APRIL 2019 - AudioFile
Narrator Alex Wyndham leads the listener through a plot that provides many points of view but not a clear idea of who the good guys are. Dunne’s debut in the genre of fantasy is the start of a trilogy about gods who are the parents of twins who were exiled many years earlier. Wyndham delivers a narration that maintains a sense of ambiguity about the story’s heroes and which of this society’s religious practices have meaning. He subtly differentiates the large cast of characters and, as the twins gain power, captures the tone of urgency that makes a confrontation seem inevitable. J.E.M. © AudioFile 2019, Portland, Maine
Publishers Weekly
04/04/2016
Dunne’s gripping epic fantasy debut opens 800 years after Patharro and Metherra, the parent gods, cast their twin offspring, Fratarro and Sororra, down from the heavens for the sin of wanting there to be more to their lives than what their parents decreed. The twin gods have been bound to the well-hidden and powerless land of Fiatera. As the book begins, strange occurrences signal changes that might presage the twins’ restoration. Massed against this threat is a motley group: a heretic priest named Joros and his magic-using slave, Anddyr; Scal, a Northman and former Fiateran prisoner; a pair of sewer-rat siblings pretending they’re not twins; and a visionary priestess. The gods have brought this group together—but which gods, and to what purpose? The interesting concept will keep readers involved as the story gradually unfolds. With at least two sequels planned, this installment is mostly setup, but Dunne’s polished prose and well-rounded characters make it a strong start. (June)
From the Publisher
Dunne’s debut novel is visceral grimdark fantasy with ruthless religions, deeply conflicted characters, and a bleak, hostile setting. This trilogy is off to a gritty, gutsy start.” — Beth Cato, author of The Clockwork Dagger, on IN THE SHADOW OF THE GODS
“Brutal and cold, In the Shadow of the Gods is a stunning début. A must-have for fans of dark fantasy.” — Michael Fletcher, author of Beyond Redemption on IN THE SHADOW OF THE GODS
“The gods have brought this group together - but which gods, and to what purpose? The interesting concept will keep readers involved as the story gradually unfolds. Dunne’s polished prose and well-rounded characters make it a strong start.” — Publishers Weekly on IN THE SHADOW OF THE GODS
“The gritty mythos and conflicted characters are compelling enough to bring the reader along to the last page...and to the coming sequel. Antiheroes carry the day...in this dark tale of pragmatism and survival.” — Kirkus Reviews on IN THE SHADOW OF THE GODS
“Joros is an interesting character, full of suprises to both readers and to those around him, and able to draw others to himself while maintaining some mystery. This novel is full of battles and blood, but never loses the heart of the story amidst the chaos.” — RT Magazine (4 stars) on IN THE SHADOW OF THE GODS
“The compelling characters coupled with the dark mythology that balances fresh and evocative all wrapped up in immersive prose amounts to a debut novel that I found quite impressive. In fact, the novel feels more polished and with a more mature voice than most debuts often have.” — SFFWorld
Michael Fletcher
Brutal and cold, In the Shadow of the Gods is a stunning début. A must-have for fans of dark fantasy.
SFFWorld
The compelling characters coupled with the dark mythology that balances fresh and evocative all wrapped up in immersive prose amounts to a debut novel that I found quite impressive. In fact, the novel feels more polished and with a more mature voice than most debuts often have.
RT Magazine (4 stars) on IN THE SHADOW OF THE GODS
Joros is an interesting character, full of suprises to both readers and to those around him, and able to draw others to himself while maintaining some mystery. This novel is full of battles and blood, but never loses the heart of the story amidst the chaos.
Beth Cato
Dunne’s debut novel is visceral grimdark fantasy with ruthless religions, deeply conflicted characters, and a bleak, hostile setting. This trilogy is off to a gritty, gutsy start.
APRIL 2019 - AudioFile
Narrator Alex Wyndham leads the listener through a plot that provides many points of view but not a clear idea of who the good guys are. Dunne’s debut in the genre of fantasy is the start of a trilogy about gods who are the parents of twins who were exiled many years earlier. Wyndham delivers a narration that maintains a sense of ambiguity about the story’s heroes and which of this society’s religious practices have meaning. He subtly differentiates the large cast of characters and, as the twins gain power, captures the tone of urgency that makes a confrontation seem inevitable. J.E.M. © AudioFile 2019, Portland, Maine
Kirkus Reviews
2016-03-30
Five strangers form a tense alliance to stop the release of two gods bound centuries ago in Dunne's debut novel, a semifinalist for the Amazon Breakthrough Novel (2014). Long ago, the creator gods hurled their twin children into the bowels of the Earth—justified punishment for ambitious pride, as most of the world believes, or a cruel sentence passed by insecure parents fearful of their own creations, according to the preachers of the Night. Joros, a violent and ruthless priest, has devoted his life to the release of the bound Twins, but resentment drives him to turn against his former colleagues, bringing with him Anddyr, a powerful mage chained to him by drug addiction and emotional abuse. In the bitter north, a boy named Scal grows into a fearsome but lonely warrior—but the creator gods have plans of their own for him, revealed through a scarred, oracular priestess with a temper. As Scal grows, so do Rora and Aro, twins who have survived the odds, and the death sentence leveled against all twins, by hiding in the underworld. Their paths are disparate, but they alone can stop the terrible threat of the gods at war, for these gods are not good or evil but rather demanding and alien forces who would battle without caring about the human cost. If there is goodness to be found here, it is in small, vulnerable moments: sharing a coat against the cold, singing to help another sleep. Dunne takes some time to unite the cast, resulting in a plot that only comes together in the third act (and which relies on a MacGuffin quest). All the same, the gritty mythos and conflicted characters are compelling enough to bring the reader along to the last page...and to the coming sequel. Antiheroes carry the day—and maybe save it—in this dark tale of pragmatism and survival.
