In an Absent Dream (Wayward Children Series #4)

In an Absent Dream (Wayward Children Series #4)

by Seanan McGuire

Narrated by Cynthia Hopkins

Unabridged — 4 hours, 57 minutes

In an Absent Dream (Wayward Children Series #4)

In an Absent Dream (Wayward Children Series #4)

by Seanan McGuire

Narrated by Cynthia Hopkins

Unabridged — 4 hours, 57 minutes

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Overview

A stand-alone fantasy tale from Seanan McGuire's Alex Award-winning Wayward Children series, which began in the Alex, Hugo, Nebula, and Locus Award-winning, World Fantasy Award finalist, Tiptree Honor List Every Heart a Doorway

This fourth entry and prequel tells the story of Lundy, a very serious young girl who would rather study and dream than become a respectable housewife and live up to the expectations of the world around her. As well she should.

When she finds a doorway to a world founded on logic and reason, riddles and lies, she thinks she's found her paradise. Alas, everything costs at the goblin market, and when her time there is drawing to a close, she makes the kind of bargain that never plays out well.

The Wayward Children Series
Book 1: Every Heart a Doorway
Book 2: Down Among the Sticks and Bones
Book 3: Beneath the Sugar Sky
Book 4: In an Absent Dream


Editorial Reviews

From the Publisher

"The author beautifully portrays the overwhelming experience of being on the threshold of maturity... Choose wisely, and choose this book." —Kirkus Reviews

"This is a lovely installment of the series, with pitch-perfect fairy-tale logic...The series as a whole has wonderfully internally consistent world building—and characters, no matter how far in the background, with complexity and depth." —Booklist

Praise for Every Heart a Doorway

"With Every Heart a Doorway, McGuire has created her own mini-masterpiece of portal fantasy — a jewel of a book that deserves to be shelved with Lewis Carroll's and C. S. Lewis' classics, even as it carves its own precocious space between them." — NPR

"Seanan McGuire has long been one of the smartest writers around, and with this novella we can easily see that her heart is as big as her brain." —Charlaine Harris

"One of the most extraordinary stories I've ever read." —V. E. Schwab

"This is a gorgeous story: sometimes mean, sometimes angry, and always exciting." —Cory Doctorow for BoingBoing

"So mindblowingly good, it hurts." —io9

"McGuire's lyrical prose makes this novella a rich experience." —Library Journal starred review

"This gothic charmer is a love letter to anyone who's ever felt out of place." — Publishers Weekly

"Seanan McGuire once again demonstrates her intimate knowledge of the human heart in a powerful fable of loss, yearning and damaged children." — Paul Cornell, author of London Falling and Witches of Lychford

Library Journal

★ 12/01/2018

When quiet and studious Katherine Lundy realizes the world expects her to conform, grow up, and have children of her own, she searches for something more. Finding a door that leads her to the Goblin Market—a place established in rules of logic and riddles, where everything is valued fairly—feels like a dream come true. As Lundy gets older, forming friendships and family ties, she tries to keep everything in balance. But justice has become a lost concept for much of the world, and at the Goblin Market, everything has a cost. So when Lundy tries to make a bargain, she discovers that while she may get what she asks for, it will never be what she truly desires. VERDICT McGuire's fourth in the "Wayward Children" series takes the concepts of fairness and common sense and twists them through the doorways of a portal fantasy with an amazing landscape and characters. Lyrical prose cuts with an honesty of losing childhood innocence that eases the heartache that sometimes accompanies coming of age.—Kristi Chadwick, Massachusetts Lib. Syst., Northampton

JANUARY 2019 - AudioFile

Cynthia Hopkins narrates this fantasy in a detached tone that fits the serious and logical perspective of Katherine Lundy, a girl who finds her way into a magical world known as the Goblin Market. While fans of Seanan McGuire’s Wayward Children series will feel comfortable with Lundy and her “high-logic” world, first-time listeners will not feel left behind. Lundy’s love of logic and reason serves her well as she explores the Goblin Market, learning how to make deals of fair value and encountering distinctly voiced characters like the flighty, sharp Moon and the breathy, wise Archivist. As her dealings in the Market become larger, the stakes become higher, leading Lundy and Moon to decisions with lasting consequences. H.C. © AudioFile 2019, Portland, Maine

Kirkus Reviews

★ 2019-11-11
The fourth novella in the Wayward Children contemporary fantasy series tells the tragic history of Lundy, the backward-aging therapist of Every Heart a Doorway (2016).

In the 1960s, Katherine Lundy is a quiet, observant little girl who likes to read books and follow rules. All of these qualities stand her in good stead when she discovers a door inside a tree that leads to the Goblin Market, a fairyland network of shops and stalls built on a complex architecture of debt and rules which must be obeyed. She learns to love the Goblin Market and the friends she makes there, but the happiness she discovers is balanced by the danger and sorrow she experiences. Frightened and sad, she runs home to the family she left behind. But once she's back with them, she chafes at the societal expectations placed on girls, which feel more restrictive and arbitrary than any stricture of the Goblin Market. Lundy, as she now calls herself, travels back and forth throughout her adolescence, unable to choose between the independence and sense of personal responsibility she values at the Goblin Market and her emotional ties to her family. But the Goblin Market requires her to select one world or the other before she turns 18; if only there were some way she could delay that decision for a while….Lundy's adventures will feel sadly inevitable to readers of the previous books in the series, knowing how she will suffer twice over as a result of her actions, but readers will assuredly not regret going on this journey. The author beautifully portrays the overwhelming experience of being on the threshold of maturity, convinced (sometimes correctly, unfortunately) that the choices one makes now will affect one's entire adult life, struggling to balance obligations to oneself and to others, and feeling paralyzed on that brink.

As the warning on the door to the Goblin Market says, "Be Sure." Choose wisely, and choose this book.

Product Details

BN ID: 2940172040542
Publisher: Macmillan Audio
Publication date: 01/08/2019
Series: Wayward Children Series , #4
Edition description: Unabridged

Read an Excerpt

CHAPTER 1

A VERY ORDINARY GARDEN

1964

IN A HOUSE, on a street, in a town ordinary enough in every aspect to cross over its own roots and become remarkable, there lived a girl named Katherine Victoria Lundy. She had a brother, six years older and a little bit wild in the way of boys who could look over their shoulders and see the shadow of a war standing there, its jaws open and hungry. She had a sister, six years younger and a little bit shy in the way of children who had yet to decide whether they would be timid or brave, kind or cruel. She had two parents who loved her and a small ginger cat who purred when she stroked its back, and everything was lovely, and everything was terrible.

Like the town where she lived, where she had been born, and where she was beginning to feel, in a slow and abstract way, that she would someday die, Katherine — never Kate, never Kitty, never anything but Katherine, sensible Katherine, up-and-down Katherine, as dependable as a sundial whittling away the summer afternoons — was ordinary enough to have become remarkable entirely without noticing it. Had she been pressed on the matter she might, after protesting that there was nothing remarkable about her, have suggested her own sixth birthday as the moment of the twist.

We must go back a little beyond the beginning, then, to learn; to observe. What are we here for, after all, if not for that? So:

Little Katherine, her mother's belly round and ripe as a Halloween pumpkin, bulging with the impending harvest of her sister, sitting prim at the picnic table her parents have set up in the backyard. There is a cake, slightly lopsided, frosted in lemon buttercream that smells sweet and sour in the same breath, impossibly tempting and glittering with sugar crystals. There are gifts, a small pile of them, wrapped in brightly colored paper recycled from other birthdays, other holidays. There is her brother, twelve years old and eyeing the cake with a pirate's hunger, ready to pillage its depths the second he is given leave. There are so many things here, paper streamers and smiling parents and the distant scent of bonfires burning in the fields. There are so many things that it would be easy to miss what should be obvious: to miss what isn't here.

There are no other children. There is Katherine, and there is her brother, who has somehow already gotten frosting on the tip of his nose, and that is where it stops. As if to add insult to injury, the sound of laughter drifts over the fence from a neighbor's yard, where half a dozen children from Katherine's school have gathered to play. If not for the tempting lure of cake, her brother would already be out the gate and gone, off to join what sounds like a far better party.

Her father, who is principal of the local elementary school, scowls at the fence but says nothing. He believes there is no malice in the timing of this event, that Katherine, overcome by the shyness that sometimes consumes children her age, failed to hand out invitations. He has even seen a few of them, ripped in half and stuffed into the kitchen garbage, where a cascade of eggshells and coffee grounds was not quite enough to hide them. He thinks this has nothing to do with him, with the way he enforces discipline and guides his students with a heavy, steady hand. After all, Katherine's older brother had birthday parties, and they were well attended by his peers.

(The fact that he became principal two years ago, and that his son has not requested a party since, only the company of a few beloved chums and an afternoon at the movies or the carnival, does not occur to him.)

Her mother, who is so pregnant that her world has narrowed and widened at the same time, becoming a funhouse tunnel through which she must pass before she can be rewarded with a baby's cry and the sweet simplicity of raising an infant, an innocent babe who will not yet share the trials and tribulations of the older children, has a better idea of what her husband's job has meant for her daughter's friendships. She remembers sweetly smiling children with sticky fingers, trailing along in a pack, Katherine never at the head or the rear, but somewhere in the comfortable, unremarkable middle. She remembers when they stopped coming around.

(She remembers, but she has a house to keep and a baby to bear, and somehow calling their mothers and finding back alleys into camaraderie has never been enough of a priority to nudge her into action. There are only so many hours in the day.)

The year is 1962. Katherine is six years old, two years after the doorbell stopped ringing in her name, two years away from the door we have come to see swing open. There is a choice here, hanging like smoke in the autumn air. She can cry for the friends she doesn't have, mourn for the games she isn't playing, or she can let them go. She can be the kind of girl who doesn't need anyone else to keep her happy, the kind of girl who smiles at adults and keeps her own company. She can be content.

"Blow out the candles, Katherine," urges her father, and she does, and she's happy. She's happy.

There: that wasn't so difficult, and it mattered. Small things often do. A single pebble in the road can go unnoticed until it becomes stuck inside a horse's hoof, and then oh, the damage it can do. This was a pebble; this was where things began the slow, stony process of changing.

Katherine walked away from her sixth birthday party with a smile on her face and the scent of lemon frosting clinging to her fingers, the ghost of sugar once enjoyed. She understood now, that the other children weren't coming; that they would always be shadowy voices on the other side of a fence, refusing to let her through, refusing to let her in. She understood that she had, for whatever reason, been rejected from their society, and would not be readmitted unless something fundamental in the world chose to shift in its foundations, widening itself, rebirthing her into someone they could care for.

But she didn't want to be someone they could care for. She didn't want to be a Kate or a Kitty or even a Kat — all perfectly lovely, serviceable names, for perfectly lovely, serviceable people. People she already knew, at six years of age, that she didn't want to be. She was Katherine Lundy. Her family loved her as Katherine Lundy. If the children in the yard next door or on the playground couldn't find her worth loving the same way, she wasn't going to change for them.

If this seems unusually mature for a child of six, it is, and it is not. Children are capable of grasping complex ideas long before most people give them credit for, wrapping them in a soothing layer of nonsense and illogical logic. To be a child is to be a visitor from another world muddling your way through the strange rules of this one, where up is always up, even when it would make more sense for it to be down, or backward, or sideways. Yet children can see the functionality of grief or understand the complexities of a parent's love without hesitating. They find their way through. They deduce. Katherine had deduced, when the other children called her snobby or mean for not wanting them to cut her name short, when they had told her they couldn't play with her because her daddy was the boss of their teacher and she would be a snitch someday, wait and see, that they weren't going to change their minds about her.

Katherine was also, in many ways, a remarkable child. All children are: no two are sliced from the same clean cloth. It is simply that for some children, their remarkable attributes will take the form of being able to locate the nearest mud puddle without being directed toward it, even when there has been no rain for a month or more, or being able to scream in registers that cause the neighborhood bats to lose control of themselves and soar into kitchen windows. Katherine's remarkability took the form of a quiet self-assuredness, a conviction that as long as she followed the rules, she could find her way through any maze, pass cleanly through any storm.

She was not the type to seek adventure, no, but she was well-enough acquainted with the shapes it might take. Shortly after the birthday where she had blown out the candles and made her choices, she discovered the pure joy of reading for pleasure, and was rarely — if ever — seen without a book in her hand. Even in slumber, she was often to be found clutching a volume with one slender hand, her fingers wrapped tight around its spine, as if she feared to wake into a world where all books had been forgotten and removed, and this book might become the last she had to linger over.

In the way of bookish children, she carried her books into trees and along the banks of chuckling creeks, weaving her way along their slippery shores with the sort of grace that belongs only to bibliophiles protecting their treasures. Through the words on the page she followed Alice down rabbit holes and Dorothy into tornados, solved mysteries alongside Trixie Belden and Nancy Drew, flew with Peter to Neverland, and made a wonderful journey to a Mushroom Planet. Her family was reasonably well-off, and there was no shortage of books, either through the shops or the library, which seemed to be entirely without limits.

Two years trickled by, one page at a time. Had she been someone else's daughter, she might have found herself the butt of cruel jokes played by her peers, called "suck-up" or even the newly coined and hence still-cruel "nerd." But her father was the principal, and the other children understood very well that the place for casual cruelty was outside his field of vision: the worst she was ever called where anyone might hear was "teacher's pet," which she took, not as an insult, but rather as a statement of fact. She was Katherine, she was the teacher's pet, and when she grew up, she was going to be a librarian, because she couldn't imagine knowing there was a job that was all about books and not wanting to do it.

No one ever asked if she was happy. It was evident enough that she was, that she had made her choices and set her courses even before she understood what they were, and if her mother sometimes wished that Katherine had more friends — or that she were more interested in babies than books, since it would have been nice to have some help around the house — she never said so. She loved the daughter she had, books and soft strangeness and rigid adherence to the rules and all. Katherine wasn't lonely. That was all that mattered.

(Her father, it may be noted, wished nothing for his daughter, because he saw nothing strange about the way she was shaping herself, inside the soft walls of her upbringing. Her brother was playing peewee baseball and trading cards; her younger sister was talking and walking and doing all the other things one expects from a toddler trending into childhood. Katherine was quiet and biddable and studious and modest. Katherine didn't run around with the wrong sort, tear her dresses or scuff her shoes. That this was because Katherine wasn't running around with any sort at all seemed to escape him, tucked away with all the other things he didn't want to think about. There were a surprising number of those. Like all adults, he had his secrets.)

At eight years old, Katherine Lundy already knew the shape of her entire life. Could have drawn it on a map if pressed: the long highways of education, the soft valleys of settling down. She assumed, in her practical way, that a husband would appear one day, summoned out of the ether like a necessary milestone, and she would work at the library while he worked someplace equally sensible, and they would have children of their own, because that was how the world was structured. Children begat adults begat children, now and forever, amen. She was in no hurry to reach those terrifying heights of adulthood; she assumed they would happen somewhere around the eighth grade, which was impossibly far away, and happened on the junior high school campus, where her father held no sway.

She wasn't sure exactly what one was supposed to do with a husband, but she was quite sure her father wouldn't want to be there when she did it, as he sometimes made dire comments about girls who played with boys while they were all at the dinner table, always followed by a smile and a comment of "But you would never do that, would you, Katherine?"

She had assured him over and over that she wouldn't, even though logic stated that one day she would, since boys became husbands and normal women had husbands and he wanted her to be a normal woman when she was all grown up. Parents lied to children when they thought it was necessary, or when they thought that it would somehow make things better. It only made sense that children should lie to parents in the same way.

This, then, was Katherine Victoria Lundy: pretty and patient and practical. Not lonely, because she had never really considered any way of being other than alone. Not gregarious, nor sullen, but somewhere in the middle, happy to speak when spoken to, happy also to carry on in silence, keeping her thoughts tucked quietly away. She was ordinary. She was remarkable.

Of such commonplace contradictions are weapons made. Katherine Lundy walked in the world. That was quite enough to set everything else into motion.

CHAPTER 2

WHEN IS A DOOR NOT A DOOR?

THE SCHOOL BELL rang loud and lofty across the campus, and the doors of the classrooms slammed open in euphonious unison as children boiled forth, clutching their schoolbags and their report cards in their hands, racing for the exits like they feared summer would be canceled if they dawdled too long. The teachers, who would normally have been demanding that they slow down, no running in the halls, indulgently watched them go. Some of it may have been the memory of their own school days, their own golden afternoons when the summer stretched ahead of them in an eternity of opportunity; some of it may simply have been exhaustion. It had been a long school year. They looked forward to the break as much as the children did.

In some classrooms, however, the teachers were looking at the students who hadn't bolted for the door. The ones who couldn't, due to braces on their legs or canes in their hands, who took more time to make the same journeys; the ones who were packing up their desks with exquisite slowness, giving their personal demons time to make their way off campus and into the hazy light of summer. And, in Miss Hansard's second-grade classroom, the one who was still tucked in at her desk, peacefully reading.

"Katherine," said Miss Hansard.

Katherine ignored her. Not maliciously: Katherine frequently didn't hear her name the first time it was called, preferring to keep her nose in her book and continue whatever adventure she had decided was more interesting than the actual world around her.

Miss Hansard cleared her throat. "Katherine," she said again, more firmly. She didn't want to yell at the girl, Heaven knew; no one ever wanted to yell at the girl. If anything, she was grateful that Katherine was a pleasant, tractable bookworm, and not a hellion like her older brother. Teachers who found Daniel Lundy assigned to their classrooms frequently found themselves considering how nice it would be to retire early.

Katherine raised her head, blinking owlishly. "Yes, Miss Hansard?" she asked.

"The bell rang. You're free to go." When Katherine still didn't spring from her seat and race for the door, Miss Hansard clarified, "It's summer vacation. School is over for the year."

"Yes, Miss Hansard," said Katherine obediently. She bent her head back over her book.

Miss Hansard counted to ten before she said, somewhat annoyed, "I would like to lock my classroom and go home, Katherine. That means you have to leave." In all her years of teaching, she had encountered every manner of slothful student — the lazy, the confused, the fearful — but she had never before encountered a student who simply refused to go when the final bell rang.

"My father can lock up when he comes to collect me," said Katherine.

Miss Hansard paused. It was tempting to take the girl at her word — and since no one had ever caught Katherine in an actual lie, it would have been understandable for her to do so. Katherine didn't lie; her father was the principal; her father was coming to collect her. It was an easy chain. Unfortunately, there was a piece missing.

"Is your father expecting to come and collect you from my classroom?" asked Miss Hansard. "It would have been polite of him to inform me, if so."

"No, Miss Hansard," said Katherine regretfully. She hunched her shoulders, reading faster.

Miss Hansard sighed. "So you simply assumed he would see the light on and find you here, at which time he would lock up, and I would get a disciplinary note for leaving one of my students unattended."

Katherine said nothing.

"Up, please, Katherine. It's time for you to go."

Knowing when she was beaten, Katherine slouched to her feet, tucking her book into her bag, and started for the door. Miss Hansard sighed as she watched her go. Katherine really was an excellent student. A little reserved, and a little overly fond of looking for loopholes, but still, an excellent student.

(Continues…)


Excerpted from "In An Absent Dream"
by .
Copyright © 2018 Seanan McGuire.
Excerpted by permission of Tom Doherty Associates.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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