Interrogation Palace: New and Selected Poems 1982-2004

by David Wojahn

Overview

Interrogation Palace is a career-spanning selection of work from an important American poet, drawing upon each of David Wojahn's six previous collections and a substantial gathering of new work. Moving fluently from personal history to public history, and from high culture to popular culture, Wojahn's searching and restless poetry has been considerably acclaimed, both for the candor of its testimony and the authority of its formal invention. He is above all an elegiac poet, tender and ferocious by turns, whether mourning the loss of family and loved ones or the hopes and aspirations of the baby-boomer era. Interrogation Palace confirms David Wojahn's status as one of the most inventive, passionate, and ambitious figures of his generation.

Product Details

ISBN-13:	9780822979432
Publisher:	University of Pittsburgh Press
Publication date:	01/29/2006
Series:	Pitt Poetry Series
Sold by:	Barnes & Noble
Format:	eBook
Pages:	216
File size:	714 KB

About the Author

David Wojahn is the author of Spirit Cabinet, The Falling Hour, Late Empire, Mystery Train, Glassworks, Icehouse Lights, Interrogation Palace, which was a finalist for the Pulitzer Prize, and World Tree, winner of the Lenore Marshall Poetry Prize and the Poet's Prize. He is the recipient of four Pushcart Prizes, the William Carlos Williams Book Award, the Carole Weinstein Poetry Prize, the George Kent Memorial Prize, and the O. B. Hardison Jr. Poetry Prize, among other honors. He has received fellowships from the Guggenheim Foundation and the National Endowment for the Arts. Wojahn is professor of English at Virginia Commonwealth University and also teaches in the MFA in Writing Program of the Vermont College of Fine Arts.

Table of Contents

Contents I. For the Poltergeists: New Poems Board Book & the Costume of a Whooping Crane Sawdust For the Poltergeists Radnóti in a Trench Coat Theremin: Solo & Command Performance Interrogation Palace Scrabble with Matthews Dithyramb and Lamentation Homage to Blind Willie Johnson II. From Icehouse Lights, 1982 Distance Glaucoma The Precincts of Moonlight Weldon Kees in Mexico, 1965 Cold Glow: Icehouses III. From Glassworks, 1987 “Satin Doll” Pentecost Dates, for Example IV. From Mystery Train, 1990 from “Mystery Train” Posthumous Life Armageddon: Private Gabriel Calvin Wojahn, 1900–18 The Resurrection of the Dead: Port Glasgow, 1950 V. From Late Empire, 1994 Late Empire Homage to Ryszard Kapuściński White Lanterns Photo of My Father in a Snowbound Train Tomis The First Six Seals VI. From The Falling Hour, 1997 Rajah in Babylon Excavation Photo After Wittgenstein The Shades God of Journeys and Secret Tidings Stammer Tractate for Doctor Tourette Ghost Supper Dirge and Descent Oracle Gallery IX: A Carved Bone Ring of Cormorants Before the Words VII. From Spirit Cabinet, 2002 The Art of Poetry Poison, 1959 And the Unclean Spirits Went Out of the Man,and Entered into Swine Stalin’s Library Card The Ravenswood After Propertius Days of 1994 Spirit Cabinet from “Crayola: A Sequence” Can’t You Spare Me Over? Written on the Due Date of a Son Never Born Triclinium: Couple Bending to a Burning Photo Kill Born, Weed Smoke, Chk Mark, Onchola Senn Notes Acknowledgments

Editorial Reviews

Adding nine new poems (one of them a massive sequence) to selections from his six previous books, this mid-career selection shows what amplitudes Wojahn's poems now possess and how they got that way. Brief excerpts from Icehouse Lights (1982)-his Yale Younger Poets prize debut-show the tough-guy voice with which he began; more fun, and smarter, are segments from Mystery Train (1990), whose sonnet sequence recounted the history of rock and roll. Late Empire (1994) showed a poet newly at home in the jeremiad, comparing the firebombing of "Dresden and its million pounds of napalm" to "the singer clubbing his guitar to wire/ and splinters on the stage." Heroes and villains, ancients and moderns, proliferated in the subsequent work, which adapted Latin models (Virgil, Catullus, Propertius) and sometimes mourned Wojahn's late wife, the poet Lynda Hull. This sternly chosen sampling should strengthen, if not alter, Wojahn's reputation as an elegist, autobiographer and poetic historian-sometimes as all three at once. Those who already know his strengths will rejoice in the new work, especially in the remarkable and well-informed protest poems. (Jan.) Copyright 2005 Reed Business Information.

Publishers Weekly

Over the last two decades, Wojahn has earned a reputation as a poet of high seriousness, an erudite elegist who strives to integrate the interior life with the exterior through complex meditations that synthesize personal, historical, and cultural events. He imagines alternate lives of poets ("Weldon Kees in Mexico, 1965"), rock icons ("Buddy Holly Watching Rebel Without a Cause"), and dictators ("Stalin's Library Card") as sensitively as he chronicles the real intimacies and losses of his own ("The Shades"). The territory is similar to that explored by Albert Goldbarth, but Wojahn takes a comparatively measured approach, his tone more simmering than explosive. For example, "George W. Bush in Hell," a new poem, engages the arrogance of imperial power in a post-9/11 world but does so in Dantean terza rima: "Even my generals gasping-such dazzling display,/ What thundering shock & awe I had made./ Great Babylon did grovel on its knees." While Wojahn's poems can be monotonal and solemn, they integrate confessional and academic modes with honesty and skill. Recommended for larger poetry collections.-Fred Muratori, Cornell Univ. Lib., NY Copyright 2006 Reed Business Information.

Library Journal

Interrogation Palace shows that David Wojahn has been faithful to his vision. Never afraid of the arcane and experimental, he somehow keeps both feet in this world and propels us through an inner sanctum of angels and rock music, soothsayers and popular history, and philosophers and postmodern mystery. At the heart of Wojahn’s poetry is the raw data of pain and joy. This wonderful poet knows how to conjure laughter through a witty, earthy language.”
—Yusef Komunyakaa



“This sternly chosen sampling should strengthen, if not alter, Wojahn’s reputation as an elegist, autobiographer and poetic historian—sometimes as all three at once. Those who already know his strengths will rejoice in the new work, especially in the remarkable and well-informed protest poems.
—Publishers Weekly


“Superb. Powerful, panoramic. In Interrogation Palace Wojahn picked the perfect title: these are poems of both largesse and terror.  . . . He writes with as much formal and emotional strength as any poet alive.”
—Poetry Magazine

From the Publisher