Kaleidoscopic … An admirably ambitious and absorbing exploration of activism, betrayal and daily life in interesting times, of increasing relevance in many parts of the world.”
—Sarah Moss, New York Times
“C.A. Davids is one of South Africa's most innovative writers. In How to be a Revolutionary she has written a global novel which explores the hopes and disappointments of twentieth-century revolutions in a series of vivid portraits, one of which is a sensitively realised vision of Langston Hughes. How to be a Revolutionary is a novel that will interest anybody who has found out in his or her personal life how difficult—yet how necessary—it is to try to change the world.”
—Imraan Coovadia, author of A Spy in Time
“An ambitious book, brimming with subtle insights and documenting the human cost of oppression and injustice on three continents.”
— Vikas Swarup, author of Slumdog Millionaire
“I loved How To Be A Revolutionary. This placing side by side of a Chinese, a South African, and an African American together should not work, yet she makes it do so authentically. It is a brave book and I pray that the world reads it with as much delight as I have and sees what a beautiful thing C.A. Davids has created.”
— Jennifer Nansuguba Makumbi, author of The First Woman / A Girl is a Body of Water
“How To Be A Revolutionary is that rare political thriller with an epic sweep. Deftly interweaving upheavals in three countries, C.A. Davids brilliantly dissects the ways we deceive ourselves and fail to live up to our highest ideals while still holding out hope that we can yet wake up and make atonements.”
— Nawaaz Ahmed, author of Radiant Fugitives
“How to be a Revolutionary is a potent and timely meditation on the on-going global struggle for truth, justice, and transparency. Compellingly written and beautifully composed, the novel is both an evocation of the inherent relationship between the personal and the political and a moving testament to how different manifestations of courage are shaped by the unique challenges of the contexts from which they emerge.”
— Ladee Hubbard, author of The Rib King and The Talented Ribkins, winner of the Hurston-Wright Legacy Award
“How to be a Revolutionary draws a line of startling connection from Harlem to Shanghai to Cape Town, traveling through the twentieth century and right up to the present. Part literary thriller for the age of rampant state surveillance, part excavation of the kinds of memories that shame nations, it tells stories of ordinary people united by a determination to improve the lot of the many, often at great personal risk to themselves. Through a virtuosic summoning of voices, each clear in its register and compelling in its force, Davids has written a book of and for the moment through which we are living. It is a brave and necessary work, illuminating the complex energies that tie together North and South, East and West, in surprising and often chilling ways. This is a novel of astonishing empathetic powers.”
— Patrick Flanery, author of I Am No One
“C.A. Davids is a wonder, moving effortlessly between generations and continents, through whispers and whirlwinds, conjuring up not only the physical details of four very different places, but their emotional thrum as well. And all the while, she keeps a steady eye on her characters, who reconcile life's injustices and indignities by simply refusing to live by lies. It's the rare novel that prompts your mind to range far and wide, your lungs to breathe more deeply. I loved it.”
— Brigid Pasulka, author of The Sun and Other Stars
“How to Be a Revolutionary is a novel about the costs of remembering the past and the far more dire consequences of forgetting it.”
—Eileen Gonzalez, Foreword
“South African novelist Davids delivers a politically charged story of love and espionage. An intriguing story that…winds its way to an elegantly satisfying conclusion.”
—Kirkus Review
“Deeply rewarding and pleasurable.”
—Khairani Barokka, White Review (“Books of the Year 2021”)
“There is much to admire here: Davids is excellent on the grind of daily life under repressive regimes, whether it be the brutal terror of apartheid South Africa or the technocratic surveillance state that is present-day China.”
—Peter Whittaker, New Internationalist
“History, like revolutions, is complicated, and Davids is sensitive in her portrayal of the impossible choices that ordinary people face during moments of acute political crisis.”
—Rhian Sasseen, Paris Review
“C.A. Davids doesn’t shy away from confronting big issues that constitute the human condition today. At its heart is the question of how the specific events and actions that comprise the lives of individuals might speak to, and indeed influence, a shared social consciousness.”
—Mark Rappolt, ArtReview
“Exquisite … the sheer beauty of the prose and the shrewdness of the observations will keep the reader entranced.”
—Glen Retief, Mail & Guardian
“How to Be a Revolutionary is a fabulous, sometimes frightening flight of transnational imagination, a truly original debut novel by C.A. Davids. The parallel tales of these three uncertain ‘revolutionaries’ include a fictional story of the poet Langston Hughes, and traverse across time and place, from the 1930’s to the present day, circling around Shanghai, Cape Town and Harlem. This novel could be a textbook for how to write politics and history into a novel, without sentimentality or self-righteous ideology, because Davids’ characters are all vital, flawed and persuasively real. As well, the narrative is rooted in a deep understanding of the political histories and worlds it portrays. This is also a profound and complex investigation of what it means to be both privileged and oppressed, and how there are no easy choices on either the ‘right’ or ‘wrong’ side of history. A fascinating read that takes you into many hearts of darkness. Davids is a talented new voice, and a visionary storyteller of the inescapable histories and experiences that connect us all.”
—Xu Xi, author of Insignificance
“Davids’s book is haunted by the spectacle of ANC leaders, even and especially the most venal and corrupt, mouthing revolutionary slogans while behaving as an entrenched, parasitic elite. The novel gives us an intimate and empathetic investigation of the personal stakes of political disillusionment. How does a decent person assimilate into an indecent ruling order? What is a revolutionary, nurtured in the tradition of a particular party, to do in the face of its latter-day rot?”
—Hilary Lynd, Los Angeles Review of Books
2021-11-16
South African novelist Davids delivers a politically charged story of love and espionage.
Beth, a South African consul long in the post-apartheid government’s service, arrives in Shanghai to take up a new post. Disconcertingly, on moving into her new apartment, she is kept awake by someone’s pounding on a typewriter late into the night. Although he denies being that “pertinacious typist,” Huang Zhao comes by to ask for an English word that means “something like ‘sad,’ but not ‘sad.’ ” The mystery deepens when Beth asks Huang for a context in which to place that word, a context he refuses to provide. He has reason to be sad, having lived through poverty and the Cultural Revolution and, as a Party-hack journalist, witnessed the events of June 1989 at Tiananmen Square: “I, Huang Zhao, a decent but cowardly man, testify that when the smoke cleared, the beautiful girl who had been seated weeks earlier against the lamppost no longer wore her face. No, it was stuck to the underside of a tank’s metallic wheels.” Davids spins several tales on parallel tracks, one involving a visit to Shanghai by the Harlem Renaissance poet Langston Hughes and the trouble it earns him both with the Japanese invaders of China and, later, with the House Un-American Activities Committee; another recounts Beth’s college friend Kay, killed while assembling a bomb intended for an apartheid-era police station. Hughes’ story doesn’t quite fit, although it affords entry into a long history of racism throughout the world; as Davids has Hughes say, “Some people cross to the other side of the road when they see me coming, as if I am contaminated, as if my skin is a disease rather than a beautiful shade of black.” Racism meets sexism meets political brouhaha when Beth, with her “brown-beige skin,” is charged with misconduct for smuggling the now-disappeared Huang’s memoir out of China and is sent home.
An intriguing story that, with occasional missteps, winds its way to an elegantly satisfying conclusion.
