Matthias Konzett
While Thomas Bernhard's early works of poetry are relatively unknown, they show the ingenious beginnings of the author's ironic and morbid vision, influenced by the poetry of Rilke, Celan, and the expressionist Trakl. James Reidel is an accomplished translator in addition to being a well-known poet himself and he does an excellent job of transposing the poems into a proper English context while preserving the original German sense.
— Matthias Konzett, Tufts University, author of "Rhetoric of The National Dissent in Thomas Bernhard, Peter Handke and Elfriede Jelinek"
Richard Howard
I am very taken with James Reidel's translations of these two remarkable volumes of the great Austrian novelist and playwright Thomas Bernhard, who began his career, in the 1950s, as a poet. Here we have these unknown but powerful poems carefully translated and well introduced.
— Richard Howard, series editor of the "Lockert Library of Poetry in Translation", and author of "Inner Voices: Selected Poems, 1963-2003"
Carolyn Forche
Thomas Bernhard was first and possibly foremost a poet, belonging in the company of Georg Trakl and Paul Celan, yet his poetry has remained unremarked and curiously unattended until now, with the publication of James Reidel's masterful translations, wherein Bernhard's German shimmers into an English commensurate with his strangely comedic and mystical cris de coeur. If Bernhard is, as he has been called, 'an instrumentalist of language,' then Reidel has written for that language a symphony of lyric art, and in so doing, rescued for the world a major twentieth-century poet.
— Carolyn Forche, author of "Blue Hour: Poems"
From the Publisher
"Already recognized as a champion of neglected genius, Reidel continues his admirable project by providing American readers with the early verse works of the modern prose master, Thomas Bernhard. This is a beautiful and necessary book. The translations themselves immediately strike me as both accurate and inspired, and are accompanied by a highly readable and erudite introduction which vividly brings to life the young Bernhard and his efforts (alongside older contemporaries such as Krolow, Eich, Bachmann, and Celan) to recreate for literary and moral purposes the great language the Nazis destroyed."—Franz Wright, winner of the Pulitzer Prize for poetry"Thomas Bernhard was first and possibly foremost a poet, belonging in the company of Georg Trakl and Paul Celan, yet his poetry has remained unremarked and curiously unattended until now, with the publication of James Reidel's masterful translations, wherein Bernhard's German shimmers into an English commensurate with his strangely comedic and mystical cris de coeur. If Bernhard is, as he has been called, 'an instrumentalist of language,' then Reidel has written for that language a symphony of lyric art, and in so doing, rescued for the world a major twentieth-century poet."—Carolyn Forché, author of Blue Hour: Poems"While Thomas Bernhard's early works of poetry are relatively unknown, they show the ingenious beginnings of the author's ironic and morbid vision, influenced by the poetry of Rilke, Celan, and the expressionist Trakl. James Reidel is an accomplished translator in addition to being a well-known poet himself and he does an excellent job of transposing the poems into a proper English context while preserving the original German sense."—Matthias Konzett, Tufts University, author of Rhetoric of The National Dissent in Thomas Bernhard, Peter Handke and Elfriede Jelinek"I am very taken with James Reidel's translations of these two remarkable volumes of the great Austrian novelist and playwright Thomas Bernhard, who began his career, in the 1950s, as a poet. Here we have these unknown but powerful poems carefully translated and well introduced."—Richard Howard, series editor of the Lockert Library of Poetry in Translation, and author of Inner Voices: Selected Poems, 1963-2003
Franz Wright
Already recognized as a champion of neglected genius, Reidel continues his admirable project by providing American readers with the early verse works of the modern prose master, Thomas Bernhard. This is a beautiful and necessary book. The translations themselves immediately strike me as both accurate and inspired, and are accompanied by a highly readable and erudite introduction which vividly brings to life the young Bernhard and his efforts (alongside older contemporaries such as Krolow, Eich, Bachmann, and Celan) to recreate for literary and moral purposes the great language the Nazis destroyed.
— Franz Wright, winner of the Pulitzer Prize for poetry
