Homegirls & Handgrenades

by Sonia Sanchez

Overview

Winner of the American Book Award

A classic of the Black Arts Movement brought back to life in a refreshed edition

“A lion in literature’s forest. When she writes she roars, and when she sleeps other creatures walk gingerly.”—Maya Angelou

Originally published in 1984, this collection of prose, prose poems, and lyric verses is as fresh and radical today as it was then. Sonia Sanchez, the premiere poet of the Black Arts Movement, shows the “razor blades” in clenched in her teeth in these powerful pieces.

Product Details

ISBN-13:	9780807012956
Publisher:	Beacon Press
Publication date:	03/21/2023
Series:	Celebrating Black Women Writers , #8
Pages:	112
Sales rank:	1,108,506
Product dimensions:	5.34(w) x 7.97(h) x 0.32(d)

About the Author

Poet, playwright, educator, and activist Sonia Sanchez is the author of seventeen books including Homecoming, We a BaddDDD People, Under a Soprano Sky, Wounded in the House of a Friend, Does Your House Have Lions? Like the Singing Coming Off the Drums, Shake Loose My Skin and most recently, Collected Poems. Among hundreds of honors she has received are the Langston Hughes Poetry Award, the Robert Frost Medal, the Wallace Stevens Award, the Dorothy and Lillian Gish Prize, the Jackson Poetry Prize, the Edward MacDowell Medal, and the Anisfield-Wolf Lifetime Achievement Award.

Homegirls & Handgrenades won the 1985 American Book award, and Does Your House Have Lions? was a finalist for the National Book Critics Circle Award.

Sonia Sanchez has taught and lectured at over 500 universities and colleges in the United States and has traveled extensively, reading her poetry in Africa, Australia, Cuba, England, the Caribbean, Norway, Canada, and the People’s Republic of China. She was the first Presidential Fellow at Temple University in Philadelphia, where she held the Laura Carnell Chair in English until her retirement in 1999.

Table of Contents

THE POWER OF LOVE

Poem No. 10
Welcome Home, My Prince
After the Fifth Day
Haiku
Story
Haiku
“Just Don’t Never Give Up on Love”

BLUES IS BULLETS

Poem Written After Reading Wright’s “American Hunger”
Blues
Norma
Depression
Ballad
To All Brothers: From All Sisters
Poem No. 12
A Song
After Saturday Night Comes Sunday

BEYOND THE FALLOUT

Bluebirdbluebirdthrumywindow
Haiku
I Have Walked a Long Time
Kaleidoscope
On Passing thru Morgantown, Pa.
Masks
On Seeing a Pacifist Burn
Traveling on an Amtrak Train Could Humanize You

GRENADES ARE NOT FREE

Bubba
A Poem for Paul
From a Black Feminist Conference
Haiku
A Letter to Ezekiel Mphahlele
Reflections After the June 12th March for Disarmament
A Letter to Dr. Martin Luther King
MIAS

About the Author

What People are Saying About This

Margaret Walker

This book is another expression of the continuing creativity of Sonia Sanchez. Some pieces are plaintive and poignant, others are tough and militant, but all are significant, brilliant and original. Here again is another example of Black speech, a vernacular familiar to all who know and love this author's previous work.

Editorial Reviews

Sonia Sanchez’s poetry is a must for all readers. Period.”
—Essence

“With an unblinking and critical poet’s eye, Sonia Sanchez has been setting her readers straight, telling the ‘terrible beauty,’ and reflecting images in ways that simultaneously solicit tears and laughter . . . . She has not given up the struggle to let her poetry be what she refers to as a ‘call to arms’ for her people.”
—Juanita Johnson-Bailey, Ms.

“Only a poet with an innocent heart can exorcise so much pain with so much beauty.”
—Isabel Allende

“Sonia Sanchez is a lion in literature’s forest. When she writes she roars, and when she sleeps other creatures walk gingerly. . . . This world is a better place because of Sonia Sanchez: move livable, more laughable, more manageable. I wish millions of people knew that some of the joy in their lives comes from the fact that Sonia Sanchez is writing poetry.”
—Maya Angelou

“Her songs of destruction and loss scrape the heart; her praise songs thunder and revitalize. We need these songs for our journey together into the next century.”
—Joy Harjo

From the Publisher