwich Village folk-music scene, quickly becomes a national icon, then proceeds to destroy herself with drugs and alcohol. By then, though, she's produced her own daughter, Sara. Sara's father wins her in a custody dispute, spirits her away to Montana, and refuses to tell her who her mother is. Inevitably, Sara the adult becomes the family chronicler, determined to use Salome's journal, Sally's '60s interviews, and her own musings over a woman's place in history to re-create the past, get to know these women, and assure their immortality.

A clunky but heartfelt work. Still, many of the topics mulled over here (the Jewish immigration to America, the continuing challenges for female artists, women's spirituality) were more effectively addressed in Jong's recent nonfiction

Kirkus Reviews