Paperback
-
PICK UP IN STORECheck Availability at Nearby Stores
Available within 2 business hours
Related collections and offers
Overview
New York Times Bestseller
"Inspired. . . . Kundera's most brilliantly imagined novel. . . . A book that entrances, beguiles and charms us from first page to last." — Cleveland Plain Dealer
Milan Kundera's sixth novel springs from a casual gesture of a woman to her swimming instructor, a gesture that creates a character in the mind of a writer named Kundera. Like Flaubert's Emma or Tolstoy's Anna, Kundera's Agnès becomes an object of fascination, of indefinable longing. From that character springs a novel, a gesture of the imagination that both embodies and articulates Milan Kundera's supreme mastery of the novel and its purpose: to explore thoroughly the great themes of existence.
Product Details
| ISBN-13: | 9780060932381 |
|---|---|
| Publisher: | HarperCollins |
| Publication date: | 10/20/1999 |
| Series: | Perennial Classics |
| Pages: | 368 |
| Sales rank: | 401,484 |
| Product dimensions: | 5.18(w) x 7.90(h) x 0.93(d) |
About the Author
The Franco-Czech novelist Milan Kundera (1929 - 2023) was born in Brno and lived in France, his second homeland, since 1975. He is the author of the novels The Joke, Life Is Elsewhere, Farewell Waltz, The Book of Laughter and Forgetting, The Unbearable Lightness of Being, and Immortality, and the short story collection Laughable Loves—all originally in Czech. His later novels, Slowness, Identity, Ignorance, and The Festival of Insignificance, as well as his nonfiction works, The Art of the Novel, Testaments Betrayed, The Curtain, and Encounter, were originally written in French.
Hometown:
Paris, FranceDate of Birth:
April 1, 1929Date of Death:
July 11, 2023Place of Birth:
Brno, CzechoslovakiaPlace of Death:
Paris, FranceEducation:
Undergraduate degree in philosophy, Charles University, Prague, 1952Read an Excerpt
The woman might have been sixty or sixty-five. I was watching her from a deck chair by the pool of my health club, on the top floor of a high-rise that provided a panoramic view of all Paris. I was waiting for Professor Avenarius, whom I'd occasionally meet here for a chat. But Professor Avenarius was late and I kept watching the woman; she was alone in the pool, standing waist-deep in the water, and she kept looking up at the young lifeguard in sweat pants who was teaching her swim. He was giving her orders: she was to hold on to the to the edge of the pool and breathe deeply in and out. She proceeded to do this earnestly, seriously, and it was as if an old steam engine were wheezing from the depths of the water (that idyllic sound, now long forgotten, which to those who never knew it can be described in no better way than the wheezing of an old woman breathing in and out by the edge of a pool). I watched her in fascination. She captivated me by her touchingly comic manner (which the lifeguard also noticed, for the corner of his mouth twitched slightly). Then an acquaintance started talking to me and diverted my attention. When I was ready to observe her once again the lesson was over. She walked around the pool toward the exit. She passed the lifeguard, and after she had gone some three or four steps beyond him, she turned her head smiled, and waved to him. At that instant I felt a pang in my heart! That smile and that gesture belonged to a twenty-year-old girl! Her arm rose with bewitching ease. It was as if she were playfully tossing a brightly colored ball to her lover. That smile and that gesture had charm and elegance,while the face and the body no longer had any charm. It was the charm of a gesture drowning in the charmlessness of the body. But the woman, though she must of course have realized that she was no longer beautiful, forgot that for the moment. There is a certain part of all of us that lives outside of time. Perhaps we become aware of our age only at exceptional moments and most of the time we are ageless. In any case, the instant she turned, smiled, and waved to the young lifeguard (who couldn't control himself and burst out laughing), she was unaware of her age. The essence of her charm, independent of time, revealed itself for a second in that gesture and dazzled me. I was strangely moved. And then the word Agnes entered my mind. Agnes. I had never known a woman by that name.
Reading Group Guide
About the Book
Milan Kundera's sixth novel begins with a casual, elegant gesture of a woman to her swimming instructor, a gesture that creates a character -- Agnes -- in the mind of a writer named Kundera. A novel in seven parts, Immortality alternates the stories of Agnes, her husband Paul, and her sister Laura with a curious historical footnote, the story of the relationship between Goethe and Bettina von Arnim. The novel portrays Goethe and Ernest Hemingway conversing in the afterlife, and the narrator (named Kundera) carrying on an important philosophical discussion with the clear-eyed Professor Avenarius.
About the Author: The Franco-Czech novelist Milan Kundera was born in Brno, Czechoslovakia, and has lived in France, his second homeland, for more than twenty years. He is the author of the novels The Joke, Life is Elsewhere, Farewell Walt, The Book of Laughter and Forgetting, The Unbearable Lightness of Being, and Immortality, and the short story collection Laughable Loves -- all originally written in Czech. His most recent novels, Slowness and Identity, as well as his nonfiction works The Art of the Novel and Testaments Betrayed, were originally written in French.
