Indios en Escena: La representación del amerindio en el teatro del Siglo de Oro

Indios en Escena engages both the Baroque and Colonial fields of Hispanism in order to reevaluate fourteen major plays of Spanish Golden Age literature from a social-historical perspective. Castillo argues that these plays portray Amerindians not in their otherness but as subjects of an empire. It is the author's contention that these dramas reveal the vast contradictions between the two leading ideological trends of the age as performed on the stage: the discourse of honor and the juridical-theological code, both of which attempt to assimilate the Amerindian phenomenon under the auspices of church and state. These works consistently raise the paradoxical question of how a person can be a savage and have honor at the same time. Castillo claims that this theater propagates the concept of the Amerindian both as honorable subject, a theatrical archetype, and idolatrous barbarian, a model of representation that belongs to the mindset of religious crusades and evangelical enterprises.

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Indios en Escena: La representación del amerindio en el teatro del Siglo de Oro

Indios en Escena engages both the Baroque and Colonial fields of Hispanism in order to reevaluate fourteen major plays of Spanish Golden Age literature from a social-historical perspective. Castillo argues that these plays portray Amerindians not in their otherness but as subjects of an empire. It is the author's contention that these dramas reveal the vast contradictions between the two leading ideological trends of the age as performed on the stage: the discourse of honor and the juridical-theological code, both of which attempt to assimilate the Amerindian phenomenon under the auspices of church and state. These works consistently raise the paradoxical question of how a person can be a savage and have honor at the same time. Castillo claims that this theater propagates the concept of the Amerindian both as honorable subject, a theatrical archetype, and idolatrous barbarian, a model of representation that belongs to the mindset of religious crusades and evangelical enterprises.

43.95 In Stock
Indios en Escena: La representación del amerindio en el teatro del Siglo de Oro

Indios en Escena: La representación del amerindio en el teatro del Siglo de Oro

by Moises Castillo
Indios en Escena: La representación del amerindio en el teatro del Siglo de Oro

Indios en Escena: La representación del amerindio en el teatro del Siglo de Oro

by Moises Castillo

Paperback

$43.95 
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Overview

Indios en Escena engages both the Baroque and Colonial fields of Hispanism in order to reevaluate fourteen major plays of Spanish Golden Age literature from a social-historical perspective. Castillo argues that these plays portray Amerindians not in their otherness but as subjects of an empire. It is the author's contention that these dramas reveal the vast contradictions between the two leading ideological trends of the age as performed on the stage: the discourse of honor and the juridical-theological code, both of which attempt to assimilate the Amerindian phenomenon under the auspices of church and state. These works consistently raise the paradoxical question of how a person can be a savage and have honor at the same time. Castillo claims that this theater propagates the concept of the Amerindian both as honorable subject, a theatrical archetype, and idolatrous barbarian, a model of representation that belongs to the mindset of religious crusades and evangelical enterprises.


Product Details

ISBN-13: 9781557535399
Publisher: Purdue University Press
Publication date: 08/08/2009
Series: Purdue Studies in Romance Literatures , #48
Pages: 365
Product dimensions: 6.00(w) x 8.90(h) x 1.00(d)
Language: Spanish

About the Author

Moises R. Castillo es natural de Granada, Espana, y trabaja en Trinity College, Hartford. Ha publicado articulos sobre todo en teatro del Siglo de Oro en revistas como Bulletin of the Comediantes o Theatralia: Revista de Poetica del Teatro. En la actualidad su investigacion se centra en la representacion de las figuras del amerindio, judeo y musulm¡n en el teatro del barroco.

Moises R. Castillo, Trinity College, Hartford, is a native of Granada, Spain. He has published articles on Golden Age theater in journals such as Bulletin of the Comediantes and Theatralia: Revista de Poetica del Teatro. His current research focuses on the representation of Amerindians, Jews, and Muslims in the theater of the Spanish Baroque.

Table of Contents

Agradecimientos
Introducción
Capítulo uno: Un drama de honor: El Nuevo Mundo descubierto por Cristóbal Colón de Lope de Vega
Capítulo dos: La conquista de Chile y la reconquista de Brasil
Capítulo tres: La conquista del Perú
Capítulo cuatro: La conquista de México
Capítulo cinco: Una comedia hagiográfica: La aurora en Copacabana de Calderón de la Barca
Conclusión
Apéndice: Traducciones al español de los pasajes en inglés
Notas
Obras citadas
Índice alfabético
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