I'm Glad I Did

I'm Glad I Did

by Cynthia Weil

Narrated by Rachel Botchan

Unabridged — 7 hours, 5 minutes

I'm Glad I Did

I'm Glad I Did

by Cynthia Weil

Narrated by Rachel Botchan

Unabridged — 7 hours, 5 minutes

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Overview

"Mad Men "meets "Nashville" in this debut mystery set in 1963, written by Grammy winner and Rock and Roll Hall of Famer Cynthia Weil. It's the summer of 1963 and JJ Green is a born songwriter--which is a major problem, considering that her family considers the music business a cesspool of lowlifes and hustlers. Defying them, she takes an internship at the Brill Building, the epicenter of a new sound called rock and roll. JJ is finally living her dream. She even finds herself a writing partner in Luke Silver, a boy with mesmerizing green eyes who seems to connect instantly with her music. Best of all, they'll be cutting their first demo with Dulcie Brown, a legend who's fallen on hard times. Though Dulcie is now a custodian in the Brill Building, JJ is convinced that she can shine again. But Dulcie's past is a tangle of secrets, and when events take a dark turn, JJ must navigate a web of hidden identities and shattered lives--before it snares her, too. Cynthia Weil is a member of the Rock and Roll and Songwriters Halls of Fame, as well as the multi-Grammy winning songwriter of classic songs like "On Broadway," "We Gotta Get Out of This Place," "You've Lost That Lovin' Feeling" (the most performed song of the 20th century), and "Somewhere Out There," which was a double Grammy winner and Oscar nominee. She has lived in Southern California for many years with her husband and writing partner, Barry Mann. "I'm Glad I Did" is her first novel.

Editorial Reviews

The New York Times Book Review - Tim Federle

Weil paints an appealing portrait of adolescent "firsts," from the relatable, like butterfly-inducing cutie-pie co-workers, to the rarefied, like hearing an old pro belt out your new song. It's a treat to get Weil's behind-the-scenes take on an industry so bygone it feels practically Jurassic, with lingo such as "acetate" and "lead sheets" tossed out as if we're insiders ourselves…I'm glad Weil wrote I'm Glad I Did, particularly when so much of the author's own hard-earned experience sings out from the pages.

Publishers Weekly

10/20/2014
Grammy-winning songwriter Weil makes an impressive YA debut with this period novel set against the rapidly changing music industry of the early 1960s. Sixteen-year-old JJ Green dreams of being a songwriter, and opportunity knocks when a music publisher in New York City’s Brill Building offers her a three-month gig as an assistant. Unfortunately, her successful parents want her to follow in their footsteps and study law. They allow JJ to accept the position on one condition: if one of her songs isn’t recorded within three months, she “has to give up this crazy songwriting thing and never mention it again.” JJ embraces the challenge but is sidetracked by charismatic figures she meets at her job: a mysterious, green-eyed boy; her estranged Uncle Bernie, whose shady music business dealings have made him the black sheep of the family; and a once-famous blues singer, whose violent death leads to startling discoveries. Showing both the bright and the dark sides of the music business, Weil crafts an enticing tale of a sheltered teenager’s induction into a world where ambitions and morals are repeatedly tested. Ages 14–up. (Jan.)

From the Publisher

Praise for I'm Glad I Did 

A Library Journal Editors' Pick
A Publishers Weekly Editors' Pick


"It's a treat to get Weil's take on [the] industry . . . So much of the author's own hard-earned experience sings out from the pages."
—The New York Times Book Review

"I loved everything about I’m Glad I Did . . . Who better than Cynthia Weil to describe authentically what it’s like to write a great lyric? Weaving in Brooks Arthur, Bob Dylan, Dick Charles and the Brill Building gives the story atmosphere at their very mention. JJ is utterly lovable, believable, and multidimensional, with all the fashion awareness that I never had but Cynthia most certainly did. Not just brava, Cynthia. Bravissima!!" 
Carole King, multi-Grammy winning singer-songwriter of Tapestry and author of the New York Times bestseller A Natural Woman

"Rocks and rolls."
—Vanity Fair

"The book seems especially true to life: the hustle-bustle, the thrill of writing a hit song, the heartbreak of watching it slide down the charts. Even the Brill Building, the art deco jewel box in Times Square . . . is a kind of character in the story . . . The winged eyeliner and soulful songs are as hot today as they were 50 years ago." 
—The Philadelphia Inquirer

"Meghan Trainor meets Nashville meets Mad Men . . . The recording business may be the beating heart of I'm Glad I Did, but it's the brave characters, sweet romance and window into the incredible civil rights changes going on in the 1960s that make this book sing."
—Justine

"Offering insider insight into the music business and its many characters, the heroine, JJ Green finds her voice and herself through music."
—Parade.com

"An up-tempo coming-of-age story complete with an entertaining slice of history that doesn’t avoid the serious issues of the day. "
Chico Enterprise-Register

"Part mystery, part 1960s New York City period piece, with a strong feminist flavor . . . This debut novel from a first-rate songwriter takes readers deep into the 1960s music business."
—Shelf Awareness

"Cynthia Weil sets the ball rolling (and rocking) on an endearing story set in the heart of the pop-music industry, circa 1963 . . . A tightly wound... clever plot."
—MetroKids 

"The author is a multi-Grammy-winning, Rock and Roll Hall of Famer, and the story reflects that, as JJ learns the language of the business: songs with bullets, CashboxBillboard. The names of famous recording artists leap off the page: Bobby Rydell, the Drifters, Leslie Gore... [the] memory of their music fills my heart."
—Historical Novel Society 

"JJ offers sharp commentary on some of the most stressful moments in U.S. history. She also discovers that 'trouble' is exactly where you need to be when you want to change the world . . . JJ’s story exposes the mountains of 1963 in matters of race, feminism, and social expectations, and how music can help move these mountains."
—BookTrib

"The romance between JJ and an idealistic Luke is tenderly written . . . The strength of the novel lies in Weil’s use of Dulcie and JJ to present, for teens, a history of the music industry and its pitfalls, the names of well-known performers, and an understanding of the 1960s songwriting business."
—VOYA

"Readers will root for the determined and self-sufficient JJ as she navigates the complex rules and relationships at play within the Brill Building. I'm Glad I Did also provides a valuable look at the racial tension and discrimination of the time, including the mistreatment of African Americans by their peers within the music world . . . Anyone who craves a bit of entertainment and a behind-the-scenes look at the music biz should tune in."
—TeenReads.com

“An impressive YA debut . . . Showing both the bright and the dark sides if the music business, Weil crafts an enticing tale of a sheltered teenager’s induction into a world where ambitions and morals are repeatedly tested.”
Publishers Weekly

"Weil has painted a 1960s Mad Men–esque portrait of the music industry, in which white men take advantage of talented black musicians, especially young, beautiful, and innocent black women, during that period of gathering racial unrest. Weil deals with a variety of ’60s social issues, including black-white relationships, women’s rights, and white male privilege. It’s an authentic picture of the 1963 turmoil, with reader hooks of murder, young love, and the ’60s music scene."
—Booklist

"Rock and Roll Hall of Famer Weil, songwriter of 'You've Lost That Lovin' Feeling,' provides period detail about the fledgling rock-'n'-roll industry that adds verisimilitude to JJ and Luke's surprising journey of discovery. Mystery, romance and insider music-industry detail distinguish this intriguing 1960s coming-of-age story."
 —Kirkus Reviews

"JJ is both starry-eyed and determined . . . The themes here, from first love to breaking away from parental expectations, from race relations to the thrill of succeeding in a competitive industry, position this perfectly . . . Weil finds just the right balance between cynicism and hope, romance and heartbreak—kind of like one of her songs."
—The Bulletin of the Center for Children's Books

"Beneath the glamor and aspiration, I'm Glad I Did also provides an unflinching look at the race, gender, and class struggles that defined the time—seamlessly woven into a page-turning mystery."
—Coe Booth, LA Times Book Prize winning author of Tyrell

“Only a legendary songwriter like Cynthia Weil could have penned this insider’s view of the rock and roll songwriting scene . . . A touching romance, a dark murder mystery, a compelling historical coming-of-age novel: this is Mad Men with microphones. Anyone who’s ever dreamed big will love watching JJ spin her musical magic. A mesmerizing debut.”
Katherine Applegate, Newbery winner and New York Times bestselling author of The One and Only Ivan

“Cynthia Weil delivers a pitch-perfect debut about defining yourself and following your dreams.I'm Glad I Did expertly blends music and romance with a mystery that crescendos into page-turning ending. Encore! Encore!”
—Elizabeth Eulberg, author of The Lonely Hearts Club

School Library Journal

12/01/2014
Gr 7 Up—It's the summer of 1963 in New York City. JJ Green has a spot at Columbia in the fall, but all she can think about is getting a job at Good Music Publishing. Her parents want her to follow their footsteps and become a lawyer and go nowhere near the music industry, but JJ's always been the black sheep of the family, secretly writing songs and thinking about being a "spinner of dreams." When she lands the gig at Good Music, the teen has to make a deal with her parents before she signs her contract: get one of her songs recorded before the summer's over or give up songwriting. Although it's a big risk, JJ's willing to take it just to know if her songs really have a chance. Legendary songwriter and debut author Weil knows firsthand the electric excitement and activity the teen would have encountered at her job in the famous Brill Building. In her first novel, Weil is ambitious: attempting to capture the feeling of that historic summer and the flavor of the music industry. The topical references—from Medgar Evers to payola scandals to Bob Dylan—often feel forced into the already full narrative, which includes JJ's coming-of-age, a romance, and a murder mystery. Descriptions of the songwriting and producing process are more successful, if a little dry. The heartbeat of this story though is JJ Green, an emotionally vulnerable but determined protagonist with an authentic voice. Her desire to succeed and create something beautiful will connect with readers who also have a creative spark.—Joy Piedmont, LREI, New York City

Kirkus Reviews

2014-10-06
An aspiring songwriter accepts a summer job with a music publisher in 1963 New York City, where she learns about her family, her friends and herself.Expected to become a lawyer like her mother, father and brother, 16-year-old strong-willed Justice Green, known as JJ, wants to write songs that will "make people believe in possibilities and dreams." Hired by Good Music Publishing to perform office work in exchange for feedback on her songs, JJ finds herself in the heart of the music-publishing industry, where she encounters her estranged uncle Bernie, an infamous industry mogul who takes her under his wing. When JJ meets Luke Silver, son of Bernie's deceased former partner, they begin collaborating on a song. After befriending a burned-out African-American singer named Dulcie Brown, JJ's devastated when Dulcie dies under suspicious circumstances, prompting her to investigate Dulcie's past. JJ narrates her story, allowing readers to share her shock when the troubling truth about the twisted relationship that connects Bernie, Luke's father and Dulcie is finally revealed. Rock and Roll Hall of Famer Weil, songwriter of "You've Lost That Lovin' Feeling," provides period detail about the fledgling rock-'n'-roll industry that adds verisimilitude to JJ and Luke's surprising journey of discovery. Mystery, romance and insider music-industry detail distinguish this intriguing 1960s coming-of-age story. (Historical fiction. 12-16)

Product Details

BN ID: 2940171195335
Publisher: Recorded Books, LLC
Publication date: 01/27/2015
Edition description: Unabridged
Age Range: 10 - 13 Years

Read an Excerpt

CHAPTER ONE
There are three unbreakable rules in my family.
       1. The Greens always have breakfast together.
       2. The Greens always negotiate instead of arguing.
       3. The Greens always become lawyers.
       I’m hardly ever hungry at breakfast, and while I really love a good screaming argument (I believe it clears the air), I’ve managed to live with rules one and two. It’s rule number three that scares me, crushes my dreams and destroys my soul. The truth, the whole truth, and nothing but the truth, is that I do not now, nor have I ever wanted to be an attorney.
       Unlike my big brother Jeffrey, I have not inherited the legal gene. Jeff—who at the age of seven suggested a contractual relationship between us regarding use of the bathroom we shared—is clearly a Green. I was four at the time, so I accepted, proof only that I seem to have been born into the wrong family. If I didn’t look so much like my mother, I’d suspect I’d been adopted, but we have the same face (heart shaped), same hair (ridiculously straight, medium brown with red highlights) and the same big feet (don’t even ask what size).
       That morning in June, I had a bigger secret than my shoe size.
       What I was keeping under wraps was a plan to break sacred rule number three by getting a summer job in the music business. A job that would no doubt lead to a total family flip-out. I had no intention of telling them anything about it unless I got it. Today was just an interview. I was painfully aware, though, that if anyone in my family of legal eagles thought I was hiding something, I was going to be cross-examined, so I tried to look relaxed and extremely normal as I ambled into the dining room and slid into my chair.
       “Good morning, Irving,” Jeff greeted me, munching on cornflakes. “You look a little more uptight than usual. What’s up?”
       So much for my acting ability. My brother has called me Irving, as in Irving Berlin, ever since I was idiot enough to tell him that I wanted to write songs.
       “Stop calling your sister Irving,” my mother instructed. She was cutting off the top of her egg with my grandmother’s silver egg cutter, reading the Herald Tribune and monitoring our conversation at the same time. She was one of the few people in the world who could do three things at once and do all of them perfectly.
       My mother, Janice Green—Janny—is a criminal attorney. My dad, Julius Green—Jules—is a judge. Jeff, the bathroom negotiator, is pre-law at Columbia. He’s also working at Janny’s office for the summer. Could he be more perfect? J is the family letter, given the happy coincidence of my parents’ first names. But J can also stand for lots of other things like “judgmental.” Or “joyless.” Or “just not understood.”
       Janny and Jules named me Justice, and if that’s not making a point and giving a kid vocational guidance, I don’t know what is. My middle name is Jeanette after Jeanette Rankin, who was the first woman to serve in the United States Congress. Try living up to that. The only saving grace is that everyone calls me JJ. I hardly ever tell anyone my real name or why I got it. Nobody knows at Dalton where I graduated from high school last week, class of 1963. I’m sixteen, two years younger than most of my friends because I skipped a grade in elementary school and made one up in middle school rapid advance.
       I mention this as proof that I am not too dumb to be a lawyer. I simply don’t want to be one. I’ve known what I wanted to be ever since I was three years old and crawled up on the piano bench in my family’s living room. Ever since I touched the keys and realized I could make my own sound. Ever since I heard the Latin music that Juana (another cruel letter J coincidence), our housekeeper, played on her radio. I’ve wanted to be a music maker, a spinner of dreams, the creator of some kind of new and beautiful noise, a poetic voice saying what others feel but can’t express.
       The problem is that in the Green family, saying you want to be a songwriter is the equivalent of saying you want to be an axe murderer—or even worse, a music business lowlife who rips people off, like my Uncle Bernie.
       Juana whispered, “Buenos días, cariña,” and placed my usual toasted bran muffin in front of me.
       “Justice, I think you’re going a little heavy on the mascara,” Janny observed. “It makes you look unhappy.”
       “It’s not mascara, Mom, they’re false eyelashes. Everyone’s wearing them.”
       “You are not everyone,” Jules reminded me from behind The New York Times. He peered over the headline JFK Signs Equal Pay Act. “Your mother’s right. You look unhappy.”
       “It’s her guilty look,” Jeff chimed in. “I remember it from when we shared a bathroom and she used it during my time.”
       “Why are you talking about me as if I’m not here, Jeffrey?” I asked calmly. Whenever he did that, I wanted to rip out his vocal chords, but letting him know would mean he’d won. So I smoothed the skirt of my seersucker shirtwaist dress and smiled. “Don’t you think that type of behavior is rude, Mom?”
       “JJ has a point, Jeffrey. You two could debate it, but it’s getting late, and I have to get to the office.”
       Janny stood and slipped into her raspberry linen suit jacket. It matched her pillbox hat perfectly. My mom looked like Jackie Kennedy before Jackie did. Impossibly chic. So chic that people often took her for a model. She was also brilliant, charming, well read, successful—and one of only two women in her class at Columbia law. You might say she was a tough act to follow, or you might say it was better not to try. You might also say that trying to slip into the music business on her watch had to be a death wish.
       Jules shrugged into his jacket, folded The New York Times, which he always finished before breakfast, and handed it to Janny. “Check Earl Wilson’s column,” he told her. “It appears Bernie is being called to testify in some payola scheme again.”
       “What else is new?” Janny asked, biting her lip. “I say a prayer every night—”
       “That no one will figure out that ‘the godfather of the music business’ is your no-goodnik brother,” Jules finished. “We know, Janny, we know.”
       “I know you know. I don’t know why I’m compelled to repeat myself.” She dropped her keys into her handbag and the newspaper into her attaché. Then she turned her attention to something she actually could control: us. “Justice, as discussed, you have this week to find a summer job doing something useful, or I’ll expect you to begin filing down at my office next Monday. Being around a law office might awaken your legal instincts. Jeff, there’s a package you need to pick up at Malken, Malken and Strobe. Please get it to me before ten thirty, and then Susan will tell you what to do today. Jules, I’d like to share a cab with you if you’re ready to leave.”
       And with that everyone jumped to do Janny’s bidding, as everyone usually did. I hightailed it out of her sight before she could figure out that Jeff was right on the money, that I was guilty as charged. Today I was taking a giant step toward my not-so-secret dream and my parents’ worst nightmare. Today I was sticking my toe into what Janny called “that cesspool, the music business.” Defying her was scary enough. But even more terrifying would be learning if I had any right to my dream. Today I’d be finding out if I had any songwriting talent.


CHAPTER TWO
I stood at the corner of West Forty-Ninth and Broadway, clutching my purse and staring up at Oz itself, the Brill Building. I silently offered up my own Janny-like prayer that I wouldn’t run into “no-goodnik” Uncle Bernie, even though I wasn’t sure we’d even recognize each other. I hadn’t seen him since I was a kid.
       This was it, the Mecca of songwriting. The brass doors were flanked by black marble pillars. Above them, set into a brass niche, was the bust of a young guy. I always thought it was George Gershwin or some other famous songwriter, but I found out it was the developer’s son. The poor guy died at seventeen. His name wasn’t even Brill. The Brill brothers owned the land, and they leased it to a developer. The Brills actually had a clothing store on the main floor.
       How do I know all this? I know it because I did a report on New York architecture for my art class just so I could research this location. I can also tell you more than you want to know about the New York Public Library. Like the lions out front were named Patience and Fortitude by Mayor LaGuardia in the 1930s.
       A steady stream of people poured in and out of those amazing doors, and all I’d ever wanted was to have a legitimate reason to be one of them. Fumbling in my purse, I pulled out the scrap I’d torn from last week’s Cashbox:

       WANTED: Good Music Publishing seeks smart assistant/ talented aspiring songwriter. Exchange office work for feedback on songs from hot publisher. Call Rona at Ju5-5253 for audition appointment.

       I took a deep breath.
       I belong here, I told myself for the thousandth time. This job fits me like a glove.

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