Hum

by Ann Lauterbach

Overview

From Hum:

Things are incidental
Someone is weeping

I weep for the incidental
The days are beautiful

Tomorrow was yesterday
The days are beautiful

Since the mid-1970s, Ann Lauterbach has explored the ways in which language simultaneously captures and forfeits our experience. In Hum, her seventh collection of poetry, loss and the unexpected (the title poem was written directly in response to witnessing the events of 9/11) play against the reassurances of repetition and narrative story. By turns elegant, fierce, and sensuous, her musically charged poems move from the pictorial or imagistic to a heightened sense of the aural or musical in order to depict the world humming with vibrations of every kind from every source—the world as a form of life.

Product Details

ISBN-13:	9781101660485
Publisher:	Penguin Publishing Group
Publication date:	04/05/2005
Series:	Penguin Poets
Sold by:	Penguin Group
Format:	eBook
Pages:	128
File size:	347 KB
Age Range:	18 Years

About the Author

Ann Lauterbach is Ruth and David Schwab III Professor of Language and Literature at Bard College. Her work has received fellowship support from the Guggenheim Foundation, the Ingram Merrill Foundation, and the John D. and Catherine C. MacArthur Foundation. She has published six collections of poetry, including If in Time: Selected Poems 1975-2000.

Editorial Reviews

"Maybe what is interesting will also be beautiful," writes Lauterbach at the opening of her seventh collection of poems, knowingly marking out a world that exists after beauty, after emotion, after nature-after everything that traditionally makes poetry. Her speaker is determined to make the absence of beauty beautiful without being postmodern; the poems are abstract and slippery, and yield their meanings with reluctant late modernist grace. The book is organized into three sections, the first attending chiefly to sound, the second to visual art, the third to 9/11. The poems limn a space somewhere between the world-as-given and the ideal, concentrating on language's dual relationship to experience, "[a]s if `life' could touch its metaphors." The title poem addresses 9/11 in a series of simple declarative sentences, which repeat at intervals: "The days are beautiful./ The towers are yesterday." A poem about a Malevich painting argues for abstraction always derived from the concrete: "the square was only/ a boy with his knapsack/ a woman crossing his path." When her speaker, at intervals, simply gives it up ("I'm lonely for the integrity of sacred life, not religion, but love's/ trove, its coil around sex"), the hum of this book becomes a chorus of angels. (Apr.) FYI: Penguin will also publish Lauterbach's The Night Sky, a prose collection centering on the column she wrote for the American Poetry Review 1996-1999 ($25.95 272p ISBN 0-670-03410-X; May). Copyright 2005 Reed Business Information.

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