Inborn

by Thomas Enger, Kari Dickson (Translator)

Overview

When a double murder takes place in a Norwegian village high school, a teenager finds himself subject to trial by social media ... and in the dock. Bestselling, highly emotive and award-winning Nordic Noir...

'One of the finest writers of the Nordic Noir genre' Ragnar JÓnasson

'If you like your crime smart, dark and morally compelling then you'll absolutely love this book' 17 Degrees Magazine

What turns a boy into a killer?

When the high school in the small Norwegian village of Fredheim becomes a murder scene, the finger is soon pointed at seventeen-year-old Even. As the investigation closes in, social media is ablaze with accusations, rumours and even threats, and Even finds himself the subject of an online trial as well as being in the dock ... for murder?

Even pores over his memories of the months leading up to the crime, and it becomes clear that more than one villager was acting suspiciously ... and secrets are simmering beneath the calm surface of this close-knit community. As events from the past play tag with the present, he's forced to question everything he thought he knew. Was the death of his father in a car crash a decade earlier really accidental? Has a relationship stirred up something that someone is prepared to kill to protect?

It seems that there may be no one that Even can trust. But can we trust him?

A taut, moving and chilling thriller, Inborn examines the very nature of evil, and asks the questions: How well do we really know our families? How well do we know ourselves?

'Clever plotting and thought-provoking premise. Another feather in Thomas Enger's cap' Crime by the Book

'A pithy, twisty, challenging tale with a cracking concept ... The ending caught in my throat, piercing, then shattering my crime-sleuthing thoughts. Inborn is so very readable, it also provoked and sliced at my feelings, made me stop, made me think, it really is very clever indeed' LoveReading

'Thomas Enger's novels are intelligent and emotionally aware and Inborn is no exception ... an exciting and thought-provoking novel' New Books Magazine

'Spine-chilling and utterly unputdownable' Yrsa SigurðardÓttir

'One of the most unusual and intense talents in the field' Barry Forshaw, Independent

'Satisfyingly tense and dark' Sunday Times Crime Club

'MUST HAVE' Sunday Express S Magazine

'Intriguing' Guardian

'Sophisticated and suspenseful' Literary Review

'Full of suspense and heart' Crime Monthly

'Inborn is a small-town murder mystery and courtroom drama with multi-faceted characters and compelling twists that will keep you guessing until the very end' Culture Fly

'A tightly plotted mix of thrillers and courtroom drama ... compelling, twisty and full of emotion' Off-the-Shelf Books

You loved Nineteen Minutes and We Need to Talk about Kevin, now read Inborn

Product Details

ISBN-13:	9781495655036
Publisher:	Orenda Books
Publication date:	01/25/2019
Sold by:	Barnes & Noble
Format:	eBook
Pages:	276
Sales rank:	600,478
File size:	513 KB

About the Author

Thomas Enger is a former journalist. He made his debut with the crime novel Burned in 2010, which marked the first in the Henning Juul series. Most recently, he co-wrote a thriller with JØrn Lier Horst.

Read an Excerpt

CHAPTER 1

NOW

'Nervous?'

The court officer at Romerike District Court looks at me with a tentative smile. She's been sitting next to me for fifteen minutes, but this is the first time I have noticed that her teeth are yellow. I stop picking at my sweaty fingers, and nod.

'First trial?' she asks.

Her breath smells of stale coffee and old cigarettes. I nod again.

'Hell of a case,' she says with a sigh. It seems like she's talking to herself now.

I think about the hours ahead of me. Everything I need to relive and remember. Everything I will be asked, everything I need to talk about, in front of everybody. I remind myself to stick to my story. There are details the court and the judges – and the whole of Norway – don't need to hear.

The door in front of me opens. A man in uniform gestures for me to get up and follow him. I take a deep breath and stand up. I look at the male officer and wonder for a brief second what he thinks of the case, what he thinks of me. For months the newspapers and the TV stations have been reporting on what happened in Fredheim last October. But I can't tell one way or the other what he thinks. His look is just dead serious.

I straighten my trouser legs, button my jacket and pull down my slightly too-short shirt sleeves. I wonder whether anyone is going to believe me. They have to, I tell myself. They simply have to.

The uniformed man leads me through a wide door into a big room. Just like on TV, a sea of faces turns towards me. There's a sudden silence, then it gives way to whispering. I try to focus on the stand ahead of me, grateful that I still have about twenty feet to walk before I get there. The sound of my own footsteps gives me something to concentrate on.

My mother is here. I can see from her face that she's having a hard time. I wonder how much she's had to drink and if she's brought a flask with her.

When I reach the witness box, I turn and look at the crowd of people in front of me. I don't really see anyone in particular, just heads. Every seat in the room seems to be taken. People are even standing at the back. As I begin to focus, I see reporters, laptop screens. Familiar faces from Fredheim. Some of my friends, schoolmates – if I can even call them that anymore. Police Chief Inspector Yngve Mork is here, as is Mari's mother. I can't see her dad, though, nor any of Johannes' parents.

The lawyer for the prosecution is a slim, small lady. She looks slightly masculine in her tight dark-blue suit. I don't really know anything about her, except that her name is Håkonsen. She takes a sip of water from the glass in front of her and looks at me with inquisitive eyes. As if she's wondering whether she will be able to break me, or something.

She wishes me a good morning, before politely asking me to state my name and address – for the record.

'My name is Even Tollefsen,' I whisper.

'Please speak up', the judge says.

I move closer to the microphone and cough slightly before repeating myself. I try to give the two other judges an apologetic smile. I don't get one in return. I tell them our address – Granholtveien 4 – and that we live in Fredheim.

'It's about an hour's drive from Oslo.'

I don't know why I said that. They know where Fredheim is. After what happened in October, everybody does.

'How old are you, Even?' the prosecutor continues.

'I'm seventeen.'

I can't keep my voice steady, so I try to take a deep breath. My chest hurts.

Now the prosecutor wants me to talk about my family. I catch a glimpse of my mother again. She's slumped down in her seat. It looks as if she's trying to hide.

'My father died in a car crash when I was seven.' I say, my mouth feeling dry. 'So I was basically brought up by my uncle Imo.'

'Imo?'

'Sorry. Ivar Morten,' I say. 'Everyone in Fredheim calls him Imo.'

There is a slight chuckle in the room. It relaxes me a little.

'But you lived with your mother?'

'Yes.'

'And your brother Tobias.'

'Correct.'

'OK. Would you say that you had a happy childhood?'

I look at my mother again, before staring at the table in front of me for a few seconds. 'Like I told you, my father died when I was very young. So no, I wouldn't necessarily say that I was a happy kid. Depends on how you look at it, I guess.'

'Are there other ways to look at it?' the prosecutor wants to know. I move about in my chair.

'Obviously, I missed my father,' I say. 'And we moved a couple of times, back and forth, and my mother ... she wasn't doing very well, to be honest, but I managed to make a lot of friends. So I guess in some ways I was a happy kid. It helped that I played football.'

'Alright, Even,' Ms Håkonsen says. 'Do you mind if I call you Even?'

'Not at all.'

'OK. Thank you. Let's move on a little bit.'

She gets up and starts to walk up and down in front of me, as if she's thinking deeply about something. Suddenly she stops and says, 'Mari Lindgren.'

Ms Håkonsen stares at me for a few seconds. 'Could you please tell the court what kind of relationship you had with her?'

Just hearing her name makes my whole body ache. I take a deep breath again. 'Mari Lindgren was my girlfriend,' I say, my voice tiny and sad.

'For how long?'

'About five months.'

The courtroom is so silent even the slightest of movements can be heard.

'But she wasn't your girlfriend on Monday the 17th of October last year, was she?'

I don't answer straight away. I just wait a few seconds then shake my head.

Ms Håkonsen looks at me sternly. 'For the sake of court proceedings,' she says, 'you have to answer the question aloud.'

'Um, no,' I reply. 'She wasn't.'

'Why wasn't she?' Ms Håkonsen asks. 'What happened?'

'She ... broke up with me.'

'And why did she do that?' Ms Håkonsen sounds as if she is already getting tired of my answers.

'I don't know.'

'You don't know?'

'Well, I didn't. At the time.'

'You mean you didn't know on the night of 17th October?'

I lift my head slightly, searching for Mari's mother. My eyes lock on hers. She instantly looks away.

'Correct,' I reply.

'But you know now.'

'I do.'

Ms Håkonsen looks at me for a few moments.

'I understand why you don't want to talk about that, but I'm afraid we will have to go into the specifics or your break-up a little bit later. Just so you know.'

'OK,' I say and cough into my palm.

'Good. When did she break up with you?'

I can feel the sweat starting to form between my shoulder blades. I hope it won't show on my face as well.

'A couple of days before ...' I stop for a few beats.

'A couple of days before the 17th of October?'

I nod, angry at myself for not being calmer and cooler about this. Ms Håkonsen is about to reprimand me again, but I quickly answer:

'Yes.'

'OK. Alright. Let's talk about the morning after. The morning of October the 18th. Tell us what happened.'

CHAPTER 2

THEN

Yngve Mork had never spoken to God. He hadn't even thought that he could, or should; but the previous night, at a quarter past two, he had sat up in his bed, lifted his gaze towards the ceiling and addressed Him directly for the first time in all his sixty-three years.

He had asked if she was OK now, if she had found peace. He asked if she was still angry with him and if He might allow him to see her one more time – for real. But his words had been quietly absorbed by the faded yellow plaster of the ceiling. They hadn't even been spat back at him like a mocking echo.

Some mornings he woke up with the lingering remnants of a dream in his mind, and with the sudden, panicked thought that she might have come to see him during the night; that she had given him some sign he had missed or already forgotten – a wave or a kiss. He was always hoping that she really was trying to reach out to him, trying to tell him something – trying to say that she had found it in her heart to forgive him.

Today, though, Yngve's mobile phone alarm startled him just before seven. It had been yet another one of those almost-sleepless nights. He had turned over again towards the empty side of the bed, only to see that there weren't any fresh dents in the linen, no marks on the pillow from the pen she had used while trying to solve a newspaper crossword. He had sniffed, searching for a hint of her perfume, the smell that had been beside him for forty-one years; but all he could register was his own odour, a smell that seemed even older and more useless now that he no longer had anyone to share it with.

All the other women in Åse's family had grown old. It was the men who found death at an early age – and under the strangest circumstances. A clumsy bicycle accident or a tumble down a ladder when trying to clear leaves from a gutter. A piece of meat that got stuck in a throat during a celebratory dinner. The women could be sick for years, but somehow they seemed to recover.

So why couldn't Åse do the same?

Another question Yngve had asked The Ceiling.

He got up and went downstairs, and sat at his breakfast table with a buttered slice of bread and a generous helping of Danish liverpaste in front of him. He had coffee and a glass of orange juice as well, but there were no sounds to keep him company other than the ones he made himself: the flipping of a newspaper page, a knife quietly placed on the side of the plate. A quick sniff to get rid of an itch just underneath the tip of his nose. He didn't want the radio on in case he interrupted her hummings in the bathroom, her steps that might appear in the hallway, the drawers she would open and close whenever she got dressed. Even if she would never do that ever again.

Yngve's coffee needed some sugar, so he got up and opened the cupboard above the stove. There he stopped and stared at a yellow box of tea he had bought for her two and a half weeks before she died. It was still wrapped in plastic.

Could you put the kettle on, please, Yngve?

Her distant voice made him sob. But before he was sucked into yet another typhoon of grief, the phone rang. He looked at the number and saw that it was being redirected from the 113 service. He would have to take it – he was on call. But first he grabbed the kitchen sink with both hands and steadied himself for a moment. Then he answered, giving his full name and rank.

At first he didn't hear anything but breathing. Then came a rush of words. He had to ask the person on the other end to repeat them – twice. 'He's dead,' the voice finally managed to say. 'He's just lying there. He's ... there's blood everywhere.'

The voice, Yngve now realised, belonged to Tic-Tac, the janitor at Fredheim High School.

'OK,' Yngve said. 'Don't touch anything, just go to the main entrance and stay there. Don't let anyone in. I'm on my way.'

Yngve hung up and took a deep breath. Glanced over at the breakfast table. The one plate. The one glass.

He was on his way, he'd said.

On his way where?

That you have to figure out for yourself, Åse had said to him one night when they were talking about the future she would no longer be a part of. But I want you to move on, Yngve. I don't want you to forget me, but I want you to continue with your life. Can you do that for me?

He closed the cupboard without looking at the tea bags again and put on his leather uniform coat. He was about to step out into the rain, when she came in through the doorway, almost startling him.

'Oh, hey,' he muttered. He hadn't even heard her coming. Even now, when she looked sleepy, her skin pale and dry, he was struck by her incredible beauty. He always was, especially when she had no make-up on. Not a single raindrop seemed to have landed on her completely hairless head.

'I'm sorry,' he said. 'I have to go; I don't have time to clear the breakfast table.'

She said, with her eyes, that it was OK.

'I'm sorry,' he repeated, for a lot more than the fact that he had to leave. He looked out of the open door and said: 'God, it's really raining.'

He heard her ask where he was off to, what was going on.

'I don't know yet,' Yngve said. 'But it doesn't sound good.'

* * *

Yngve parked as close to the school entrance as possible. Two girls and a boy were standing outside the door as he approached, eager to get in. They stared at him, intrigued.

The janitor opened the door for him.

'I did as you told me to,' Tic-Tac said, his voice shaking, a spasm seeming to twist his face. 'I've been standing here the whole time.'

'Can we come in, too?' one of the girls behind Yngve asked. 'It's so cold.'

'No,' he said with a firm voice.

'What's going on?' the boy asked. 'What's happened?'

'We don't know yet,' Yngve answered and closed the door. He turned to Tic-Tac. 'Where is he?'

Tic-Tac pointed to the stairs. They moved along the hall, their wet shoes making squeaking noises on the floor. 'I didn't touch anything,' Tic-Tac stuttered.

From halfway along the passage Yngve could see a leg and a shoe. As they approached the stairs, more and more of the body became visible. Thin legs, blue jeans. Dark-red stripes that seemed to form a neat pattern on the young boy's skinny fingers. There was blood on his coat, too, and on his other hand, arm. On the stairs, the wall.

Tic-Tac was right, Yngve thought to himself. There really was blood everywhere.

Fredheim was a small place, but Yngve had seen a lot during his tenure as a police officer here. Body parts in ripped-apart cars, corpses that had been rotting away in the forest throughout the winter. He had seen what people looked like after they'd been hanging by a rope from the ceiling for a couple of weeks, images that sometimes haunted him on nights when sleep was hard to find.

But this ...

The young boy's face looked like mince. Skin, blood, muscle. Teeth coloured red.

'It's Johannes Eklund,' Tic-Tac said.

'How can you tell?' Yngve asked without taking his eyes off the kid.

'His coat,' the janitor said. 'The logo on his chest.'

Yngve spotted it now, sewn onto a pocket: an old plane in the middle of a turn, an 'S' and a 'C' on each wing.

'He was the singer of Sopwith Camel,' Tic-Tac added. 'He had a stunning voice. You should have seen him last night. A genuine star.'

'There was a show here yesterday?'

'Yeah. In the auditorium. Opening night of the annual school theatre show.'

'When?'

'Between eight and ten, roughly.'

'And you were here? You watched the show?'

Yngve turned to look at the janitor, who was scratching his left palm.

'I watched a little bit of it, yes.'

'What time did you leave?'

He seemed to be thinking for a moment. 'I don't know, long before the show was over. I knew I had an early start today.'

'So you didn't lock the doors before you left?'

Tic-Tac shook his head violently. 'There was no need. The doors lock automatically at eleven. Everyone should have made their way out by then.'

'Evidently, not everyone did, though.'

The janitor didn't reply.

'What happens if someone does stay behind after eleven? Can they still get out?'

Tic-Tac hesitated for a moment, now scratching his left temple. 'They can, of course, but it triggers the alarm, and if the alarm goes off, the security company will be here in minutes. We have two surveillance cameras on the outside wall as well, pointing towards the entrance, so it's easy to find whoever's responsible. And they get the bill.'

'The alarm didn't go off last night, did it?'

'No.'

'So if people want to avoid triggering the alarm ... can they?'

Again, the janitor appeared to be thinking. 'I guess people will find a way out of here, if they need to. But it's never really been an issue. People know the rules. Plus, there's a reminder ten minutes before eleven, a ding-dong sound that's played for about thirty seconds over the school's PA system. That always makes people hurry out.'

Yngve considered this for a moment while turning back to look at Johannes Eklund. Not even the persistent banging on the entrance door could persuade him to wrench his gaze away from what used to be the face of a good-looking young man. Yngve had seen pictures of Johannes in the Fredheim Chronicle.

'Can you see who it is?' he asked Tic-Tac. He coughed to clear his voice. 'Let them in if they're police or from the ambulance service. No one else can enter.'

Tic-Tac moved quickly, his keys rattling on the chain that hung from his jeans. Yngve took a few more steps towards the staircase, being careful where he placed his feet. He squatted down beside the body and examined it more closely. Now he could clearly see lacerations on the left side of the boy's forehead. He quickly scanned the stairs and hall for a potential murder weapon. Nothing.

The sounds of footsteps at the entrance made Yngve stand up. It was his colleagues from Fredheim police station Vibeke Hanstveit and Therese Kyrkjebø. He had called them, on his way to the school. Normally Hanstveit, officially in charge of every investigation they conducted, would stay away from the crime scene, but the second he'd told her that a young boy might have been killed, she'd headed for her car. Kyrkjebø did the same.

Yngve met them with his arms raised, telling them to brace themselves. Then turned and led them over to the stairs.

Hanstveit put a hand in front of her mouth. Kyrkjebø made a gasping sound. None of them spoke for a few seconds.

Finally, Hanstveit cleared her throat and said: 'Have you called the forensic team yet?'

'No, I was just about to,' Yngve replied.

(Continues…)

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Excerpted from "Inborn"
by .
Copyright © 2019 Thomas Enger.
Excerpted by permission of Orenda Books.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Editorial Reviews

"Satisfyingly tense and dark . . . a deep and complex book." —Sunday Times Crime Club


"One of the finest writers of the Nordic Noir genre." —Ragnar Jónasson


"One of the most unusual and intense writers in the field." —Independent


"Intriguing." —Guardian


"Spine-chilling and utterly unputdownable. Thomas Enger has created a masterpiece of intrigue, fast-paced action and suspense that is destined to become Nordic Noir classic." —Yrsa Sigurðardóttir


"Sophisticated and suspenseful." —Literary Review


"A tightly plotted mix of thrillers and courtroom drama . . . compelling, twisty and full of emotion." —Off-the-Shelf Books


"Enger infuses each story with humanity, delivering characters the reader will root for and cry over – sometimes quite literally." —Crime by the Book

From the Publisher