I Loved You in Another Life

I Loved You in Another Life

Unabridged — 8 hours, 30 minutes

I Loved You in Another Life

I Loved You in Another Life

Unabridged — 8 hours, 30 minutes

Audiobook (Digital)

$25.00
FREE With a B&N Audiobooks Subscription | Cancel Anytime
$0.00

Free with a B&N Audiobooks Subscription | Cancel Anytime

START FREE TRIAL

Already Subscribed? 

Sign in to Your BN.com Account


Listen on the free Barnes & Noble NOOK app


Related collections and offers

FREE

with a B&N Audiobooks Subscription

Or Pay $25.00

Overview

New York Times bestseller David Arnold returns with a poignant love story about two teens whose souls come together time and again through the ages-for fans of Nina LaCour and Matt Haig.

Evan Taft has plans. Take a gap year in Alaska, make sure his little brother and single mother are taken care of, and continue therapy to process his father's departure. But after his mom's unexpected diagnosis, as Evan's plans begin to fade, he hears something: a song no one else can hear, the voice of a mysterious singer . . .

Shosh Bell has dreams. A high school theater legend, she's headed to performing arts college in LA, a star on the rise. But when a drunk driver takes her sister's life, that star fades to black. All that remains is a void-and a soft voice singing in her ear . . .

Over it all, transcending time and space, a celestial bird brings strangers together: from an escaped murderer in 19th century Paris, to a Norwegian kosmonaut in low-earth orbit, something is happening that began long ago, and will long outlast Evan and Shosh. With lyrical prose and original songs (written and recorded by the author), I LOVED YOU IN ANOTHER LIFE explores the history of love, and how some souls are meant for each other-yesterday, today, forever.


* This audiobook edition contains a downloadable PDF with a link to original songs written and recorded by the author.

Editorial Reviews

Publishers Weekly

★ 08/14/2023

In this powerfully heartbreaking speculative love story by Arnold (The Electric Kingdom), two teens are inexplicably drawn to each other across all their previous lives. Following his father’s abandonment and his mother’s breast cancer diagnosis, high school senior Evan Taft is reluctant to apply for his dream gap-year experience in Alaska. Meanwhile, recent high school graduate Shosh Bell drinks to cope with her older sister Stevie’s death; the loss makes her desire to pursue acting at USC feel insignificant. Evan and Shosh are strangers living in the town of Iverton, Ill., when, one day, they both begin hearing a mysterious voice singing haunting lyrics that provide directions to an unknown event. Interstitial chapters depict the two teens as they are pulled together across historical eras and continents throughout their past lives; the songs only they can hear act as a consistent grounding thread. Arnold’s prose is both lyrical and devastating (“Love had run through this house like blood through a vein”), and the narrative’s focus on love and its apparent inevitability helps to lighten the intense tragedies the characters face. Shosh and Evan read as white. Ages 14–up. Agent: Daniel Lazar, Writers House. (Oct.)

From the Publisher

Praise for I Loved You in Another Life

“I LOVED YOU IN ANOTHER LIFE will have your soul soaring! With unmatched lyricism, David Arnold has written a timeless love saga for the ages about two teens whose love outlasts even death itself. I love this book so much.” —Adam Silvera, #1 New York Times bestselling author of They Both Die at the End
 
“Can the power of love follow us from one life to the next? I LOVED YOU IN ANOTHER LIFE dares to say yes. The funniest, saddest, most romantic book on earth.” —Becky Albertalli, #1 New York Times bestselling author of Simon vs. the Homo Sapiens Agenda
 
“With every book, David Arnold’s prodigious imagination expands the bounds of storytelling and how we relate to each other. I LOVED YOU IN ANOTHER LIFE is a stirring, lyrical, and breathtakingly ambitious ode to love that endures across ages.” —Jeff Zentner, award-winning author of The Serpent King

*"In this powerfully heartbreaking speculative love story by Arnold (The Electric Kingdom), two teens are inexplicably drawn to each other across all their previous lives . . . Arnold’s prose is both lyrical and devastating (“Love had run through this house like blood through a vein”), and the narrative’s focus on love and its apparent inevitability helps to lighten the intense tragedies the characters face.”—Publishers Weekly, starred review

*"Achingly human… Despite its moments of sadness, the overall tone of the book is warm and reassuring: love, it claims, will outlive sorrow." —Booklist, starred review

“Poignant prose and snappy dialogue help build the sympathetic characters, adding layers that make the fabulism work . . . Fully captures the intensity of first love.” Kirkus Reviews
 
"Readers will adore this quirky love story that weaves two contemporary souls with the past and the future."School Library Journal

“Arnold’s exquisitely crafted prose conveys raw, unfiltered emotions.”BCCB

School Library Journal

12/22/2023

Gr 8 Up—Two Midwestern teens are adrift as they fail to make decisions about their future. Shosh has graduated from high school and was set to attend college in Los Angeles to become a performing artist. When her sister is killed in a car accident by a drunk driver, Shosh is devastated and freezes in place at home. Evan is a senior and dreams of taking a gap year in Alaska with the Headlands program, but he is so worried about his single mother and seven-year-old brother that he can't imagine what might befall them if he leaves. The two connect at a nearby park when they discover they, but no one else, are hearing the same mysterious songs from a singer they name Nightbird. As their relationship progresses, they learn to accept their pain and begin to heal and make future plans. Interwoven with their story are stories of other lost souls from the past and future, in places like Tokyo and Norway, who find a similar connection. The book is written from multiple characters' points of view. Readers will find Evan's brother's obsession with E.T. charming, and will wish they had a teacher who rooted for them like Shosh's Ms. Clark. Along with the love story, there are heavy themes affecting the characters including alcoholism, mental health issues, divorce, cancer, and death. VERDICT Teen readers will adore this quirky love story that weaves two contemporary souls with the past and the future.—Elizabeth Kahn

JANUARY 2024 - AudioFile

Narrators Michael Crouch, Carlotta Brentan, and Sigrid Zeiner narrate this hopeful story of love past and present. Shosh and Evan lead aimless lives until they are brought together by a song only they can hear. Brentan crafts a weary, sardonic voice for Shosh, a former theater star who is struggling with alcoholism and grief. The song leads her to Evan, a teenager whose anxiety and family troubles have him reconsidering his postgraduation plans. Crouch's youthful voice for Evan never disappoints; his pace and pitch wonderfully capture the introspective teen. Listeners are treated to various performances of the mysterious song--Brentan, in particular, performs a delightful acoustic version. Zeiner lends her eloquent voice to interludes between chapters that chronicle soulmates brought together by the same ethereal force. J.E.C. © AudioFile 2024, Portland, Maine

Kirkus Reviews

2023-08-11
Two teens who are feeling stuck find in each other what they need to move on.

Shosh Bell and her sister were best friends. Her sister’s death turned Shosh’s life upside down, putting her promising acting career on hold. Evan Taft has been avoiding finishing his application for the six-month wilderness education program in Alaska that he’s been dreaming of for ages due to his fascination with northern climes. He’s worried about leaving his mom, who’s being treated for breast cancer, and even more so his E.T.-obsessed 7-year-old brother. An almost overwhelming adoration for their siblings isn’t the only thing that Evan and Shosh have in common: They both can hear music that no one else can perceive, and it seems to be pulling the two of them together. When they do finally meet, they have an immediate connection and a feeling that they’ve known each other before. Their alternating points of view are interspersed with stories from the past and future—1832 Paris, 1953 Tokyo, 2109 Oslo—showing that maybe these two souls are destined to find each other across multiple lifetimes. Poignant prose and snappy dialogue help build the sympathetic characters, adding layers that make the fabulism work, but the overabundant pop-culture references in the contemporary storyline will quickly date the book. The main characters are white in the present-day timeline.

Fully captures the intensity of first love. (Romance. 14-18)

Product Details

BN ID: 2940178128121
Publisher: Penguin Random House
Publication date: 10/10/2023
Edition description: Unabridged

Read an Excerpt

EVAN
a bird in a tree at night
My little brother prefers corners. He likes sitting quietly in them, and I just wish people understood that sitting quietly in a corner is not universal code for I am sad, I am lonely, please save me. All it means for sure is that the quiet kid in the corner would like to sit quietly in the corner, and can we not ascribe our own sets of values to quiet kids in corners the world over? It’s not like it costs us anything. It’s not like we were using that corner to begin with. And look, I’m sure there are some quiet kids in some corners who are sad and lonely and need saving. All I’m saying is, let’s not assume they all are. Silence and sadness are not the same things. And I wish more people understood that, is all.
“Okay,” says Ali, and she holds back my hair so I don’t get vomit in it, and even though I can’t see her, I know she has that look in her eyes, the soft one, the one she saves for when she wants me to know I am seen. And so I ramble about quiet kids, and she knows I’m talking about my brother, Will. She knows this because she sees me.
“You won’t love me after this,” I say.
“Eh.”
“There’s no way you love me after this.”
“I mean, it’s mostly you who loves me, anyway.”
I laugh between heaves and feel the sudden urge to plant character flags. “This doesn’t mean anything, you know.”
“I know,” says Ali.
“I’m a responsible adult, basically.”
She says, “Just breathe, Evan,” and I wonder if she was in the basement back at the party when Heather said that thing about all the important stuff in life being easy. Like how our bodies breathe on their own, even when we sleep, and how our hearts keep beating no matter what, and that’s when I had to leave the party. Were you there, Ali? Do you know why I had to leave the party? I left because the heart is a muscle. I left because of what happens to muscles that don’t get used over long periods of time, and even though that basement was packed with people, all I could hear were mottled voices, all I could feel were cruel hands, all I could see were hungry eyes.
Do you understand, Ali? I left the party because of atrophy. And if I think too hard about it now, I’m afraid I’ll stop breathing. If I think too hard about it, I’m afraid my own heart will stop beating, and then whose heart will glow to Will?
“Mine,” Ali says. “And anyway, that’s not why you left the party.”
“It’s not?”
“No. You left for the same reason you drank three and a half vodka tonics. Which, for a constitution as delicate as yours, is roughly the equivalent of injecting a shrew with enough sedative to fell a baby moose.” Ali gathers a loose strand of my hair, gently tucks it into her fist behind my head. “You got shit-­faced and ran because of what Heather said about Will.”
I wipe my mouth with the back of my hand and stand up straight. We’re in the park down the road from Heather Abernathy’s house, which is as far as I could get before my stomach attempted to annex my internal organs.
“Heather Abernathy is a sack of shit,” says Ali. “And her name should be illegal, it’s impossible to fucking say.”
O, Ali Pilgrim! She of the soft eyes and quick wit, whose heart is pure, whose amity is fierce, and whose hammer never missed a nailhead. No one understands us, what we have. It’s not in books or movies. I’ve never once heard a song and thought, Oh, that’s Ali and me. When two people spend most of their time together, misinterpretation is inevitable, though not surprising, given the world’s preoccupation with the Horny Teen. It’s like it never occurred to anyone that I might love my best friend simply for being awesome. (And to be clear, I am routinely horny, just not for Ali.)
Anyway, they don’t write about us, even though we exist all over the place.
“You okay?” she asks.
“I feel like my stomach punched my throat in the dick.”
Ali nods. “I find your biologically acrobatic metaphor appropriate.”
In addition to the tears, the throbbing head, the furious retching, it’s also late August in Iverton, Illinois, a uniquely miserable combination for anyone prone to crotch sweat (yours truly), so yeah, I’m a blessed mess, basically.
The park is silent.
A bird sits quietly in a nearby tree, watching us.
“Have you ever seen that?”
Ali turns to look. “Yes, I have seen a bird before.”
Right, but I read this thing once about a scientist in the seventeenth century who believed birds migrated to the moon, because all he knew was that his favorite birds disappeared at the same time every year. He even calculated how long it would take to get to the moon, which apparently coincided with migration cycles, and since science in the 1600s wasn’t exactly flush with cosmic data (vis-­à-­vis atmospheric pressure in space), when he theorized that birds were sustained by excess fat on their interstellar voyage, and when he said they slept through most of their two-­month journey to the moon, everyone was like, Yeah, probably, that’s it.
“You’re a chatty drunk.” Ali looks from the bird to me. “Though most people get less articulate.”
“I’ve just never seen one like this. At night. Sitting like that.”
I imagine this bird soaring through the outer reaches of space, alone and asleep, and it’s the most peaceful thing.
A song plays from one of the houses surrounding the park; it’s quiet but full, a beautiful kind of sad. I close my eyes and listen to the woman singing, imagine the notes floating from a nearby window, bouncing around the playground equipment, the trees. Her voice is a whispery echo, intimate and tortured, and even though the lyrics are imperceptible, you don’t need to perceive them to know her pain.
With some songs, the scar is obvious even if the wound isn’t.
“I am concerned about you, Evan.”
I want to tell her she should be. That my old life is a building collapsed, my new one a sad composite fashioned from rubble. But before I can get the words out, nausea roils again, and I must return to the bushes. Ali resumes her posture of protection, pulling back my hair as I let my insides out, and I think of the ways Heather Abernathy was wrong: breathing isn’t easy, not for me; maybe I don’t have to tell my heart to keep beating, but it’s a runaway train these days; mostly, Heather Abernathy was wrong when she said that thing about my brother. “Heather Abernathy is a sack of shit,” I say, and now I’m crying as I vomit, and Ali sort of hugs me with one arm, guards my hair with the other.
The song echoes through the park; the bird sits quietly on high.
“I’m a responsible adult, basically,” I say.
Ali says she knows, and I wonder how it’s possible to love someone so absolutely and hate them so entirely for seeing me so completely.

From the B&N Reads Blog

Customer Reviews