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Overview
In the Cave of the Delicate Singers by Lucy Taylor is a horror story about a woman with a rare form of synesthesia who can feel sound waves and the dangerous rescue mission she undertakes in a cave with a nasty past.
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Product Details
| ISBN-13: | 9781466892415 |
|---|---|
| Publisher: | Tor Publishing Group |
| Publication date: | 07/15/2015 |
| Series: | Tor.Com Original Series |
| Sold by: | Macmillan |
| Format: | eBook |
| Pages: | 32 |
| File size: | 888 KB |
About the Author
Lucy Taylor is the author of several novels, including the Stoker Award winning The Safety of Unknown Cities. Her most recent work includes the collection Fatal Journeys and the novelette chapbook A Respite for the Dead. She lives in the high desert outside Santa Fe, New Mexico, and is at work on a collection of New Mexico-themed horror.
Read an Excerpt
In the Cave of the Delicate Singers
By Lucy Taylor, Ellen Barkin
Tom Doherty Associates
Copyright © 2015 Lucy TaylorAll rights reserved.
ISBN: 978-1-4668-9241-5
CHAPTER 1
In spite of its dark history, the entrance to the Brotterling Cave complex, eleven miles south of Kremming, Kentucky, appears bucolic, even inviting — a rocky, green arch, swathed in bulblet ferns, Virginia creepers, and sumacs meandering in lazy zigzags along the slope of the hill. In summer, a sumptuous veil of ironweed and lobelia spills over the lava-dark basalt, and cavers, from novice to expert, grind up the mudhole-pocked logging road in their four-wheel-drives, leave their rides in the turn-around, and trek inside like ants marching into the maw of a sleeping triceratops.
Most of the time, they come back just fine.
I've caved in the Brotterling a few times myself, but never before alone and always in thoroughly mapped parts of the cave system. And even though I'd heard all the stories, I was never afraid.
Now I'm terrified.
Just before sunrise, a little over seven hours ago, I crept through the woods alongside the dirt road and slipped inside the leafy green mouth of the cave. Only Boone knew what I wanted to do, and he didn't approve it, of course — how could he, when he's captain of Bluegrass Search and Rescue? In the heat of our argument about how to find and extract the four cavers who are currently missing, he called me "reckless and goddamn delusional" and accused me of thinking I was invulnerable because "you've got that synthetic thing going on."
I bit back a laugh that would've embarrassed us both and told him the word was synesthesia and mine is a rare form in which sounds are "heard" through the skin as vibrations. I explained to him again how my ability could help in a situation where noises inside the cave appeared to be causing a neurological event in the brains of those exposed to them. I said I would go into the cave wearing the in-ear waterproof headphones I use on occasion to get relief from life's general babble, which can prove overwhelming for someone with my sound sensitivities. He just shook his head and looked at me like I was contesting the curve of the earth. But this morning, no one was posted at the cave entrance to stop me, so I took that as his tacit blessing.
Or maybe he was so desperate to get Pree and the others back that losing me is an acceptable risk, albeit one he won't sign off on.
As any caver around here will tell you, even minus the uncanny noises, the Brotterling can kill you in any number of ways. One is by tricking you into thinking it's not a damn dangerous cave. The first two hundred feet or so are deceptively easy: after you've slithered and squeaked past a row of huge boulders crowded together like a mouthful of grey, diseased teeth, the cave opens up like a belly. A bit farther on, you stroll down a broad, pebbly incline while the natural light gradually dims. The vertical slit of the opening shrinks to the size of a peach pit. Suddenly, you find yourself in a constricted, mausoleum-black oubliette. You switch on your headlamp and commence the descent, scuttling through barely shoulder-width tunnels, snaking up vertical cracks, traversing a series of amber-blue lakes, some of which you can ford without getting your knees wet, others deepening into treacherous sumps where you'll drown if you don't have a rebreather or a damn good set of lungs.
Piece of cake was my grandiose appraisal the first time Pree Yazzie guided me through the Brotterling, but I was twenty then, brand-new to caving, recently graduated from the University of Louisville with an altogether useless BA in English lit, and just out of a closet I had not fully realized I even was in. I was also in love with her and thought it was mutual, a conclusion based on nothing more solid than a couple of nights of hot sex. I didn't realize then that the only thing Pree ever lusted for was adventure, which she found in equal measure in caves, beds, and underground rivers. She came, she saw, etc. We'd met at a meeting of Search and Rescue, where Boone gave a presentation on abseiling techniques. I paid scant attention; Boone Pike was just another fortysomething, hardcore cave rat with a granite-gray ponytail, a smile like a crack in an anchor bolt, and big, spade-shaped hands that looked like they'd been crushed and pinned back together a time or two. I kept sneaking glances at Pree, the only other woman in a room full of men who, as the bumper stickers boast, "do it in tight places.'
A line that would make me chuckle right now, if I could expand my squeezed lungs enough to get a full breath of air. Tight places, indeed.
* * *
During that day when Pree and I explored the Brotterling, she filled me in on the cave's not-so-savory past — how every few decades, a caver fails to resurface or, worse, crawls back out physically whole but with a maimed mind and homicidal intent.
Not quite what I wanted to hear a quarter mile under the earth, but I loved the sound of her voice when she explained the cave's frightening history.
The first incident was Dr. Reginald Moore, a caver and Presbyterian minister who spent four days lost in the Brotterling in 1935. Lacking modern caving equipment and (perhaps a greater hindrance) a suitably arachnid-like frame, he was thwarted by narrow tunnels and unswimmable sumps, but eventually found his way to the surface and described the "eerie and infernal yodeling" of demons who tormented him by chanting the Psalms backward in fiendish, fist-thumping cadences.
Widely mocked by the press, Moore later hung himself after setting fire to his house with his wife, father-in-law, and two young sons tied up inside.
Twenty-seven years later, Garth Tidwell, a teenager who entered the Brotterling on a dare, killed himself, his parents, and a neighbor hours after exiting the cave, writing in his suicide note about singing that sounded like "a wild hallelujah of wind chimes and fornicating bobcats."
The lurid description was dismissed as psychotic rambling, probably exacerbated by the terror of being alone and disoriented. If Tidwell had heard anything at all, it was explained away as wind hissing through passageways or water burbling up from an underground stream.
But now we come to the Hargrave brothers — Mathew and Lionel — experienced cavers who entered the Brotterling this past Sunday. Lionel, an Iraqi War Vet whose hearing was lost to a roadside IED in Mosel, is totally deaf. A few hours after the two men entered the cave, he emerged alone, battered and bloody. He described how, half a mile below the surface, Mathew had signed to him that he could hear music "coming from distant and delicate singers" and insisted they search for the source of the sound. For a while, Lionel obliged him, but when the way proved too difficult, he suggested they turn back. In response, Mathew became enraged, bludgeoned his brother with a rock, and left him unconscious and bleeding.
When Lionel finally found his way to the surface and summoned help, three senior members of Bluegrass Search and Rescue were dispatched — obsessive, spearmint-gum-chewing Bruce Starkeweather, extreme ectomorph Issa Mamoudi, and the ever elusive Pree Yazzie.
Boone's Dream Team.
That's when things started getting weird.
At nine that night, Starkeweather contacted Boone via cave phone to report high-pitched humming or chanting. Boone told him to return to the surface. The final transmission, a few hours later, came from a distraught, incoherent Mamoudi-mangled syntax and a garble of English, French, and Farsi that degenerated into choking and wails.
No one's heard from any of them since.
* * *
Which is how I come to be half a mile under the earth, worming my way through a twist in the moist, black, and aptly named Intestinal Bypass, a wretched, rib-crushing, claustrophobia-inducing belly crawl. Nearing the end, just a minute ago, I came to a plug in the tunnel about ten feet ahead. I can see the bottoms of dirt-packed, lug-soled boots, a damp, filthy oversuit, and, if I crane my neck almost out of joint, I can make out the white dome of a mud-splattered helmet. It's not Pree, who's waif-thin and wears size six boots, but one of the men, Hargrave, Mamoudi, or Starkeweather.
I crawl closer, scraping along on my elbows and toes, but get no reaction to the light flaring out from my headlamp. My initial thought is that the caver's become wedged in the last few feet of the Bypass, where the tunnel cinches like a cruelly corseted waist. The first time I came through here with Pree, I tore a rotator cuff trying to shove myself through the passage. Now, four years later and at least fifteen pounds thinner, it's still a brutal squeeze.
My second thought, after I grab a leg and begin shaking it, is that while he may or may not be stuck, this guy's stone-cold dead.
Which means if I can't push him out, I'm fucked.
Shit. Panic pinballs around my ribs. My lungs rasp, and all the air's vanished.
Forget whatever's inside the cave. Forget Pree and the chance of finding survivors. I want out of here — NOW!
Then a soothing, calm voice that I've trained for just such situations begins speaking inside my head: Breathe, Karyn. Just breathe. You're okay. We'll figure this out.
It's my own voice, the voice I've heard in other bad situations above and below ground, and I heed it. I must if I want to live. Gradually, I coax a full breath past the terror constricting my throat. I'm not going to die down here. Not yet, anyway. A numb resolve settles in: I can do this.
Trying to eject a dead guy out the end of a tomb-black tunnel while you're flat on your belly feels like a sadist's idea of a stunt on some nightmarish survival TV show. I push until my biceps blaze, but it's impossible to get any traction. I might as well be trying to strongarm Atlas's Dick, a colossal stalagmite cavers use as a waypoint in one of the Brotterling's upper chambers.
I strain and curse and hyperventilate. Drink tears and cold, musky sweat. The white noise churning through the headphones under my helmet provides an incongruous soundtrack to my struggle: monster breakers shattering on a raw, rocky coastline of black sand and a harsh sun (at least, this is the image I get of it). The sound's meant to protect me from the singing, but right now — pinched like a thumb in a pair of Chinese handcuffs — the buffering noise only intensifies the terror of being stuck in a limestone tube with a corpse.
Desperate, I decide to wiggle back out and look for another way to go on, but the tunnel twists and contorts at excruciating angles. It's impossible to slither out the way I came in. All I get for my efforts are bruised elbows, torn knees, and the mother of all wedgies.
Panic claws at my throat. I'll never get out. I'll die here, squished inside a stone straightjacket. But the voice in my head bullies and curses me onward, so I crawl back to the body. Since I'm not strong enough to rely on brute force, I devise a slow, minimalist series of tweaks that gradually loosens this obstinate flesh-cork in its stone bottleneck: nudge, twist, rock side to side, nudge again.
The poor son of a bitch must have died two to six hours ago, because rigor's setting in, which helps me extract him. He's plank- stiff and (I discover later) both arms are arrowed out in front of him like a cliff diver, the body so rigid by the time it finally pops free, he could double as a javelin or a maypole.
I wriggle out, shaking and sweat-slick, and aim my lamp down at the dead man, groaning when it illuminates the back of Mamoudi's seamed, bloodied neck and reveals the muddy helmet to be a porridge of gray matter and hair glommed around a split, trepanned skull. I picture Mamoudi frantically trying to birth himself out those last crushing inches of squeeze, the irony of a rockfall shattering his skull just as his head poked free. It's a reasonable theory, except that I don't see any fallen rocks or broken stalactites to back it up.
Looking around, I find myself in a wide, high-domed chamber forested floor to ceiling with dripstone. Farther back, overlapping ledges of white limestone crease and crinkle like bolts of brocade. The scene is enchanting and eerie, a grand Gothic hall carved out of calcite and ornamented with aragonite blooms. At one end glimmers a deceptively shallow-looking pond where eyeless albino salamanders laze on its mineral shores. I know from the survey map this is a sump, the entrance to a flooded tunnel leading into the next chamber, but whether it's swimmable without a rebreather, I won't know until I'm underwater.
Before I can ponder this or Mamoudi's demise any further, something more compelling than mere violent death snags my attention: a rapid-fire spitting of sound energy, like a mad tattoo artist bedeviling my nervous system with rhythm rather than ink.
The energy natters against my palms and wet-kisses the space between my breasts. I get a sense of its volume and pitch, the aural equivalent of a blind person reading Braille, and I'm lashed with fear and euphoria. Although I've come down here to find Pree and the others, I also want to locate the mysterious noise. Boone must have realized that too. It's why he didn't want me to go.
Displaced air caused by something big lunging out of a passageway makes me whirl around. A frenzy of shadows spills over the chamber as my lamp illuminates a surreal sight: Bruce Starkeweather, his naked torso smeared with geometric designs painted in cave dirt and gore, brandishing three feet of a blood-streaked stalactite.
His shell-shocked stare tells me all too clearly I'm nobody he's ever seen in his life, and my death is all he desires. As the sound energy from the faraway singing swells over me, he raises his club and charges.
* * *
"You should wear headphones to block out the sounds," I'd told Boone and the others less than twenty-four hours earlier. We were in a small conference room in the Timber Hill Lodge outside Kremming. A map of the known parts of the cave system was tacked up on a board, the shaded areas indicating parts not yet surveyed. Mamoudi and Pree sat together, guzzling coffee and wolfing down bear claws, while Starkeweather, ascetic as ever, stripped foil off a stick of Wrigley's.
Boone, unshaven and haggard-looking, had just come from the hospital where Lionel Hargrave was recovering from a concussion. He told us Hargrave had described his brother's manic insistence on finding the source of the singing. In his deafness, of course, Lionel heard nothing and, probably for that reason (and because he evidently had a thick cranium), had survived to talk about it.
At my remark about the headphones, Pree laughed. Boone looked away, and Mamoudi got up to refill his and Pree's coffee mugs.
I couldn't entirely blame them. I was technically there as backup, but since I'm also the newest member of the team and never found time to get my cave diving certificate, my inclusion in the expedition was unlikely.
Pree, looking fetchingly peeved, said, "How do we communicate if we can't hear? What are we supposed to do? Use sign language? Text?"
Starkeweather mimed headbanging. "Maybe it's a death metal band down there making people go batshit. That used to drive my old man insane."
Met with such thoughtful responses, what could I say? I wanted to point out that noise isn't always benign, that whatever's down there might be the aural equivalent of lobotomy picks jabbed into the brain via the ears. But it's only a feeling I have, and this group, Pree especially, is not into feelings.
Starkeweather asked a question about the survival kits, and while Boone was responding, I went outside and paced alongside a thin strip of forest next to the parking lot.
After a short time, Pree came up beside me and tried to slide her arm beneath mine. I swatted her off like you would a pesky mosquito. Only a few hours earlier, she'd stopped by my apartment to try to rekindle some romance. We'd smoked a joint, laughed about old times. Then she took everything off except Mamoudi's engagement ring and made love to me like I was the last woman on earth. And I let her. Figured I'd hate myself for it later.
Seemed like later had come sooner than I expected.
"Seriously, Karyn," she was saying, "if anything goes wrong down there, if there's a problem, Issa and Bruce and I will deal with it. We know the Brotterling, and we know what we're doing. So, don't try anything heroic." She should've stopped there, but she added, "I know it must be tempting, you with your superpowers and all."
I glared and walked faster.
"Okay, sorry. It's just that hearing sounds through your skin, that's pretty bizarre."
(Continues...)
Excerpted from In the Cave of the Delicate Singers by Lucy Taylor, Ellen Barkin. Copyright © 2015 Lucy Taylor. Excerpted by permission of Tom Doherty Associates.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
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Contents
Title Page,Copyright Notice,
Begin Reading,
Copyright,