From the Publisher
Praise for If Walls Could Speak:
Winner of the Canadian Jewish Literary Award for Memoir/Biography
Shortlisted for the Architectural Book Award (Monographs)
“This richly detailed autobiography by the renowned architect weaves together memoir, a tour of select projects, and philosophical meditations . . . Safdie’s reflections on his other projects, which range from Jerusalem’s Holocaust History Museum—a structure built into a mountain, ‘cutting through like a spike’—to Singapore’s Marina Bay Sands, combine intellectual convictions with intuitions about the effects of space, light, sound, earth, and water, illuminating the impulses that have shaped his revolutionary works.”—New Yorker
“The renowned architect reflects on his life designing famous structures such as Montreal’s Habitat ’67 and Singapore’s Marina Bay Sands and argues for an architectural philosophy that focuses not only on truth and beauty but also on social engagement.”—New York Times Book Review
“Who knew that one of the world’s premier architects could possess such an engaging and warm voice as he recounts his life and explains what he tries to achieve in his work? . . . It is a measure of Safdie’s humanity that everything he designs puts his concern for the user above all other considerations, and the book’s photographs do full justice to his work.”—Air Mail
“As this warmly reflective memoir shows, ideas around human rights, socialization and access to nature have continued to underpin the urban and architectural philosophy of Safdie, now in his 80s.”—Globe and Mail
“Informative, entertaining . . . A jargon-free, conversational-style monologue on the many successes—and failures—of an architect who has created projects around the world.”—Quill & Quire
“Engaging . . . Safdie has a nice narrative touch. He’s eloquent when explaining how architecture can enhance a community or a venue, and, without pretension, outlining how it can be a force for social good.”—Douglas J. Johnston, Winnipeg Free Press
“A highly readable, largely chronological overview of Safdie’s career.”—Architectural Record
“Marvelous . . . In prose unburdened by pretension, Safdie articulates his artistic philosophy against the backdrop of a changing world, maintaining that architecture should be both intentional and socially engaged. The result yields a brilliant defense of architecture as an expression of truth and beauty.”—Publishers Weekly (starred review)
“The internationally renowned architect chronicles his life and describes the evolution of his ideas and major projects . . . In this engaging narrative, he offers intriguing details of design and construction, as well as photos and drawings, for a variety of major projects . . . A thoughtful, appealing memoir of architecture, creativity, and purpose.”—Kirkus Reviews
“A memoir-cum-travel diary-cum-manifesto for responsible, thoughtful design.”—Cultured
“Invites readers behind the veil of an essential yet ‘mysterious profession’ to explain through Safdie’s own experiences and memories how an architect thinks and works . . . Safdie reveals the complex interplay that underpins every project and his vision for the role architecture can and should play in society at large.”—World Architecture
“If Walls Could Speak is not just about architecture; it is about a man in search of beauty, truth, and service to people through examining ‘nature, the nature of the universe, and the nature of man.’ In his autobiography, Moshe Safdie succeeds in making the walls speak, revealing not only the depth, curiosity, and drive of a man with a mission, but also the challenges he faced creating extraordinary work for more than five decades. Perhaps he says it best: ‘If we seek truth, we shall find beauty.’ I was profoundly moved reading this book.”—Yo-Yo Ma
“What are the deep personal sources of creativity? How is it possible for someone to take the conventional built environment and make it new? A visionary book, If Walls Could Speak triumphantly answers these questions by giving us intimate access to the life and mind of one of the greatest architects of our time.”—Stephen Greenblatt, Pulitzer-prize-winning author of The Swerve: How the World Became Modern
“Moshe Safdie makes beautiful and important buildings. He makes buildings that envelop, soothe and invigorate you. He makes buildings that infuse into your day and life a sense that bigger things might suddenly be possible. He makes buildings that—whether you have driven past his landmark Habitat in Montreal, toured an exhibit in his searing Yad Vashem Museum in Jerusalem, or spent the night in his epic Marina Sands Hotel—you will never, ever forget. What is remarkable about If Walls Could Speak is that Safdie’s memoir is as unforgettable as anything he has produced out of stone, cement and steel. Safdie takes us on a gripping journey through the stirrings and challenges that gave rise to buildings that have changed whole communities and even nations. But If Walls Could Speak is much more than the memoir of a legendary architect; because of Safdie’s storytelling gifts, it is also a coming-of-age story, a tale of rebellion and redemption, and an inspiring tour of the better part of the last century, in which questions of place, community, and identity collided, and in which one man developed a vision for how he could do his part to improve the experience of living.”—Samantha Power, former United Nations ambassador and bestselling author of The Education of an Idealist
“The world knows Moshe Safdie as an international architect of the greatest modern buildings. With this compelling memoir Safdie will now be known as a beautiful writer who conveys—with elegance, and understanding—what it takes to create a building while telling the story of a long and fascinating life the reader is privileged to share.”—Ruth Rogers, owner/chef of The River Café
Praise for Moshe Safdie:
“Moshe Safdie has continued to practice architecture in the purest and most complete sense of the word, without regard for fashion, with a hunger to follow ideals and ideas across the globe in his teaching, writing, practice and research.”—Boston Society of Architects president Emily Grandstaff-Rice in her nomination letter for the Gold Medal from the American Institute of Architects
Kirkus Reviews
2022-07-13
The internationally renowned architect chronicles his life and describes the evolution of his ideas and major projects.
Safdie was born in 1938 in Haifa, in what is now Israel, where the iconic “Baha’i Gardens, which almost functioned as my backyard, instilled a deep and enduring love of gardens and landscape.” In 1953, his family moved to Montreal, where Safdie graduated from McGill with a bachelor’s degree in architecture. From the beginning of his career, the author was interested in issues of housing, especially how to provide a suburban quality of life, with access to nature and gardens, in urban, high-rise living. An apprenticeship with master architect Louis Kahn taught him the value of internal systems. “We don’t have to sneak these systems in—we can make an architecture that gives all these systems their rightful expression,” writes Safdie. For Montreal's Expo 67, the author created Habitat ’67, comprised of modules prefabricated in an onsite factory. Habitat's slopes of stacked houses, stepping back from floor to floor, create spaces for open gardens on the roofs of the units below. Safdie's later projects, such as planning new districts in Jerusalem and Cambridge, Massachusetts, considered social ideals. For the author, as for the modernists before him, urbanism and architecture are inseparable. In this engaging narrative, he offers intriguing details of design and construction, as well as photos and drawings, for a variety of major projects, including the National Gallery of Canada in Ottawa; the Crystal Bridges Museum of American Art in Bentonville, Arkansas; the Holocaust History Museum at Yad Vashem in Jerusalem, “the most challenging and symbolically demanding project I’ve ever undertaken”; and the "Jewel" environment in Singapore's Changi airport. The author’s main point is that architecture has a responsibility to consider human rights and the needs of an entire society, not just the wealthy—to remain true to “principles that guide communal life.”
A thoughtful, appealing memoir of architecture, creativity, and purpose.
