“Her fiction is a breath-taking piece of a cinematic art itself. Reminiscent of the world we experienced in Matrix, Inception, and Dark City, still it leads us to this entirely original structure, which is a ground-breaking, mystic literary and cinematic experience. Indeed, powerful and graceful.” — Bong Joon-ho, Oscar-winning director of Parasite
“In four paired short stories, Korean science-fiction doyenne Kim imagines the vanishingly distant future….Playing with notions of immortality and toying with improbable transgressions of the laws of physics, Kim delivers a suite of stories that is at once lyrical and full of foreboding, keeping dramatic tensions tight among poetic evocations of a home planet that is ‘our hall of learning, our cradle of experience, our short-term interactive training ground,’ if one we have also destroyed. Much of the best science fiction is coming from East Asia, and Kim’s work ranks high in that emerging tradition.” — Kirkus Reviews (starred review)
"This is a book as much about the process of translation as it is about science fiction, Buddhism and how to live among people...The purpose of the book is to showcase not so much a collection of narratives but the love and respect between several people working together, sharing their minds across languages and distance to beautiful, dizzying effect." — New York Times
"Bold, inventive, and utterly unforgettable, Bo-Young's stories are designed to take your breath away." — Popsugar
"The epistolary nature of the lovers’ story gives readers a chance to empathize with the characters; to feel the dilemmas, the triumphs, and the lows of the two lovers. The straightforward narrative of the gods’ featurette is a surreal swirl of ideas that weaves the reader through the tale...This is thought-provoking science fiction that will leave readers musing long after the book is finished." — Library Journal
"A beautiful, earnest exploration of the mind, body, and spirit across time and space. These stories will break your heart, then lovingly knit it back together again." — Marina Lostetter, author of the Noumenon trilogy
“Where does humanity end and the universe begin? What are the limits of love and hope? What is the difference between creation and destruction? These are big questions, but Bo-Young’s attempt to bring shape to them in these stories is stunning, humbling and utterly beautiful.” — BookPage
“I don’t know what went wrong, or when it started, but everything’s a mess. In I’m Waiting for You and Other Stories Kim Bo-Young has perfectly captured the longing and isolation of our contemporary moment, but depicted against landscapes and realms that are utterly fresh. With stories that manage to present fantastical realities, ask philosophical questions, and weave exciting plots, Kim Bo-Young has given us a timely reminder that longing and heartbreak can be as infinite as the universe, but also just as lovely." — Micaiah Johnson, author of The Space Between Worlds
"This translation will help fill in some of the gaps in the availability of Korean sf in English, as well as please readers who enjoy lyrical, philosophical sf stories." — Booklist
"This translation will help fill in some of the gaps in the availability of Korean sf in English, as well as please readers who enjoy lyrical, philosophical sf stories."
"A beautiful, earnest exploration of the mind, body, and spirit across time and space. These stories will break your heart, then lovingly knit it back together again."
"This is a book as much about the process of translation as it is about science fiction, Buddhism and how to live among people...The purpose of the book is to showcase not so much a collection of narratives but the love and respect between several people working together, sharing their minds across languages and distance to beautiful, dizzying effect."
"Bold, inventive, and utterly unforgettable, Bo-Young's stories are designed to take your breath away."
“I don’t know what went wrong, or when it started, but everything’s a mess. In I’m Waiting for You and Other Stories Kim Bo-Young has perfectly captured the longing and isolation of our contemporary moment, but depicted against landscapes and realms that are utterly fresh. With stories that manage to present fantastical realities, ask philosophical questions, and weave exciting plots, Kim Bo-Young has given us a timely reminder that longing and heartbreak can be as infinite as the universe, but also just as lovely."
Where does humanity end and the universe begin? What are the limits of love and hope? What is the difference between creation and destruction? These are big questions, but Bo-Young’s attempt to bring shape to them in these stories is stunning, humbling and utterly beautiful.”
Her fiction is a breath-taking piece of a cinematic art itself. Reminiscent of the world we experienced in Matrix, Inception, and Dark City, still it leads us to this entirely original structure, which is a ground-breaking, mystic literary and cinematic experience. Indeed, powerful and graceful.
"This translation will help fill in some of the gaps in the availability of Korean sf in English, as well as please readers who enjoy lyrical, philosophical sf stories."
04/01/2021
This title from one of South Korea's foremost writers features four short stories. Two focus on lovers attempting to meet each other back on Earth for their wedding day. Small mishaps ensue and create travails that the lovers must separately endure; as the centuries pass, they wonder whether they will see each other again. The remaining stories revolve around godlike beings who created the Earth. They use humankind as a teaching tool, exploring what happens when one of them begins to question the natural order of the gods' realm. All four stories feature philosophical musings about universal themes: love, waiting, and wanting; creation, destruction, and existence. The epistolary nature of the lovers' story gives readers a chance to empathize with the characters; to feel the dilemmas, the triumphs, and the lows of the two lovers. The straightforward narrative of the gods' featurette is a surreal swirl of ideas that weaves the reader through the tale. VERDICT This is thought-provoking science fiction that will leave readers musing long after the book is finished.—Laura Hiatt, Fort Collins, CO
★ 2021-01-27
In four paired short stories, Korean science-fiction doyenne Kim imagines the vanishingly distant future.
“You interstellar marrying types are all traitors.” So says a colleague to a 25-year-old copy editor who is heading into the faraway stars. The round trip voyage should take just 4.5 years, since by this time earthlings have mastered travel at the speed of light. When the trip is over, a wedding awaits back on Earth. In a series of letters, the traveler describes life in a featureless cosmos, the spaceship moving too fast to take in any sights—or to stick to its schedule, so that just a couple of months into the voyage, the years as measured by Earth time have almost tripled. You can always wait another 11 years and then hop a freighter, the unconcerned captain tells another traveler, but it wouldn’t be a happy return: “That Earth eleven years from now isn’t a place where anyone would want to live. That it’ll be uninhabitable, even for people who have been there all their lives, let alone those returning from years on other planets.” The copy editor’s betrothed, in a bracketing story, is on a mission of her own to faraway Alpha Centauri, and when she gets back, civil war, nuclear disaster, and climate change have ruined the planet. As for her beloved, “He must have died a million years ago.” No matter, for, as the pair of stories nested between them inform us, in the future we shall be as gods, if perhaps not entirely self-aware: “Just as you can’t understand your past self,” Kim writes, “someday your future self won’t understand your present self.” Playing with notions of immortality and toying with improbable transgressions of the laws of physics, Kim delivers a suite of stories that is at once lyrical and full of foreboding, keeping dramatic tension tight among poetic evocations of a home planet that is “our hall of learning, our cradle of experiences, our short-term interactive training ground,” if one we have also destroyed.
Much of the best science fiction today is coming from East Asia, and Kim’s work ranks high in that emerging tradition.
