Lauren Castillo's perfect illustrationswarm, deftly composed, with the sensual allure of woodcuts (she seems to have combined foam monoprints with ink and digital work)are so captivating they might on their own overcome a ho-hum story. But this poem is a masterly picture book text: Its precisely chosen words create a world you have to listen to, to think about. When at the end you learn that you were being told this boy's story as a spur to your own potentially amazing one, the surprise and the gratification outweigh any sense of a lesson being taught.
The New York Times Book Review - Paul O. Zelinsky
★ 08/06/2018 Each stanza of this verse memoir by former U.S. Poet Laureate Herrera ends with the word “imagine.” Is it a sigh, or is it an imperative? “If I let tadpoles/ swim across my hands/ in the wavy creek,/ imagine,” he writes about his early childhood. Entering his English-speaking school was a challenge—he spoke Spanish—yet language fascinated him, and he began to write stories, poems, and songs: “If I grabbed a handful/ of words/ I had never heard and/ sprinkled them over a paragraph... imagine.” As an adult, he stood on the steps of the Library of Congress as poet laureate. Now he fills out the sentence that begins with the word imagine: “Imagine what you could do.” Spacious, light-filled spreads by Castillo (Nana in the City) conjure up landscapes of red earth, bright sun, and long views. Herrera writes of the joy of creation and discovery, and says little about the hardships he must have undergone. The story of a brown-skinned boy who “practiced/ spelling words/ in English by/ saying them in Spanish/ like—pehn-seel for/ pencil” reaching recognition as the nation’s most lauded poet offers a heartening narrative of hope: “imagine.” Ages 5–9. Illustrator’s agent: Paul Rodeen, Rodeen Literary. (Oct.)
Lauren Castillo’s perfect illustrations — warm, deftly composed, with the sensual allure of woodcuts—are so captivating they might on their own overcome a ho-hum story. But this poem is a masterly picture book text: Its precisely chosen words create a world you have to listen to, to think about. When at the end you learn that you were being told this boy’s story as a spur to your own potentially amazing one, the surprise and the gratification outweigh any sense of a lesson being taught. —The New York Times Book Review Spacious, light-filled spreads by Castillo (Nana in the City ) conjure up landscapes of red earth, bright sun, and long views. Herrera writes of the joy of creation and discovery, and says little about the hardships he must have undergone. The story of a brown-skinned boy who “practiced/ spelling words/ in English by/ saying them in Spanish/ like—pehn-seel for/ pencil” reaching recognition as the nation’s most lauded poet offers a heartening narrative of hope: “imagine.” —Publishers Weekly (starred review) Castillo's ink and foam monoprint illustrations are a tender accompaniment to Herrera's verse, the black lines of her illustrations flowing across the page in rhythm with the author's poetry. Together this makes for a charming read-aloud for groups or a child snuggled in a lap. A lyrical coming-of-age story in picture-book form that begs to be shared. —Kirkus Reviews (starred review) Written by the master wordsmith himself, this work details Herrera’s life as a young boy spending time outside and then as an adolescent learning to craft poetry, before ultimately receiving the honor of U.S. Poet Laureate as an adult. His words are accompanied by pen-and-foam monoprint illustrations that sweep across the page to create a soft, dreamy feeling, further encouraging readers to heed the author’s recurring refrain: imagine. Readers will finish the story envisioning all the possibilities that may await them. A beautifully illustrated poem that will be cherished by children. A first purchase. —School Library Journal (starred review) With solid storytelling and evocative detail, Herrera invites youngsters to relate to his own experiences, making this a more grounded outing than many exhortations to young audiences. Castillo’s art cleverly employs pencil and foam monoprint to contrast the assured, homey linework that anchors the figures with the dappled textures of light and color in the backgrounds, representing both the creative and the earthbound sides of the experience. The result is an inviting literary extended hand, beckoning young people, especially those who might find their current situation unprepossessing, to connect the dots with their own future possibilities. —Bulletin of the Center for Children's Books Former U.S. Poet Laureate Herrera finds a tenderly expressive artistic partner in Caldecott Honor winner Castillo (Nana in the City, rev. 11/14), who illustrates this sensitive and moving picture book inspired by the poet’s own life...Herrera’s lyrical text asks readers to imagine what it was like to be him but, more importantly, and in a completely open and liberating way, to consider their own possibilities— to (in the book’s repeated refrain) “imagine what you could do.” —The Horn Book Herrera’s talents of speaking, singing, playing music, and writing poetry are inspiring. This quiet tale may motivate readers to reflect on their abilities, and allow their imaginations to envision the opportunities that await them. —Booklist Even as former U.S. Poet Laureate Juan Felipe Herrera traces the surprising trajectory of his own life, his breathtakingly beautiful poem invites us all to dream and to imagine that even the most unlikeliest of dreams might come true...The gorgeous illustrations "in pen and foam monoprint" by Lauren Castillo, winner of Caldecott Honors for "Nana in the City," beautifully capture the emotion and the dreamy quality of the story. —Buffalo News Filled with vivid imagery (the “milky light” from the moon that shines on the boy’s blanket as he sleeps outside, the “silvery bucket” he carries for fetching water) and Lauren Castillo’s highly textured, earth-toned illustrations rendered via foam monoprint, Imagine is a tender story that is brimming with hope. —BookPage
★ 10/01/2018K-Gr 4— A young child of migrant farmers spends his time picking flowers, playing with tadpoles, sleeping under the stars, helping with chores, and learning to say goodbye each time his family leaves their home for someplace new. The boy grows, eventually walking to a new school alone, knowing he cannot yet read or write English. He practices spelling in English by using what he knows in Spanish, and collects pens as well as words to write magnificent stories. He sings in front of his classmates, and learns guitar so that he can turn his poetry into songs. (If I picked up/my honey-colored guitar/and called out my poem/every day/until it turned into a song,/imagine.") Written by the master wordsmith himself, this work details Herrera's life as a young boy spending time outside and then as an adolescent learning to craft poetry, before ultimately receiving the honor of U.S. Poet Laureate as an adult. His words are accompanied by pen-and-foam monoprint illustrations that sweep across the page to create a soft, dreamy feeling, further encouraging readers to heed the author's recurring refrain: imagine. Readers will finish the story envisioning all the possibilities that may await them. VERDICT A beautifully illustrated poem that will be cherished by children. A first purchase.—Maggie Mason Smith, Clemson University, SC
★ 2018-08-27
Former Poet Laureate Herrera encourages his young readers to imagine all they might be in his new picture book.
Herrera's free verse tells his own story, starting as a young boy who loves the plants and animals he finds outdoors in the California fields and is then thrust into the barren, concrete city. In the city he begins to learn to read and write, learning English and discovering a love for words and the way ink flows "like tiny rivers" across the page as he applies pen to paper. Words soon become sentences, poems, lyrics, and a means of escape. This love of the word ultimately leads him to make writing his vocation and to become the first Chicano Poet Laureate of the United States, an honor Herrera received in 2015. Through this story of hardship to success, expressed in a series of conditional statements that all begin "If I," Herrera implores his readers to "imagine what you could do." Castillo's ink and foam monoprint illustrations are a tender accompaniment to Herrera's verse, the black lines of her illustrations flowing across the page in rhythm with the author's poetry. Together this makes for a charming read-aloud for groups or a child snuggled in a lap.
A lyrical coming-of-age story in picture-book form that begs to be shared. (Picture book/memoir. 4-8)