I Will Never See the World Again: The Memoir of an Imprisoned Writer

I Will Never See the World Again: The Memoir of an Imprisoned Writer

Unabridged — 3 hours, 57 minutes

I Will Never See the World Again: The Memoir of an Imprisoned Writer

I Will Never See the World Again: The Memoir of an Imprisoned Writer

Unabridged — 3 hours, 57 minutes

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Overview

A resilient Turkish writer's inspiring account of his imprisonment that provides crucial insight into political censorship amidst the global rise of authoritarianism.

The destiny I put down in my novel has become mine. I am now under arrest like the hero I created years ago. I await the decision that will determine my future, just as he awaited his. I am unaware of my destiny, which has perhaps already been decided, just as he was unaware of his. I suffer the pathetic torment of profound helplessness, just as he did.

Like a cursed oracle, I foresaw my future years ago not knowing that it was my own.

Confined in a cell four meters long, imprisoned on absurd, Kafkaesque charges, novelist Ahmet Altan is one of many writers persecuted by Recep Tayyip Erdogan's oppressive regime. In this extraordinary memoir, written from his prison cell, Altan reflects upon his sentence, on a life whittled down to a courtyard covered by bars, and on the hope and solace a writer's mind can provide, even in the darkest places.


Editorial Reviews

Publishers Weekly

★ 08/19/2019

A Turkish political prisoner opposes his imagination to the grim reality of oppression in this sometimes harrowing, sometimes luminous memoir. After the failed 2016 coup attempt by members of the Turkish military, novelist Altan (Endgame) was arrested along with his brother Mehmet by President Recep Erdogan’s government and prosecuted for sending “subliminal messages” to coup plotters on a TV show, being a “religious putschist,” and being a “Marxist terrorist,” and was sentenced to life in prison. (His real offense was criticizing the government.) In these essays, Altan vividly evokes the Kafkaesque farce of court proceedings; prison squalor and claustrophobia; the dehumanizing routines of handcuffs, lineups, and confiscations that “carved us out of life like a rotten, maggot-laced chunk from a pear;” a future of heartbreaking constraint in which “I will never see a sky unframed by the walls of a courtyard.” But he’s also buoyed by small kindnesses, the hope of seeing loved ones, a cellmate who refuses police demands to denounce others, and writerly reveries that let him “pass through your walls with ease.” Intertwining gritty detail with lyrical effusion, Altan’s narrative is a searing indictment of Turkey’s authoritarian regime and an inspiring testament to human resilience. (Oct.)

From the Publisher

Urgent…brilliant…a timeless testament to the art and power of writing amid Orwellian repression.” —Washington Post

“Remarkable…Altan’s talent as a writer allowed him to communicate his experience in rich, haunting detail…Despite the oppressive, cruel darkness at the core of Altan’s memoir, his words shine like bioluminescent creatures patrolling the abyss…brilliant.” —NPR

“The title of Mr. Altan’s book is the statement of a brutal fact, rather than a cry of despair. There is not a smidgen of self-pity in the memoir’s 212 pages. What emerges is this: You cannot jail my mind, and you cannot shut me up.” —New York Times

“[I Will Never See the World Again] speaks for itself with such clarity, certainty and wisdom that only one thing needs to be said: read it. And then read it again…a radiant celebration of the inner resources of human beings…Its account of the creative process is sublime, among the most perfectly expressed analyses of that perpetually elusive phenomenon. And it is a triumph of the spirit.” —The Guardian

“An inspiring testament to the human spirit. Through solitary days and aching bones, Altan shows us that dreams can escape the confines of a concrete cell and spread without limits.” —Newsweek

“[I Will Never See the World Again] reads like the travelogue of a restless mind, trapped with its owner inside a cramped prison but determined to stay free.” —The Economist 

“Luminous…Intertwining gritty detail with lyrical effusion, Altan’s narrative is a searing indictment of Turkey’s authoritarian regime and an inspiring testament to human resilience.” —Publishers Weekly (starred review)

“[A] phenomenally inspiring memoir. Despite stifling, Kafka-esque circumstances, Altan channels freedom through his imagination.” —Booklist (starred review)
 
“An inspiring account of the writing life and a chilling glimpse of authoritarianism’s slippery slope.” —Kirkus Reviews

“Both delicate and robust; there is a lyricism to this prose that the reader intuitively feels must somehow transcend language itself…a series of generous, enlightened, and deeply life-affirming meditations on what it means to be human in an inhuman world, Altan’s memoir liberates the soul even as it throws its author’s captivity into excruciatingly sharp relief.” —Irish Times
 
“Eloquent and profoundly affecting…Altan’s account of living with courage and dignity in grossly unjust circumstances is a testament to human endurance, joining the ranks of the greatest prison memoirs.” —The Herald (Scotland)

“I hope that everyone who can read, whatever their politics, reads Ahmet Altan’s response to his imprisonment. Repressive regimes hope that if they lock up writers they are also locking up ideas. This will always fail.” —Neil Gaiman

“From the bowels of Erdoğan’s prison system emerge these meditations on the vicissitudes of justice, products of a richly stocked mind, engrossing, sometimes profound, and remarkable for their equanimity.” —J. M. Coetzee 

“Remember the name Ahmet Altan! Add him to the great voices writing from prison across the centuries—Boethius, Cervantes, Gramsci, Soyinka, Solzhenitsyn—and be moved to tears and indignation by his story.” —Ariel Dorfman

“Ahmet Altan’s memoir is a message in a bottle, a pearl in a bottle, smuggled out to us from Erdoğan’s sea of darkness. A startling, heartbreaking testament, I Will Never See the World Again stands with those very rare books—by Frankl, Niemöller, Grossman, Levi, Solzhenitsyn—which bring truths from a furnace where lives are burned. Read this—it will explain why you ever read anything, why anyone ever writes.” —A. L. Kennedy 

“A deeply moving memoir, which resounds loudly with the sheer pleasure of writing. We owe Ahmet Altan a tremendous debt for the strength he has shown in sharing his story with us.” —Jon McGregor

Kirkus Reviews

2019-08-19
Stark, compact essays about a writer's imprisonment in an increasingly authoritarian Turkey.

In early 2018, Altan (Like a Sword Wound, 2018, etc.), an acclaimed novelist and essayist, was sentenced to life in prison for treason based on televised comments regarding a failed 2016 coup against Turkish President Recep Tayyip Erdoğan. As Philippe Sands recalls in his foreword, "[Altan] spoke with passion and courage, intelligence and humor on the writer's place in a decent society." This recollection aptly reflects this slim compendium of essays, produced by Altan while imprisoned. He sketches the arc of his descent into a demeaning carceral nightmare, beginning with charges of broadcasting "subliminal messages" in support of the coup. Later, this was changed to "putschism," for which he was convicted; one judge cynically told him, "our prosecutors like using words the meanings of which they don't know." Altan was jailed alongside many intellectuals and military officers, and the first essays reflect their initial responses to incarceration. "In a matter of hours," he writes, "I had travelled across five centuries to arrive at the dungeons of the Inquisition." The author acknowledges the harrowing nature of his ordeal, and he positions himself in the tradition of imprisoned writers who respond to their plight by acknowledging its surreal qualities. "I had seen the monstrous face of reality," he writes. "From now on I would live like a man clinging to a single branch." While horrified by his eventual life sentence, he became determined to use the writer's tools and identity to fight both inner despair and his government's persecution: "I must confess that even from within a dark cell, the idea of fighting filled me with such exuberance that I was saying ‘To the end,' with excitement." This spirit infuses the book and lends rhythmic urgency to Altan's voice as he reflects on the intensity of life in a cell, the plights of fellow prisoners, and how to recall loved ones without succumbing to despair.

An inspiring account of the writing life and a chilling glimpse of authoritarianism's slippery slope.

Product Details

BN ID: 2940173944467
Publisher: Penguin Random House
Publication date: 10/01/2019
Edition description: Unabridged

Read an Excerpt

A Single Sentence

I woke up. The doorbell was ringing. I looked at the digital clock by my side, the numbers were blinking 05:42.
“It’s the police,” I said.
Like all dissidents in this country, I went to bed expecting the ring of the doorbell at dawn.
I knew one day they would come for me. Now they had. I had even prepared a set of clothes in an overnight bag so that I would be ready for the police raid and what would follow.
A pair of loose black linen trousers tied with a band inside the waist so there would be no need for a belt, black ankle socks, comfortable soft trainers, a light cotton T-shirt and a dark-colored shirt to be worn over it.
I put on my “raid uniform” and went to the door.
Through the peephole I could see six policemen on the landing, sporting the vests worn by counterterrorism teams during house raids, the acronym “TEM” stamped in large letters on their chests.
I opened the door.
“These are search and arrest orders,” they said as they entered, leaving the door open.
They told me there was a second arrest order for my brother Mehmet Altan, who lived in the same building. A team had waited at his door, but no one had answered.
When I asked which number apartment they had gone to, it turned out they had rung the wrong bell.
I phoned Mehmet.
“We have guests,” I said. “Open the door.”
As I hung up, one of the policemen reached for my phone. “I’ll have that,” he said, and took it.
The six spread out into the apartment and began their search.
Dawn arrived. The sun rose behind the hills with its rays spreading purple, scarlet and lavender waves across the sky, resembling a white rose petal opening.
A peaceful September morning was stirring, unaware of what was happening inside my home.
While the policemen searched the apartment, I put the kettle on.
“Would you like some tea?” I asked. They said they would not.
“It is not a bribe,” I said, imitating my late father, “you can drink some.”
Exactly forty-five years ago, on a morning just like this one, they had raided our house and arrested my father.
My father asked the police if they would like some coffee. When they declined, he laughed and said, “It is not a bribe, you can drink some.”
What I was experiencing was not déjà  vu. Reality was repeating itself. This country moves through history too slowly for time to go forward, so it folds back on itself instead.
Forty-five years had passed and time had returned to the same morning.
During the space of that morning which lasted forty-five years, my father had died and I had grown old, but the dawn and the raid were unchanged.
Mehmet appeared at the open door with the smile on his face I always find reassuring. He was surrounded by policemen.
We said farewell. The police took Mehmet away.
I poured myself tea. I put muesli in a bowl and poured milk over it. I sat in an armchair to drink my tea, eat my muesli and wait for the police to complete their search.
The apartment was quiet.
No sound could be heard other than the police as they moved things around.
They filled thick plastic bags with the two decades-old laptops I had written some of my novels on and therefore could not bring myself to throw away, old-fashioned diskettes that had accumulated over the years and my current laptop.
“Let’s go,” they said.
I took the bag, to which I had added a change of underwear and a couple of books.
We left the building. We got into the police car that was waiting at the gate.
I sat with my bag on my lap. The door closed on me. It is said that the dead do not know that they are dead. According to Anatolian mythology, once the corpse is placed in the grave and covered with dirt and the funeral crowd has begun to disperse, the dead person also tries to get up and go home, only to realize when he hits his head on the coffin lid that he has died.
When the door closed, my head hit the coffin lid. I could not open the door of that car and get out. I could not return home.
Never again would I be able to kiss the woman I love, embrace my kids, meet with my friends, walk the streets. I would not have my room to write in, my machine to write with, my library to reach for. I would not be able to listen to a violin concerto or go on a trip or browse in bookstores or buy bread from a bakery or gaze on the sea or an orange tree or smell the scent of flowers, the grass, the rain, the earth. I would not be able to go to a cinema. I would not be able to eat eggs with sausage or drink a glass of wine or go to a restaurant and order fish. I would not be able to watch the sunrise. I would not be able to call anyone on the phone. No one would be able to call me on the phone. I would not be able to open a door by myself. I would not wake up again in a room with curtains.
Even my name was about to change.
Ahmet Altan would be erased and replaced with the name on the official certificate, Ahmet Hüsrev Altan.
When they asked for my name, I would say “Ahmet Hüsrev Altan.” When they asked where I lived, I would give them the number of a cell.
From now on, others would decide what I did, where I stood, where I slept, what time I got up, what my name was.
I would always be receiving orders: “stop,” “walk,” “enter,” “raise your arms,” “take off your shoes,” “don’t talk.”
The police car was speeding along.
It was the first day of a twelve-day religious holiday. Most people in the city, including the prosecutor who had ordered my arrest, had left on vacation.
The streets were deserted.
The policeman next to me lit a cigarette, then held the packet out to me.
I shook my head no, smiling.
“I only smoke,” I said, “when I am nervous.”
Who knows where this sentence came from. Nowhere in my mind had I chosen to make such a declaration. It was a sentence that put an unbridgeable distance between itself and reality. It ignored reality, ridiculed it, even as I was being transformed into a pitiful bug who could not even open the door of the car he was in, who had lost his right to decide his own future, whose very name was being changed; a bug entangled in the web of a poisonous spider.
It was as if someone inside me, a person whom I could not exactly call “I” but who nevertheless spoke with my voice, through my mouth, and who was therefore a part of me, said as he was being transported in a police car to an iron cage that he only smoked when he was “nervous.”
That single sentence suddenly changed everything.
It divided reality in two, like a Samurai sword that in a single movement cuts through a silk scarf thrown up in the air.
On one side of this reality was a body made of flesh, bone, blood, muscle and nerve that was trapped. On the other side was a mind that did not care about that body and made fun of what would happen to it, a mind that looked from above at what was happening and at what was yet to happen, that believed itself untouchable and that was, therefore, untouchable.
I was like Julius Caesar, who, as soon as he was informed that a large Gallic army was on its way to relieve the besieged occupants of Alesia, had two high walls built – one around the castle to prevent those inside from leaving, and one around his troops to prevent those outside from entering.
My two high walls were built with a single sentence which prevented the mortal threats from entering and the worries accumulating in the deep corners of my mind from exiting, so that the two could not unite to crush me with fear and terror.
I realized once more that when you are faced with a reality that can turn your life upside down, that same sorry reality will sweep you away like a wild flood only if you submit to it and act as it expects you to.
As someone who has been thrown into the dirty, swelling waves of reality, I can say with certainty that its victims are those so-called smart people who believe that you have to act in accordance with it.
There are certain actions and words that are demanded by the events, the dangers and the realities that surround you. Once you refuse to play this assigned role, instead doing and saying the unexpected, reality itself is taken aback; it hits against the rebellious jetties of your mind and breaks into pieces. You then gain the power to collect the fragments together and create from them a new reality in the mind’s safe harbor.
The trick is to do the unexpected, to say the unexpected. Once you can make light of the lance of destiny pointing at your body, you can cheerfully eat the cherries you had filled your hat with, like the unforgettable lieutenant in Pushkin’s story “The Shot” who does exactly that with a gun pointing at his heart.
Like Borges, you can answer the mugger who demands, “Your money or your life,” with, “My life.”
The power you will gain is limitless.
I still don’t know how I came to utter the sentence that transformed everything that was happening to me and my perception of it, nor what its mystical source might be. What I do know is that someone in the police car, the person who was able to say he smoked only when he was nervous, is hidden inside me.
He is made of many voices, laughs, paragraphs, sentences and pain.
Had I not seen my father smile as he was taken away in a police car forty-five years ago; had I not heard from him that the envoy of Carthage, when threatened with torture, put his hand in the embers; had I not known that Seneca consoled his friends as he sat in a bath full of hot water and slit his wrists on Nero’s orders; had I not read that, on the eve of the day he was to be guillotined, Saint-Just had written in a letter that the conditions were difficult only for those who resisted entering the grave and that Epictetus had said when our bodies are enslaved our minds can remain free; had I not learned that Boethius wrote his famous book in a cell awaiting death, I would have been afraid of the reality that surrounded me in that police car. I would not have found the strength to ridicule it and shred it to pieces. Nor would I have been able to utter the sentence with secret laughter that rose from my lungs to my lips. No, I would have cowered with anxiety.
But someone whom I reckon to be made from the illuminated shadows of those magnificent dead reflected in me spoke, and thus managed to change all that was happening.
Reality could not conquer me. Instead, I conquered reality.
In that police car speeding down the sunlit streets, I set the bag that was on my lap onto the floor with a sense of ease, and leaned back.
When we arrived at the Security Department, the car drove through a very large gate at the entrance and started down a winding road. As we descended the slope there was less and less light and the darkness deepened.
At a turn in the road, the car stopped and we got out. We walked through a door into a large underground hall. This was an underworld completely unknown to the people milling about above. It reeked of stone, sweat and damp. It tore from the world all those who passed through its dirty yellow walls, which resembled a forest of sulphur.
In the drab raw light of the naked lamps every face bore the wax dullness of death.
Plainclothes policemen waited to greet us creatures ripped from the world. Past them, a hallway led deeper inside. Piled at the base of the walls were plastic bags that looked like the shapeless belongings of the shipwrecked swept ashore.
The policemen removed the tie from around the waist of my trousers, together with my watch and my ID.
Here in depths without light, the police, with each of their gestures and words, carved us out of life like a rotten, maggot-laced chunk from a pear, severing us from the world of “the living.”
I followed a policeman into the hallway, dragging my feet in laceless shoes. He opened an iron door and we entered a narrow corridor where an oppressive heat grasped me like the claws of a wild beast.
A row of cells behind iron bars ran along the corridor. They were congested with people lying on the floor. With their beards growing long, their eyes tired, their feet bare and their bodies coated in sweat, the boundaries of their existence had melted and they had become a moving mass of flesh.They stared at me with curiosity and unease.
The policeman put me in a cell and locked the door behind me.
I took off my shoes and lay down like the others. In that small cell filled with people, there was no room to stand.
In a matter of hours, I had traveled across five centuries to arrive at the dungeons of the Inquisition.
I smiled at the policeman who was standing outside my cell, watching me.
Viewed from outside, I was one old, white-bearded Ahmet Hüsrev Altan lying down in an airless, lightless iron cage.
But this was only the reality of those who locked me up. For myself, I had changed it.
I was the lieutenant happily eating cherries with a gun pointing at his heart. I was Borges telling the mugger to take his life. I was Caesar building walls around Alesia.
I only smoke when I’m nervous.

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