I'll Be

by Claudio Gaudio

Overview

At the heart of I’ll Be resides a highly unreliable narrator. As he fumbles through his days, he breaks boundaries that are larger than the seemingly insignificant tasks at hand: the concept of space is uncertain, language is broken, history is rewritten, identity itself remains a question. The futility of language is a theme that surfaces continually. In a commentary on the nature of political systems, for example, the narrator points out its inadequacy in facilitating truthful communication: “To be fair, this country is safe, no one I know has fallen from a sniper’s rifle, and not since 1970 have tanks roamed the streets. But that was in another province, another language, so it may not have happened.” Between sentences strife with comma splices, existentialist questions, and other deconstructionist strategies, the novel is peppered with poetic metaphor and laugh-out-loud humor that is sometimes dark, and always searching. By working to unravel every strand of our understanding of the external world, the novel, in turn, reveals the frailty of our thought process, inner constitution, and essentially our humanity.

Product Details

ISBN-13:	9781771833035
Publisher:	Guernica Editions, Incorporated
Publication date:	05/01/2023
Series:	Essential Prose Series , #155
Sold by:	Barnes & Noble
Format:	eBook
Pages:	381
File size:	488 KB

About the Author

Claudio Gaudio is a Toronto based writer. Texas, his first novel, has been translated, in part, by Francesco Loriggio and included in an anthology in Calabria, Italy. Texas was shortlisted in 2013 for the RELIT Awards, and his work has appeared in ELQ (Exile Literary Quarterly), Rampike Literary Magazine and Geist, and Descant Magazine. Along with filmmaker Oleksiy Buyanov and composer Richard Underhill, Claudio is currently working on producing a series of videos based on Texas.

Editorial Reviews

There is a linear narrative of sorts, but the primary attraction is the spin, which isn’t linear at all. Fragments adhere to form various shapes, then fly off into the ether, only to return to recombine with new fragments. Like stalagmites, perhaps, they accrue. 

Ted Goosen

I suppose much of what I like about the book resembles what's mentioned in the blurbs, but not quite. I really like how the book constantly talks about political woes but isn't exactly political. That's hard to achieve.

Michael Neuman

Claudio Gaudio's second novel is an ambitious book. What comes to mind is Beckett, but a Beckett who isn’t supercilious about history and would rather forget it in favour of ontology. He instead crowd any metaphysical quivers — shall we call them that –  with all sorts of references to the here and now. There is a stillness rather than a waiting, which accumulates, as it cuts into the consecutional features we associate with narration. 

Francesco Lorrigio