Into the Beautiful North

Into the Beautiful North

by Luis Alberto Urrea

Narrated by Susan Ericksen

Unabridged — 11 hours, 31 minutes

Into the Beautiful North

Into the Beautiful North

by Luis Alberto Urrea

Narrated by Susan Ericksen

Unabridged — 11 hours, 31 minutes

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Overview

Nineteen-year-old Nayeli works at a taco shop in her Mexican village and dreams about her father, who journeyed to the US to find work. Recently, it has dawned on her that he isn't the only man who has left town. In fact, there are almost no men in the village--they've all gone north. While watching The Magnificent Seven, Nayeli decides to go north herself and recruit seven men--her own "Siete Magníficos"--to repopulate her hometown and protect it from the bandidos who plan on taking it over.

Filled with unforgettable characters and prose as radiant as the Sinaloan sun, INTO THE BEAUTIFUL NORTH is the story of an irresistible young woman's quest to find herself on both sides of the fence.

Editorial Reviews

Publishers Weekly

Nayeli, the Taqueria worker of Urrea's fine new novel (after The Hummingbird's Daughter ), is a young woman in the poor but tight-knit coastal Mexican town of Tres Camarones who spends her days serving tacos and helping her feisty aunt Irma get elected as the town's first female mayor. Abandoned by her father who headed north for work years before, Nayeli is hit with the realization that her hometown is all but abandoned by men, leaving it at the mercy of drug gangsters. So Nayeli hatches an elaborate scheme inspired by The Magnificent Seven : with three friends, she heads north to find seven Mexican men and smuggle them back into Mexico to protect the town. What she discovers along the way, of course, surprises her. Urrea's poetic sensibility and journalistic eye for detail in painting the Mexican landscape and sociological complexities create vivid, memorable scenes. Though the Spanglish can be tough for the uninitiated to detangle, the colorful characters, strong narrative and humor carry this surprisingly uplifting and very human story. (May)

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Library Journal

"Perhaps it is time for a new kind of femininity," declares Nayeli, the 19-year-old heroine of this engaging postglobalization immigration story from the author of The Hummingbird's Daughter. Nayeli's small village in the Sinaloa region of Mexico has been drained of its adult males, including her father, by the promise of El Norte, and taken over by some shadowy gangsters. Inspired by a screening of The Magnificent Seven at the local cinema, Nayeli decides to journey north herself, not to seek her fortune in "Los Yunaites" but to bring back some of the men who have abandoned their families and their country, thereby saving her beloved town. It would be hard to go wrong with such a premise, and Urrea rises to the occasion with a surprising, inventive, and very funny novel populated by an array of quirky characters. His fast-paced, accessible style has the crossover appeal of a John Steinbeck or Cormac McCarthy, while the politically charged undercurrent of the novel pulses with a compassionate vision of the future. Highly recommended.
—Forest Turner

Kirkus Reviews

Three Mexican se-oritas cross the border with a gay escort in this good-humored road novel from Urrea (The Hummingbird's Daughter, 2005, etc.). The coastal town of Tres Camarones has gone from sleepy to desolate since its men went north to "Los Yunaites," looking for work. Luckily there are two strong women in town. Middle-aged Irma, a no-nonsense former bowling champion, is running for mayor. Her niece Nayeli, a dark-skinned beauty one year out of high school, is her campaign manager. Nayeli misses her father, one of the migrants, and treasures his one postcard, from Kankakee, Ill. After Irma is elected, Nayeli turns her attention to the crime wave she sees coming-though all we've been shown are two out-of-luck drug dealers. Inspired by a screening of The Magnificent Seven at the Cine Pedro Infante, she decides to head north and bring back Mexican cops or soldiers to help her deal with the bandidos. Joining Nayeli in her quest are Yolo and Vampi, her "homegirls," and Tacho, gay owner of La Mano Ca'da Taquer'a and Internet cafe. The premise is weak, and Urrea keeps everything cartoon simple so he can get his show on the road. The town takes up a collection and gives the girls a big send-off. In Tijuana, Nayeli fights off some bad guys before being befriended by At-miko, ersatz warrior and authentic trash-picker, who insists on joining their mission. Using tunnels, they cross the border successfully on their second attempt. (This is well-covered ground for Urrea: See his nonfiction border trilogy, beginning with Across the Wire, 1992.) In a silly bit of farce, Tacho is arrested as a suspected al-Qaeda member. Meanwhile, the ladies spend time in San Diego. Their recruiting goes well. Yoloand Vampi find boyfriends. Nayeli, still single, goes back on the road with the liberated Tacho. They are heading for Illinois, her father's putative home, but the momentum has been lost and the ending is a fizzle. Minor work from a writer who has done much better.

From the Publisher

PRAISE FOR INTO THE BEAUTIFUL NORTH:

"[Into the Beautiful North] is deliciously composed...[Urrea writes] in a sweet but serious style...You find it in the dialogue...You find it in the description of the countryside... the plot gathers as much strength as the prose.."
Alan Cheuse, Chicago Tribune

"Awash in a subtle kind of satire...Aa funny and poignant impossible journey...Into the Beautiful North is a refreshing antidote to all the negativity currently surrounding Mexico."
Roberto Ontiveros, Dallas Morning News

"No great adventure is told without great characters, and Urrea certainly knows how to create them...that Urrea has turned a usually disturbing subject into a book that keeps a smile on your face is a tribute to his storytelling."—Miami Herald

"[A] wondrous yarn in the hands of a terrific storyteller...Urrea's meticulous detail makes the story come to life...Not to trivialize, but these characters cry out for a sequel-maybe a telenovela?--They are too good for just a single outing."—Valerie Ryan, Seattle Times

"A wonderful comic satire...Urrea uses a breathtaking Mexican magical realism to construct a shimmering portrait of the United States."—Denver Post

"With self-awareness and irony, Into theBeautiful North acknowledges its debt to the idealistic quest narrative and the tragic migration story...Urrea simultaneously explicates the seriousness of Mexican-US immigration while drolly narrating a Wizard of Oz-like circular fairy tale."—Bookslut

"A fantastical tale..."—Newark Star-Ledger

"It only takes a few pages of Luis Alberto Urrea's thoroughly enjoyable Into the Beautiful North to start you wondering whether this book will break or warm your heart...So which is it?...A little of both, of course, much like the shared history of both [the U.S. and Mexico]."—Bookpage

"Quest novels announce their purpose in a straightforward manner: Colorful, memorable characters prepare for and embark on a journey of immense significance...Into the Beautiful North is just such a novel. Among the many pleasures...is its big-hearted view of the United States as a foreign country. Since this is a quest, not a political novel, Urrea never gets bogged down in messages."—San Diego Union-Tribune

Seattle Times

"[A] wondrous yarn in the hands of a terrific storyteller...Urrea's meticulous detail makes the story come to life...Not to trivialize, but these characters cry out for a sequel-maybe a telenovela?--They are too good for just a single outing."

Miami Herald

"No great adventure is told without great characters, and Urrea certainly knows how to create them...that Urrea has turned a usually disturbing subject into a book that keeps a smile on your face is a tribute to his storytelling."

Bookslut

"With self-awareness and irony, Into the Beautiful North acknowledges its debt to the idealistic quest narrative and the tragic migration story...Urrea simultaneously explicates the seriousness of Mexican-US immigration while drolly narrating a Wizard of Oz-like circular fairy tale."

Denver Post

"A wonderful comic satire...Urrea uses a breathtaking Mexican magical realism to construct a shimmering portrait of the United States."

Vanity Fair

"Magical"

Dallas Morning News

"Awash in a subtle kind of satire...A funny and poignant impossible journey...Into the Beautiful North is a refreshing antidote to all the negativity currently surrounding Mexico."

Chicago Tribune

PRAISE FOR INTO THE BEAUTIFUL NORTH:

"[Into the Beautiful North] is deliciously composed...[Urrea writes] in a sweet but serious style...You find it in the dialogue...You find it in the description of the countryside... the plot gathers as much strength as the prose.."

Bookpage

"It only takes a few pages of Luis Alberto Urrea's thoroughly enjoyable Into the Beautiful North to start you wondering whether this book will break or warm your heart...So which is it?...A little of both, of course, much like the shared history of both [the U.S. and Mexico]."

Newark Star-Ledger

"A fantastical tale..."

San Diego Union-Tribune

"Quest novels announce their purpose in a straightforward manner: Colorful, memorable characters prepare for and embark on a journey of immense significance...Into the Beautiful North is just such a novel. Among the many pleasures...is its big-hearted view of the United States as a foreign country. Since this is a quest, not a political novel, Urrea never gets bogged down in messages."

Valerie Ryan

[A] wondrous yarn in the hands of a terrific storyteller...Urrea's meticulous detail makes the story come to life...Not to trivialize, but these characters cry out for a sequel-maybe a telenovela?—They are too good for just a single outing.
Seattle Times

Roberto Ontiveros

Awash in a subtle kind of satire...A funny and poignant impossible journey...Into the Beautiful North is a refreshing antidote to all the negativity currently surrounding Mexico.
Dallas Morning News

Alan Cheuse

[Into the Beautiful North] is deliciously composed...[Urrea writes] in a sweet but serious style...You find it in the dialogue...You find it in the description of the countryside...the plot gathers as much strength as the prose...
Chicago Tribune

SEPTEMBER 2009 - AudioFile

You can almost hear the opening theme to the classic American Western THE MAGNIFICENT SEVEN, the movie that inspires the lovely 19-year-old Nayeli to gather together a ragtag group of friends and set out on a mission. Their goal is to cross the Mexican border into the U.S. and recruit seven men, including her father, to help repopulate her village and save them from evil banditos. Narrator Susan Ericksen ably portrays each heartfelt character and delivers Spanish with confidence and ease. At times heartbreaking, at other times laugh-out-loud funny, this is a gritty and gratifying adventure. R.O. © AudioFile 2009, Portland, Maine

Product Details

BN ID: 2940170408191
Publisher: Hachette Audio
Publication date: 12/27/2016
Edition description: Unabridged
Sales rank: 769,369

Read an Excerpt

Into the Beautiful North

A Novel
By Urrea, Luis Alberto

Back Bay Books

Copyright © 2010 Urrea, Luis Alberto
All right reserved.

ISBN: 9780316025263

Sur

Chapter One

The bandidos came to the village at the worst possible time. Of course, everyone in Mexico would agree that there is no particularly good time for bad men to come to town. But Tres Camarones was unguarded on that late summer’s day when so many things had already changed. And everything that remained was about to change forever.

Nobody in the village liked change. It had taken great civic upheaval to bring electricity to Tres Camarones, for example. Until 1936, ice came in big trucks, and fathers took their sons to observe it when it slid down the ramps in great clear blocks. It took the visionary mayor, García-García the First, to see the potential in electrical power, and he had lobbied for two years to have the wires strung from far Villaunión. Still, there were holdouts a good decade after Tres Camarones had begun to glow with yellow light. Such stalwarts relied on candles, kerosene lamps, and small bonfires in the street. These blazes, though festive, blocked the scant traffic and the trucks bearing beer and sides of beef, and García-García had to resort to the apocalyptic stratagem of banning street fires entirely. Denounced as an Antichrist, he was promptly defeated in the next election. Later, he was reelected: even if his policies had been too modernizing for some, the residents of Tres Camarones realized that a new mayor meant change, and change was the last thing they wanted. Progress might be inevitable, but there was no reason they should knuckle under without a fight.

True, the occasional hurricane devastated the low-lying forest and semitropical jungles and reformed the beaches. Often, parts of the town were washed away or carried out to sea. But the interior clock of evolution in Tres Camarones was set only to these cataclysms of nature.

And then, the peso dropped in value. Suddenly there was no work. All the shrimp were shipped north, tortillas became too expensive to eat, and people started to go hungry. We told you change was bad, the old-timers croaked.

Nobody had heard of the term immigration. Migration, to them, was when the tuna and the whales cruised up the coast, or when Guacamaya parrots flew up from the south. Traditionalists voted to revoke electricity, but it was far too late for that. No woman in town would give up her refrigerator, her electric fan, or her electric iron. So the men started to go to el norte. Nobody knew what to say. Nobody knew what to do. The modern era had somehow passed Tres Camarones by, but this new storm had found a way to siphon its men away, out of their beds and into the next century, into a land far away.

The bandidos came with the sunrise, rolling down the same eastern road that had once brought the ice trucks. There were two of them. They had to drive south from Mazatlán, which was at least an hour and forty minutes away, then creak off the highway and take the cutoff toward the coast. Explosions of parrots, butterflies, and hummingbirds parted before them. They didn’t notice.

One of them was an agent of the Policía Estatal, the dreaded Sinaloa State Police. He earned $150 a month as a cop. The drug cartel in the north of the state paid him $2,500 a month as an advisory fee. He got a $15,000 bonus each Christmas.

The other was a bottom-level narco who, nevertheless, was the state cop’s boss. What he needed to really get ahead in his game was a territory to call his own, but the cartel had the state sewn up, and there was no room for him in Baja California, Sonora, or Chihuahua. He had hit the drug gangster’s glass ceiling and it irked him, because he looked so damned good. The boys called him Scarface. He liked that. In spite of the awful heat and soggy air of the coastal swamplands, he wore a white sport jacket and regarded the world through mirrored sunglasses, sucking on a cinnamon toothpick.

Neither of the two bandidos enjoyed this bucolic trip to the bottomlands. But the one in the jacket had gotten a cell phone call from Culiacán that there were gringo surfos camping on the beach who were in need of some bud. He shook his head as he looked out at the stupid mango trees: all this trouble for marijuana. “It’s a job,” Scarface said. The cop snorted.

Scarface wore his irritating chrome .45 automatic in a shoulder rig. It made his armpit and ribs into a swamp of perspiration. It was against the law for a Mexican to carry an automatic weapon, though he didn’t even think about it. His partner wore a uniform and had a heavy Bulldog .44 in a Sam Browne holster—the narco could smell its leather and was irritated by its squeaking as the car bumped along the bad road.

The holster squeak was the closest they could get to a theme song. There was nothing on the radio out here except the crappy Mexican music on AM.

“Me gusta Kanye West,” the narco said, snapping off the radio.

The state cop said, “Diddy es mejor.”

“¡Diddy!” cried Scarface.

They argued for a few moments.

Soon, they reverted to silence. The cop turned up the AC. His gun belt squealed.

“Dios mío,” Scarface sighed. “I hate the country.”

The men kept their windows rolled up, but they could still smell the ripe effluent of mud and clams and pigsties and spawning fish in green water. They wrinkled their noses. “What is that?” the cop asked. “Boiling mangos?” They shook their heads, greatly offended. The other one pointed.

“Outhouses!” he scoffed.

They couldn’t believe it! These towns were so backward, Emiliano Zapata and a bunch of revolutionaries could ride through at any moment and fit right in. The bandidos, a generation removed from outhouses, sneered at the skinny dogs and the absurd starving roosters that panicked as the car rolled over oyster shells and brushed aside sugarcane and morning glory vines. The rubes down here had apparently never heard of blacktop. It was all dirt roads and cobblestones. No tourists.

They were slightly pleased, yet jealous, when they noted one of the small houses had a satellite dish.

As in most neighborhoods of most tropical Mexican villages, the walls of the homes in town went right to the edge of the street. Walls were wavery and one block long, and several doors could be found in each. Each door denoted another address. The windows had big iron railings and wooden shutters. Bougainvillea cascaded from several rooflines. Trumpet flowers. Lantana. The bandidos knew that the back of each house was a courtyard with a tree and an open kitchen and some chickens and an iguana or two. Laundry. On the street side, the walls were great splashes of color. One address might be white, and the next might be pale blue and the next vivid red with a purple door. Sometimes, two primary colors were divided by a bright green drainpipe or a vibrating line where the colors clashed and the human eye began to rattle in its socket.

The big police LTD rolled down the streets like a jaguar sniffing for its prey. The two visitors came out of the narrow alleys into the open space of the town plazuela, a tawdry gazebo and a bunch of trees with their trunks whitewashed. On the other side of the square, they spied a restaurant: TAQUERIA E INTERNET “LA MANO CAIDA.”

“The Fallen Hand Taco Shop? What kind of name is that?” the cop asked.

“It’s an Internet café, too,” the narco reminded him.

“Jesus Christ.”

“Let’s get out of here quick,” his partner said. “I want to catch the beisbol game in Mazatlán tonight.” He spit out his toothpick.

They creaked to a halt and could hear the music blasting out of the Fallen Hand before they even opened the car’s doors.



Continues...

Excerpted from Into the Beautiful North by Urrea, Luis Alberto Copyright © 2010 by Urrea, Luis Alberto. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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